Football is so much more than the billionaire owners and eye-watering signing fees that dominate the headlines. Look beyond the Premiership and the World Cup, the sublime brilliance of Messi and Mbappé, and you’ll find a story unparalleled in the world of sport.

From England, France and Germany to Palestine, South Africa and Brazil, A People’s History of Football reveals how the ‘beautiful game’ has been a powerful instrument of emancipation for workers, feminists, anti-colonialist activists, young people and protesters around the world.

Countering the clichés about football fans, Mickaël Correia dives into football countercultures born after the Second World War, from English hooligans to the ultras who played a central role in the ‘Arab Spring’. And with chapters on anti-fascism, the women’s game, and the rise in community-owned clubs, Correia reminds us that football can be a powerful social and political force – as generous as it is subversive.

Renato Cisneros's great-great-grandmother Nicolasa bore seven children by her long-term secret love, who was also her priest, raising them alone in nineteenth century Peru. More than a century later, Renato, the descendent of that clandestine affair, struggles to wring information about his origins out of recalcitrant relatives, whose foibles match the adventures and dalliances of their ancestors. As buried secrets are brought into the light, the story of Nicolasa's progeny unfolds, bound up with key moments in the development of the Republic of Peru since its independence.

'This is an impressive book. In writing it the author demonstrates great talent, as well as great courage.' **-Mario Vargas Llosa ** If I succeed in understanding who he was before I was born, perhaps I will be able to understand who I am now that he is dead...In this sprawling family saga stretching across Latin America, a son embarks on a journey to understand his complex relationship with his father and how it shaped the man he is today. Recalling Gabriel Garcia Marquez's _One Hundred Years of Solitude _and Isabel Allende's House of the Spirits, the renowned journalist and writer Renato Cisneros probes deep into his own family history to try to come to terms with his father, General Luis Federico 'The Gaucho' Cisneros, a leading, controversial figure in the oppressive military regime that held power in Peru during the 1970s and 1980s, a tortuous period marked by state-sanctioned terrorism and the rise of the Shining Path.Selling over 35,000 copies in Peru alone, The Distance Between Us is at once excruciating in its honesty and deeply moving in its universal relevance. Selected for a slew of international prizes, it is now available in English for the first time.

Tracing a circular course that echoes Bach's Goldberg Variations, Luis Sagasti's second book to appear in English takes the guise of a musical scheherazade, recounting story after story, vibrating to celestial harmonies. From the music born of the sun to the music sent into space on the Voyager mission, from Rothko to rock music, from the composers of the concentration camps to a weeping room for Argentinian conscripts in the Falklands, A Musical Offering traverses the shifting sands of fiction and history.

How do we even begin to narrate the history of the world? Where do we start, and where do we end? Fireflies is Sagasti's bold and original attempt to answer these questions. Roaming across time and geography, he lights on an eclectic array of characters and events that at first glance seem unrelated, and teases out their stories to reveal unexpected points of contact between them. Stanley Kubrick, Joseph Beuys, Antoine de Saint-Exupery, Neil Armstrong, Ludwig Wittgenstein, the Beatles, Japanese poets, Brazilian priests, Russian cosmonauts and many more cross these pages, and Sagasti finds common threads that weave them together into a single narrative.The fireflies themselves perhaps provide the key to understanding this book. They become a metaphor for the resistance of certain luminous moments, certain twinkling fragments of history, to the passing of time. They remind us that events do not always simply disappear neatly into the darkness, but rather remain, floating in the air, lighting up the night sky indefinitely. Sagasti shows us that the present moment, like this novel, is a tapestry woven of a multiplicity of times.Using his unique, poetic and keenly observant style, Sagasti transforms the accidents of history into a single, lyrical constellation, and for the reader it is an extraordinary sight.

This novel focuses on a group of characters who are all in different ways endeavouring to take control of their fate. Their desire to lead a genuine existence forces them to confront difficult decisions, and to break out of comfortable routines.Karl and Marina have been together for ten years and have a young son, Simon. Karl is a German-born oboist at Argentina's national orchestra, and Marina is a meteorologist. On a field trip, she meets fellow researcher Zarate, and what might have been just a fling starts to erode the foundations of her marriage. Then there is Amer, a dynamic and successful taxidermist. At a group therapy session for smokers, Amer falls for the younger Clara. While the relationship between Karl and Marina disintegrates, the love story between Amer and Clara is just beginning - or is it already at an end? One of Argentina's leading contemporary writers, Jorge Consiglio portrays the inner worlds of these characters through the minute details of their everyday lives, laying bare their strivings and their frustrations with a wry gaze, and seeking in this close-up texture a deeper truth.

If you look closely at people you can find crazy smiles and healing smiles, sweet smiles, contagious ones, even hairy and genial smiles. Marion is losing her baby teeth and all she's got is a straggly smile. Her brother Nino helps her to discover what is beautiful about her changing smile, while he discovers in his neighbor Fabiana that the prettiest girls are the ones who send messages when they smile. Reading to children between 7 and 14 years.