'What is valuable about this volume is its diversity and eclecticism. The book will be a useful resource, particularly for the teaching of feminist theatre and performance.' - New Theatre Quarterly

Lydia Weekes is a beautiful young woman, although she hardly knows it. Her volatile ex-soldier husband ignores her & then he is gone completely, leaving her to support her son Charlie on her own. A secretive & perceptive schoolboy, Charlie is increasingly left to his own devices - until he befriends the town's new female GP

The Galapagos archipelago in the Pacific Ocean is a place of extraordinary biodiversity, home to species found nowhere else on Earth and synonymous with the discoveries of Charles Darwin. But it is also a place of competing interests: those of the rare animals and plants, the scientists who are trying to conserve them, the settlers from Ecuador seeking a way to support themselves, and the tourists who travel across the world to encounter the astonishing environment. Galapagos is the result of a five-year artists' residency programme set up by the Galapagos Conservation Trust, working with the Charles Darwin Foundation, as a unique way of highlighting some of the complex issues that relate to the islands. Twelve international artists were invited to engage with the Galapagos on their own terms, to mix with the local and the scientific communities, to find inspiration for original new work and eventually to share it with a wide audience. The artworks and essays in this book prompt comparisons with other places in the world that are beset by multiple demands. Artists: Jyll Bradley, Paulo Catrica, Filipa Cesar, Marcus Coates, Dorothy Cross (accompanied by Fiona Shaw), Alexis Deacon, Jeremy Deller, Tania Kovats, Kaffe Matthews, Semiconductor (Ruth Jarman and Joe Gerhardt) and Alison Turnbull.

The border's closed, Jake said. No one can get into Scotland, just like no one can cross the Channel . . .This is England and it's no longer a free country. The Government can track anyone, anywhere, from a chip implanted at birth. But Jake has escaped from his Academy orphanage, and he's got to get to Scotland with his dog, Jet. When the Outwalkers gang grabs him, they go off-grid while the Government hunts for them. The closer they get to Scotland, the more dangerous it is. Because now, it's not only their own lives that are at stake . . .

A secret love which has a whole town talking ... and a small boy very worried. Lydia Weekes is distraught at the break-up of her marriage. When her young son, Charlie, makes friends with the local doctor, Jean Markham, her life is turned upside down. Charlie tells his secrets to no one but the bees, but even he can't keep his mother's friendship to himself. The locals don't like things done differently. As Lydia and the doctor become closer, the rumours start to fly and threaten to shatter Charlie's world.

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This audiobook in The Thursday Murder Club series is read by a new narrator, Fiona Shaw.

A new mystery is afoot in the third book in the Thursday Murder Club series from record-breaking, bestselling author Richard Osman.

This audiobook includes an exclusive interview between Richard Osman and journalist and TV presenter Steph McGovern.

It is an ordinary Thursday, and things should finally be returning to normal.

Except trouble is never far away where the Thursday Murder Club are concerned. A local news legend is on the hunt for a sensational headline, and soon the gang are hot on the trail of two murders, ten years apart.

To make matters worse, a new nemesis pays Elizabeth a visit, presenting her with a deadly mission: kill or be killed...

While Elizabeth grapples with her conscience (and a gun), the gang and their unlikely new friends (including TV stars, money launderers and ex-KGB colonels) unravel a new mystery. But can they catch the culprit and save Elizabeth before the murderer strikes again?

What is the significance of theatre and performance within Irish culture and history? How do we understand the impact and political potential of Irish theatre?
This innovative survey of theatre in Ireland covers a range of drama and performance, from the 17th century to the present. Expanding the field of Irish theatre to include mumming, wake games, prison protests and theatre riots, the book argues that Ireland's longstanding association with performance illuminates key aspects of its cultural history and politics. This compact and affordable book provides an innovative introduction to Irish theatre and cultural history.