Egmond's study investigates horticultural techniques, fashions in the collection of rare plants, botanical experimentation and methods of scientific evaluation, as well as tracking the exchange of knowledge. Central to this activity is the figure of Carolus Clusius (1526-1609), the first truly scientific botanist.

Egmond's study investigates horticultural techniques, fashions in the collection of rare plants, botanical experimentation and methods of scientific evaluation, as well as tracking the exchange of knowledge. Central to this activity is the figure of Carolus Clusius (1526-1609), the first truly scientific botanist.

First published in 2007, this volume explores the importance of correspondence and communication to cultural exchanges in early modern Europe. Leading historians examine the correspondence of scholars, scientists, spies, merchants, politicians, artists, collectors, noblemen, artisans, and even illiterate peasants. Geographically the volume ranges across the whole of Europe, occasionally going beyond its confines to investigate exchanges between Europe and Asia or the New World. Above all, it studies the different networks of exchange in Europe and the various functions and meanings that correspondence had for members of different strata in European society during the early age of printing. This entails looking at different material supports from manuscripts and printed letters to newsletters and at different types of exchanges from the familial, scientific and artistic to political and professional correspondence. This is a ground-breaking reassessment of the status of information in early modern Europe and a major contribution to the field of information and communication.

A strong preoccupation with the human body - often manifested in startling ways - is a characteristic shared by early modern Europeans and their present-day counterparts. Whilst modern manifestations of this interest include body piercing, tattoos, plastic surgery and eating disorders, early modern preoccupations encompassed such diverse phenomena as monstrous births and physical deformity, body snatching, public dissection, flagellation, judicial torture and public punishment. This volume explores such extreme manifestations of early modern bodily obsessions and fascinations, and their wider cultural significance. Agreeing that an interest in physical boundaries, extreme physical manifestations and situations developed and grew stronger during the early modern period, the essays in this volume investigate whether this interest can be traced in a wider range of cultural phenomena, and should therefore be given a prominent place in any future characterization of the early modern period. Taken as a whole, the volume can be read as an attempt to create a new context in which to explore the cultural history of the human body, as well as the metaphors of research and investigation themselves.

Image-transforming techniques such as close-up, time lapse, and layering are generally associated with the age of photography, but as Florike Egmond shows in this book, they were already being used half a millennium ago. Exploring the world of natural history drawings from the Renaissance, Eye for Detail shows how the function of identification led to image manipulation techniques that will look uncannily familiar to the modern viewer. Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century. "

First published in 2007, this volume explores the importance of correspondence and communication to cultural exchanges in early modern Europe. Leading historians examine the correspondence of scholars, scientists, spies, merchants, politicians, artists, collectors, noblemen, artisans, and even illiterate peasants. Geographically the volume ranges across the whole of Europe, occasionally going beyond its confines to investigate exchanges between Europe and Asia or the New World. Above all, it studies the different networks of exchange in Europe and the various functions and meanings that correspondence had for members of different strata in European society during the early age of printing. This entails looking at different material supports from manuscripts and printed letters to newsletters and at different types of exchanges from the familial, scientific and artistic to political and professional correspondence. This is a ground-breaking reassessment of the status of information in early modern Europe and a major contribution to the field of information and communication.

At a time when the enlarged European Community asserts the humanist values uniting its members, this series of four volumes, featuring leading scholars from twelve countries, seeks to uncover the deep but hidden unities shaping a common European past. These volumes examine the domains of religion, the city, communication and information, the conception of man and the use of material goods, identifying the links which endured and were strengthened through ceaseless cultural exchanges, even during this time of endless wars and religious disputes. Volume I examines the role of religion as a vehicle for cultural exchange. Volume II surveys the reception of foreigners within the cities of early modern Europe. Volume III explores the place of information and communication in early modern Europe. Volume IV reveals how cultural exchange played a central role in the fashioning of a first European identity.