6 December 2013, Johannesburg. Gin has returned home from New York to throw a party for her mother's eightieth birthday; a few blocks away, at the Residence, Nelson Mandela's family prepares to announce Tata's death... So begins Johannesburg, Fiona Melrose's searing second novel.

An irascible mother, an anxious daughter trying to negotiate her birthplace and her past, her former lover, their domestic workers, a homeless hunchback fighting for justice, a mining magnate, a troubled novelist called Virginia - these are the characters who give voice to the city on a day hot with nerves and tension and history.

Set across the course of a single day, responsive to Virginia Woolf's Mrs Dalloway, Johannesburg is a profound hymn to an extraordinary city, and a devastating personal and political manifesto on love.

6 December 2013. It is a searing hot day in Johannesburg. Gin has returned to the city of her birth to throw a party for her mother's eightieth birthday. She is determined, with lists and meals and flower arrangements, to show that she has become a fully capable woman. She knows, deep down, her mother will only ever see a lost cause. Meanwhile outside, crowds of citizens and the world's media have gathered to hear the expected announcement: Nelson Mandela has died. Set across the course of a single momentous day and narrated by a chorus of voices, Fiona Melrose's second novel is a hymn to an extraordinary city and its people, an ambitious homage to Virginia Woolf's Mrs Dalloway, and a devastating personal and political manifesto on mothers and daughters, justice and love. 'Beautifully observed' Mail on Sunday 'Woolf produced blooms that are impossible to emulate. Johannesburg provides evidence of a novelist who can grow inimitable flowers herself' Spectator

'Finely judged writing like this comes from a place of instinct, and it marks Melrose out as someone to watch . . . Midwinter is a great success' Melissa Harrison, Guardian Father and Son, Landyn and Vale Midwinter, are Suffolk farmers, living together on land their family has worked for generations. But they are haunted there by a past they have long refused to confront: the death of Cecelia, beloved wife and mother, when Vale was just a child. Both men have carried her loss, unspoken. Until now. With the onset of a mauling winter, something between them snaps. While Vale makes increasingly desperate decisions, Landyn retreats, finding solace in the land, his animals - and a vixen who haunts the farm and seems to bring with her both comfort and protection. Tender and lyrical, alive to language and nature, Midwinter is a novel about guilt, blame, lost opportunities and, ultimately, it is a story about love and the lengths we will go to find our way home. 'Melrose elegantly weaves narratives detailing the men's internal tumult with lush descriptions of their natural surroundings . . . A moving story about the cruelty of chance, modern masculinity and the transformative power of the bonds between men' Financial Times 'I have rarely read a narrative voice as distinctive as Landyn's, and the loving depiction of regional English working-class masculinity is unusual and timely . . . This is certainly not a light-hearted book, but it offers the true consolation of some very good writing' Sarah Moss, TLS 'A penetrating study of grief and guilt' Daily Mail