Penguin publishes forty-five of the nation’s top 100 favourite titles. If you haven’t read them yet, then now’s your chance to enjoy some of the nation’s favourite reads in our special 3-for-2 offer.

Choose any three titles from The Big Read promotion and get the cheapest one FREE.

Please note: Your shopping basket will show the list price of each item with a subtotal and your discount will be applied at the checkout.

'I have never been in love; it is not my way, or my nature, and I do not think I ever shall'

Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protégée Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work. 

This edition includes a new chronology, additional suggestions for further reading, and the original Penguin Classics introduction by Tony Tanner.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality colourful, tactile cloth with foil stamped into the design. Beautiful, clever, rich - and single - Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work.

The beauty of flowers is well known, inspiring creative minds from Botticelli to Beatrix Potter. But they've also played a key part in forming the past, and may shape our future. Roses and thistles have served as symbols of monarchs, dynasties and nations. We wear poppies to remember the First World War, but it was the elderflower that treated its wounded soldiers. A rose might mend a broken heart, and sunflowers may just save our planet. At once enchanting and intriguing, The Brief Life of Flowers reveals how even the most ordinary of flowers have extraordinary stories to tell.

This Penguin Classics Deluxe Edition celebrates 200 years of Austen's beloved novel. With a beautiful cover designed by illustrator Dadu Shin and comprehensive notes sourced from the Jane Austen Collection, this is an edition to be treasured by students and collectors alike. With its imperfect but charming heroine and its witty and subtle exploration of relationships, Emma is often seen as Jane Austen's most flawless work. Beautiful, clever, rich-and single-Emma Woodhouse is perfectly content with her life and sees no need for either love or marriage. Nothing, however, delights her more than interfering in the romantic lives of others. But when she ignores the warnings of her good friend Mr. Knightley and attempts to arrange a suitable match for her protegee Harriet Smith, her carefully laid plans soon unravel and have consequences that she never expected.

How can poems so firmly attached to particular regions speak to readers far away, who might have no knowledge of the places featuring in the work? Why do writers turn to their own communities for materials? In this thought-provoking and beautifully written book, Fiona Stafford explores the relationship between the local, the national, and the global through the consideration of works by writers whose feeling for place is especially evident. Heaney, Burns, Wordsworth, Scott, Lamb, and Dickens are key figures in the development of a new kind of literature that discovered universal meaning in local truth.
Local Attachments begins with Seamus Heaney's Nobel Lecture, 'Crediting Poetry', which is at once a celebration of local work in a global context and a passionate defence of the place of lyric poetry in modern society. The focus then shifts to the Romantic period, when local detail ceased to be regarded as a sign of limitation and the idea that it is essential to art with any aspiration to permanence became established in British and Irish culture. Stafford explores both the presence of the local in literary texts by a wide range of writers and the cultural, philosophical and political contexts that might have contributed to this phenomenon. Wordsworth's creative recovery in the Lake District is an exemplary case, illuminating both Heaney's work and that of his immediate contemporaries and heirs. Since Wordsworth is a foundational figure, the book traces his efforts to achieve a poetry adequate to very difficult contemporary circumstances by returning to his native hills to create work that might live. His own project drew vital inspiration from the poetry of Burns and also found corroboration in the work Scott, so the book examines their independent explorations of the creative benefits - and problems attending - local attachment. It also considers the meaning of Burns and Wordsworth's local poems for those in very different circumstances - London writers such as Keats, Lamb and Dickens, whose works are considered in some detail in their own right and as representative of the implications of the great Romantic discovery of the local. The book concludes by addressing the continuing appeal of the local in modern, urban society and reaffirms the vital importance of poetry as a response to social crises.

Red squirrels and red kites, drained lakes and flooded valleys, sulphurous springs and sea-filled caves. The land, sea and skyscapes of the UK are constantly shifting. Species, landmarks and ways of life slip in and out of existence, and firm ground is often just out of reach. Weaving together stories drawn from literature, local history and her own family heritage, Oxford professor Fiona Stafford leads us along coastlines and through forests and fens, revealing the forces, both natural and human, which leave places unrecognisably changed. Following in the footsteps of John Keats, Charles Dickens, and Wilkie Collins, Time and Tide takes a zig-zag path from the monkey puzzles planted in Cornish coastal gardens to the wave-beaten rocks of Fingal's Cave. The book offers glimpses into the past - washed-up debris from a Spanish Armada wreck and red ochre drawings on the walls of caves - and a sense of nature's resilience that gives us hope for the future. A lyrical, literary and personal response to the endlessly surprising landscapes of the UK.

