Contemporary events which have catastrophic global ramifications such as the current economic crisis or on-going conflicts across the globe are not only mediated by super-fast digital communication and information networks, but also conditioned by the presence of rapidly advancing technologies. From social network sites like YouTube and Facebook to global satellite news channels like Al Jazeera or the BBC World Service, digital forms of culture have multiplied in recent years, creating global conduits and connections which shape our lives in many ways. Bringing together an interdisciplinary group of scholars, this book addresses how new technologies have impacted discussions of identity, place and nation, and how they are shifting the parameters of postcolonial thought. Each chapter reflects on current research in its respective field, and presents new directions on the interconnection between new technologies and the postcolonial in a contemporary context. Offering a major intervention in debates around global networks, this thought-provoking collection highlights innovative research on new technologies, and its impact on a 'postcolonial' world. This book was originally published as a special issue of the Journal of Postcolonial Writing.

This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author's arguments about post-independence postcolonial India. Focusing on different genres of Indian popular cinema, such as the 'Social', 'Mythological' and 'Historical', Stadtler examines how Rushdie's writing foregrounds the epic, the mythic, the tragic and the comic, linking them in storylines narrated in cinematic parameters. The book shows that Indian popular cinema's syncretism becomes an aesthetic marker in Rushdie's fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which 'India' has become identified in a global context. Also highlighted are Rushdie's uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie's storylines with modes of cinematic representation to explore questions about the role, place and space of the individual in relation to a fast-changing social, economic and political space in India and the wider world.

South Asians have lived in Britain for centuries. From the first trade conducted between the two nations along the Silk Route to the adoption of Chicken Tikka Masala as a national dish, the ongoing mutual exchange of cultures continues to flourish today. Asian Britain vividly charts Britain's process of coming to terms with the historic realities of its culturally diverse past and present. This extraordinary photographic history draws upon culture, film, music, the military, business, the suffragist movement and the different phases of historic settlement of Asian migrants from the subcontinent, the Caribbean and East Africa. Personalities from the arts, business, politics and sport appear alongside the pioneers - the first female law student at Oxford, the first Indian RAF pilots, the first Asian MP - and of equal significance are the experiences and history of the ordinary immigrants.

This book analyses the novels of Salman Rushdie and their stylistic conventions in the context of Indian popular cinema and its role in the elaboration of the author's arguments about post-independence postcolonial India. Focusing on different genres of Indian popular cinema, such as the 'Social', 'Mythological' and 'Historical', Stadtler examines how Rushdie's writing foregrounds the epic, the mythic, the tragic and the comic, linking them in storylines narrated in cinematic parameters. The book shows that Indian popular cinema's syncretism becomes an aesthetic marker in Rushdie's fiction that allows him to elaborate on the multiplicity of Indian identity, both on the subcontinent and abroad, and illustrates how Rushdie uses Indian popular cinema in his narratives to express an aesthetics of hybridity and a particular conceptualization of culture with which 'India' has become identified in a global context. Also highlighted are Rushdie's uses of cinema to inflect his reading of India as a pluralist nation and of the hybrid space occupied by the Indian diaspora across the world. The book connects Rushdie's storylines with modes of cinematic representation to explore questions about the role, place and space of the individual in relation to a fast-changing social, economic and political space in India and the wider world.

Contemporary events which have catastrophic global ramifications such as the current economic crisis or on-going conflicts across the globe are not only mediated by super-fast digital communication and information networks, but also conditioned by the presence of rapidly advancing technologies. From social network sites like YouTube and Facebook to global satellite news channels like Al Jazeera or the BBC World Service, digital forms of culture have multiplied in recent years, creating global conduits and connections which shape our lives in many ways. Bringing together an interdisciplinary group of scholars, this book addresses how new technologies have impacted discussions of identity, place and nation, and how they are shifting the parameters of postcolonial thought. Each chapter reflects on current research in its respective field, and presents new directions on the interconnection between new technologies and the postcolonial in a contemporary context. Offering a major intervention in debates around global networks, this thought-provoking collection highlights innovative research on new technologies, and its impact on a 'postcolonial' world. This book was originally published as a special issue of the Journal of Postcolonial Writing.

This invaluable sourcebook intervenes in contemporary debates about Britain's heritage by illuminating the remarkable, yet still overlooked, impact that South Asians had on shaping the nature of British culture, politics and national identity during the period 1870-1950. The first anthology of primary material interdisciplinary devoted to the study of the history of the South Asian presence in Britain over the period, it selects a wide range of official and non-official archival sources. It identifies four key areas of South Asian impact - minority rights, war, culture and reception, and representation. Highlighting the current relevance of South Asian engagement, it projects contemporary national concerns back into the past and offers alternative ways of conceiving of the making of modern Britain. -- .

This sourcebook offers alternative ways of conceiving of the making of modern Britain. It intervenes in contemporary debates about Britain's heritage by illuminating the remarkable, yet still overlooked, impact that South Asians had on shaping the nature of British culture, politics and national identity during the period 1870-1950. The first anthology of primary material interdisciplinary study of the history of the South Asian presence in Britain over the period, it selects a wide range of official and non-official archival sources. and identifies four key areas of South Asian impact - minority rights, war, culture and reception, and representation. The current relevance of South Asian engagement is underscored, projecting contemporary national concerns back into the past. -- .