Andre and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does Andre feel like he isn't there at all? Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019.

The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London and subsequently to Wyndham's Theatre in the West End. Florian Zeller's The Father was awarded the Moliere Award for Best Play and the Olivier and Tony Awards for Best Actor.

Anne loved the time in her life when she prepared breakfast each morning for her two young children. Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out. The Mother premiered at the Ustinov Studio, Theatre Royal, Bath and transferred to the Tricycle Theatre, London. It was awarded the Moliere Award 2011 for Best Play and Best Actress.

He can't help himself and he plunges into the forest. until the moment it dawns on him: night has fallen and he is completely lost. Pierre finds himself at a turning point, tormented by the conflicting demands of family, career and sexual desire. His struggle to resolve this crisis, without fracturing his marriage or compromising his comfortable way of life, is explored in original and unsettling ways. Florian Zeller's raw and mysterious play, translated by Christopher Hampton, premieres at Hampstead Theatre, London, in February 2022. I'm telling you a story, if that's all right by you. Apparently you've no objection to telling stories yourself. Am I right?

The Mother Anne loved the time in her life when she prepared breakfast each morning for her two young children. Years later, spending hours alone, Anne convinces herself that her husband is having an affair. If only her son were to break-up with his girlfriend. He would return home and come down for breakfast. She would put on her new red dress and they would go out. The Mother, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath, and premiered in May 2015. Florian Zeller's The Mother was awarded the Moliere Award for Best Play 2011. The Father 'A wonderfully peculiar, quietly stunning depiction of dementia... A controlled, unforgettable portrait of losing your memory.' Times 'A vivid, lucent translation by Christopher Hampton.' Observer 'One of the most acute, absorbing and distressing portraits of dementia I've ever seen.' Daily Telegraph 'A play that constantly confounds expectations and works almost like a thriller, with a sinister Pinteresque edge.' Guardian The Father, in this English translation by Christopher Hampton, was commissioned by the Ustinov Studio, Theatre Royal, Bath and premiered in October 2014. The production transferred to the Tricycle Theatre, London, in May 2015. Florian Zeller's The Father was awarded the Moliere Award for Best Play 2014.

Nicolas is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. A different school, a fresh start. When he senses he isn't wanted there, he decides to go back to his mother's. But what happens when the options dry up? I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son completes a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premiered at the Kiln Theatre, London, in February 2019, and transferred to the Duke of York's Theatre in August.

In Florian Zeller's The Lie, a companion piece to his earlier play The Truth, Michel and Laurence are coming for dinner. But Alice has spotted Michel kissing another woman that very afternoon, leaving her with a dilemma. Her husband Paul believes it is better to behave as if nothing has happened; Alice is far from sure. An argument ensues and as their own relationship is held up to scrutiny, the question as to who is being protected and why grows ever more difficult to answer. Translated by Christopher Hampton, The Lie received its English language world premiere at the Menier Chocolate Factory, London, in September 2017.

Florian Zeller's Lovers or Something Like It is a true novel for our time, a story of the futility of love for the lost souls of Generation X. When disaffected young Parisian Tristan meets pretty, fragile Amelie he is thrown off guard by his feelings for her. He had sworn to stay single forever, loving and leaving a trail of heartbroken women in his wake. He hasn't done anything to deserve falling in love: why him and why Amelie? Is she really so special? Tristan is torn between tenderness and desire, and as their relationship grows ever more complex, he finds it impossible to avoid betrayal. Lovers or Something Like It is an intelligent and sensitive portrayal of the doubts and desires of a new generation, suffering from the agony of indecision and facing too many choices to feel true contentment. 'One of the hottest literary talents in France' - Chris Schuler, The Independent 'An intellectual prodigy.' - Observer 'There is a drop of Kundera in there, and a whiff of Houllebecq. But what strikes you is a breathless, edgy, almost stifled sincerity' - Le Figaro 'Florian Zeller has a talent that can be frightening. This knowledge of life, these descriptions of feelings, this disturbing perception of love, this apprehension of death ... each page of the novel contains something astonishing ... Zeller is disarming. More than promising he is bursting with talent.' -Aurelie SarotMetroFlorian Zeller (born in 1979) is a critically acclaimed French novelist and playwright, the recipient of numerous literary awards, a university lecturer at the prestigious Sciences-Po in Paris, and a journalist for Paris Match, Vogueand Vol de Nuit. For his first novel Artificial Snow he received the Hachette Foundation Literary Prize, the Writing Talent Award from the Jean-Luc Lagardere Foundation and the New Writer Award from the Prince Pierre of Monaco Foundation.His third novel The Fascination of Evil, received the Prix Interallie, and he has been awarded the Prix Jeune Theatre de l'Academie Francaise for his plays. He lives in Paris with his wife, the model, actress and sculptor Marine Delterme. His novels Artificial Snow (Neiges Artificielles), Lovers or Something Like It (Les amants du n importe quoi), Julien Parme and The Fascination of Evil (La fascination du pire) are all available from Pushkin Press.

Andre and Madeleine have been in love for over fifty years. This weekend, as their daughters visit, something feels unusual. A bunch of flowers arrive, but who sent them? A woman from the past turns up, but who is she? And why does Andre feel like he isn't there at all? Christopher Hampton's translation of Florian Zeller's The Height of the Storm was first performed at Richmond Theatre, London, and opened in the West End at Wyndham's Theatre in October 2018.

Two couples. Friendship, suspicion, deceit. And the truth. Florian Zeller's The Truth, in the English translation by Christopher Hampton, premiered at The Chocolate Factory, London, in association with Theatre Royal Bath. It follows the phenomenal success of The Father (Theatre Royal Bath, Tricycle, London and West End) and The Mother (Theatre Royal Bath, Tricycle, London), both by Florian Zeller and translated by Christopher Hampton.