Craft metal has endless decorative possibilities. It is pliable and can be wrapped around or adhered to any surface you can imagine.

This book is all about using coloured craft metal – decorating it by means of embossing, cutting out designs, adding further colour, taking away colour and filling in 3D designs and much more – to customise blanks and found objects for your home. You will learn more about the metal and supporting mediums, and how to use the tools and familiarise yourself with several techniques, all of which can be applied in making more than 50 decorative and functional items.

The original projects were designed and created specifically to show-case a variety of techniques and applications, including:

• Transferring and tracing designs
• Creating texture by means of inexpensive handheld tools or manual processes
• Using an embossing machine such as the cuttlebug™ for textures, patterns and die-cuts
• Finishing techniques such as sanding, ageing and painting
• Upcycling and repurposing
• Tips and tricks to simplify processes

The projects range from beginners to advanced level and from quick ideas to masterpieces that will take longer to complete. Magnificent photographs of the finished objects will inspire you while step-by-step instructions and photographs will help you to get started right away.

Handwerkmetaal het eindelose versierpotensiaal. Dit is buigsaam en kan om bykans enige oppervlak gevou of daarop geplak word. Hierdie boek fokus op gekleurde handwerkmetaal - hoe dit versier kan word met bosseleerwerk, uitsnywerk, die byvoeg of wegneem van kleur, 3D-ontwerpe wat ingevul word en vele meer - en hoe jy daarmee unieke items vir jou tuiste kan skep. Leer meer oor metaal en items waarop dit aangebring kan word, hoe om die nodige gereedskap te gebruik, en hoe om verskeie tegnieke toe te pas wat almal gebruik kan word om die meer as 50 dekoratiewe of funksionele items te skep. Die oorspronklike projekte is spesifiek ontwerp en geskep om die groot verskeidenheid tegnieke en toepassings te demonstreer, soos: Die oordra en natrek van ontwerpe; Hoe om met eenvoudige handgereedskap tekstuur te skep; Die gebruik van bosseleerapparaat soos die cuttlebug om tekstuur, patrone en uitsnywerk te skep; Afrondingstegnieke soos skuurwerk, veroudering en verf; Herwinning en hergebruik; Wenke en raad om prosesse te vereenvoudig. Daar is projekte vir alle vaardigheidsvlakke, van beginners tot gesoute handwerkers, en maklike items wat blitsvinnig gemaak kan word tot meesterstukke wat langer sal neem om te voltooi. Manjifieke foto's van die voltooide items sal jou inspireer en jy kan danksy die stap-vir-stap foto's en aanwysings sommer dadelik aan die werk spring.

One of the best children's books about love and family, I Prayed For You reveals how far a mother's love can go.

This local edition of the beautiful story follows Mommy Bear's path from before birth to her child's first day at school and how she prays for and over her child.

I prayed for you features beautiful artwork by Frank Endersby plus a prayer on every double-page spread. This book is ideal for parents to read to their children before bedtime, as a start-off to daily time with God.

A seasonal sticker book stuffed with activities and puzzles to complete. Get ready for a holly jolly time with this Christmas activity book! Turn the pages and make your way through merry mazes, festive doodles, and snowy search-and-finds. With colourful illustrations and more than 85 puffy stickers to add to the pages, this book provides hours of activity cheer and is sure to get kids in the holiday spirit. Makes a great stocking stuffer too!

Floral is an impressive coffee-table book that aims to archive the biodiversity of our planet, because climate change is now threatening every second plant species. To record the uniqueness and beauty of our nature for posterity, botanical gardens and photographer Richard Fischer have launched an unprecedented art project. At the peak of their life cycle, Fischer photographs the plant with a sophisticated macro technique in his studio. To do this, he uses special light that brings out the filigree structures of his floral photographic model particularly well.  The result is outstanding photographs that leave the viewer in rapt amazement, for we have never perceived nature in this way. Richard Fischer presents himself as a Master of Fine Art Photography and creates close-ups of blossoms and flowers that seem almost mystically alien at first glance. The photographer has not simply done nature photography for the illustrated book Floral. His works are art. In the close-ups, every little hair and every vein of leaf becomes visible. The plants appear transparent and yet in bright colours.  Text in English and German.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.