Although Jane Austen famously referred to Emma as a heroine "whom no one but myself will much like," the irony of her remark has been obvious since the first appearance of her novel in December 1815. The central character may have attracted diverse reactions, but there can be no doubt about the endless enjoyment afforded to generations of readers. The essays in this collection demonstrate the varied delights of reading Emma. Most have been written in the last twenty years, but each draws on the cumulative body of scholarship and critical analysis that has built up since the novel was first published. The purpose of the collection is to introduce readers of Austen to new ways of interpreting her most substantial and rewarding novel. Each essay engages with Emma, but there is considerable dialogue taking place between the different approaches, which collectively contributes to the enriched readings of Austen's work. The collection opens with an introduction encouraging readers to re-read Emma, and to find its pleasures magnified by the critical interpretations and scholarship represented in this casebook.

In a series of illuminating close readings, Fiona Stafford explores the use of earlier poems as starting points for new work. Each chapter discusses a Scottish, English, or Irish poem that begins with a line from one of the other national literatures of the British Isles, considering whether issues of originality, influence, and inheritance are essentially political as well as literary.

In Lord Byron's lifetime, details of his travels were widely known through poems set in different countries, ranging from his homes in Scotland and England, through Europe and the Middle East, to the South Pacific and into extra-terrestrial realms. At the same time, a much more personal story was being shared with friends and family. Even when divided from those whose company he most enjoyed, Byron continued to share his thoughts and feelings about wherever he happened to be. His compulsive letter-writing reveals a strong desire to reach across space, to connect and reconnect with those elsewhere. While his memoirs did not survive the ceremonial posthumous bonfire at 50 Albemarle Street, many of Byron's correspondents treasured every word in their possession. This means a remarkable legacy has been preserved in letters that still seem as alive with conversational energy as when they were dashed off more than two hundred years ago. Through Byron's letters and journals, we are still able to become mental travellers, transported across time and space by this brilliant, mercurial, magnificent and often maddening writer.

'Listen, Stranger!' Wordsworth and Coleridge's joint collection of poems has often been singled out as the founding text of English Romanticism. Within this initially unassuming, anonymous volume were many of the poems that came to define their age and which have continued to delight readers ever since, including 'The Rime of the Ancient Mariner', the 'Lucy' poems, 'Lines written a few miles above Tintern Abbey', 'A Slumber did my Spirit seal' and many more. Wordsworth's famous Preface is a manifesto not just for Romanticism but for poetry in general. This is the only edition to print both the original 1798 collection and the expanded 1802 edition, with the fullest version of the Preface and Wordsworth's important Appendix on Poetic Diction. It offers modern readers a sense of what it was like to encounter Lyrical Ballads for the first time, and to see how it developed. Important letters are included, as well as a wide-ranging introduction and generous notes. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

A lyrical tribute to the diversity of trees, their physical beauty, their special characteristics and uses, and their ever-evolving meanings Since the beginnings of history trees have served humankind in countless useful ways, but our relationship with trees has many dimensions beyond mere practicality. Trees are so entwined with human experience that diverse species have inspired their own stories, myths, songs, poems, paintings, and spiritual meanings. Some have achieved status as religious, cultural, or national symbols. In this beautifully illustrated volume Fiona Stafford offers intimate, detailed explorations of seventeen common trees, from ash and apple to pine, oak, cypress, and willow. The author also pays homage to particular trees, such as the fabled Ankerwyke Yew, under which Henry VIII courted Anne Boleyn, and the spectacular cherry trees of Washington, D.C. Stafford discusses practical uses of wood past and present, tree diseases and environmental threats, and trees' potential contributions toward slowing global climate change. Brimming with unusual topics and intriguing facts, this book celebrates trees and their long, long lives as our inspiring and beloved natural companions.

This book features new essays on Burns' special place in Scottish, English and Irish literary culture. This volume examines the innovative and technically accomplished nature of Burns' poetry. Close readings explore his dialogues with earlier poets such as John Milton, Thomas Gray, Allan Ramsay and Robert Fergusson and these sit alongside analyses of the creative responses of his contemporaries and literary heirs including William Wordsworth, James Hogg, Thomas Dermody, Hugh MacDiarmid, George Mackay Brown, Don Paterson and Seamus Heaney. They demonstrate how Burns drew on Scottish vernacular traditions, English poetry and 18th-century sentimentalism to create his own, new kind of poetry. The contributors include leading poet-critics Douglas Dunn and the award-winning Burns author Robert Crawford alongside experts in poetry criticism Stephen Gill and Patrick Crotty. It features two poems written especially for the volume by Bernard O'Donoghue and Andrew McNeillie.