'The Best British Poetry 2014' presents the finest and most engaging poems found in literary magazines and webzines over the past year. The material gathered represents the rich variety of current UK poetry. Each poem is accompanied by a note by the poet explaining the inspiration for the poem.

**SHORTLISTED FOR THE T. S. ELIOT PRIZE** The poems in Ephemeron deal with the short-lived and transitory - whether it's the brief, urgent lives of the first section, 'Insect Love Songs', the abrupt, anguished, physical and emotional changes during secondary school, as remembered in 'Boarding-School Tales', or parenting's day-by-day shifts through love and fear, hurt and healing, in 'Daughter Mother'. The long central section, 'Translations from the Pasiphae', gathers these themes together in a blistering, unforgettable re-telling of the Greek myth of the Minotaur, as seen from the point of view of the bull-child's mother - the betrayed and violated Pasiphae. The familiar legend of the dashing male hero slaying the monster in the labyrinth is transformed here into a story of ordinary people caught up in an extraordinary cycle of violence, power and the abuse of power. At the centre lies Pasiphae calling for her son: 'They took him away from me/and they killed him in the dark, for years.' Telling uncomfortable truths, going deep into male and female drives and desires, our most tender and vulnerable places, and speaking of them in frank, unshrinking ways - these poems are afraid, certainly, but also beautiful, resolute and brave.

**WINNER OF THE FORWARD PRIZE FOR BEST COLLECTION 2019** **WINNER OF THE ROEHAMPTON PRIZE FOR BEST POETRY COLLECTION 2019** Violence hangs over this book like an electric storm. Beginning with a poem about the teenage dawning of sexuality, Vertigo & Ghost pitches quickly into a long sequence of graphic, stunning pieces about Zeus as a serial rapist, for whom woman are prey and sex is weaponised. These are frank, brilliant, devastating poems of vulnerability and rage, and as Zeus is confronted with aggressions both personal and historical, his house comes crumbling down. A disturbing contemporary world is exposed, in which violent acts against women continue to be perpetrated on a daily - hourly - basis. The book shifts, in its second half, to an intimate and lyrical document of depression and family life. It sounds out the complex and ambivalent terrain of early motherhood - its anxieties and claustrophobias as well as its gifts of tenderness and love - reclaiming the sanctuary of domestic private life, and the right to raise children in peace and safety. Vertigo & Ghost is an important, necessary book, hugely impressive in its range and risk, and dramatic in its currency: a collection that speaks out with clarity, grace and bravery against the abuse of power. **SHORTLISTED FOR THE 2020 RATHBONES FOLIO PRIZE** **SHORTLISTED FOR THE 2019 T. S. ELIOT PRIZE** 'Misogynistic violence, ancient myth and modern rage confront each other in moving and dynamic verse' Financial Times

Winner of the 2015 Geoffrey Faber Memorial Prize Winner of the 2015 Seamus Heaney Centre for Poetry Prize for First Full Collection Shortlisted for the 2015 T. S. Eliot Prize Shortlisted for the 2014 Forward Prize for Best First Collection In this remarkable, intensely moving, first collection, Fiona Benson shows her fascination with human experience. The poems move on archaeological fast-forward from submerged Devonian forests and a Paleolithic cave-bear skull to the site of decommissioned submarines at HMNB Devonport, where the sea is 'still a torpedo-path, / an Armageddon road'. She explores the shared human continuum of bodily longing - from the Prehistoric maker of a wooden fertility fetish, to a modern-day couple wading through summer pollen - and the timeless cycles of conception, birth and child-rearing. A central sequence of dramatic monologues addressed to Van Gogh allows for a focussed exploration of depression, violence, passion and creativity. In these poems, as in all the poems in this impressive debut, we feel keenly the sense of life lived at the edge of threat - catastrophe, even - but also on the cusp of beauty and happiness. Other poems about the bewildering loss of miscarriage are hard to read and impossible to forget, moving with grace and authority through great grief to arrive at a hard-won destination of selfless, unqualified love. 'I remember again / the corridor / of the labour ward // and that woman / sitting weeping / with her man // having given birth / to a death - / small grey face, // no breath, / something you cannot help / but love - // habibi, akushla, /I go home alone / but carry you, // courie you, / little slipped thing, / to the ends of the earth.'