Attorney Rhonda Bird returns home to LA to bury her estranged father, and discovers that he left her two final surprises.

The first is a private detective agency that he set up after leaving his job as an accountant; the second is a teenage half sister named Baby.

When Rhonda goes into her father's old office to close down the business, she gets drawn into a case involving a young man who claims he was abducted. The investigation takes Rhonda and Baby to dark and dangerous places, and they become the target of a criminal cartel seeking revenge . . .

The enemy is in our waters . . .

July 1941

Having left England to join his father in the South Africa, Lieutenant Jack Pembroke has found a new home – and a new love – in Cape Town and is put in command of a small, anti-submarine flotilla at the Royal Navy base in Simonstown. He has precious little time to train his men, and prepare his ships, for the arrival of deadly Nazi wolf packs – U-boats sent by Admiral Dönitz from bases in France to cripple the Cape convoy route. With the Mediterranean all-but closed to maritime traffic, and Rommel’s forces rampaging through North Africa, this sea route is vital to supplying Allied forces in Egypt at a critical point in World War II.

Everything will hang in the balance with the arrival of the enemy in South African waters. Gruppe Savanne comprises five long-range Uboats under the command of Fregattenkapitän Wolfgang Brand, a hardened veteran, who will stretch the Cape’s defences to the limit. On board he carries a South African spy and ardent Nazi, who is to be landed on the West Coast to start a campaign of sabotage, assassination and rebellion bent on toppling the pro-British government of Prime Minister Jan Smuts.

With the spy safely ashore, and the Cape Peninsula under attack, Jack must now escort a convoy to Durban with the U-boat pack lying in wait. So begins a cat-and-mouse game that will push Jack and his men to breaking point. The Wolf Hunt is the second book in the thrilling Jack Pembroke series, each of which is a stand-alone story.

The updated third edition of A Guide to Project Management has been extensively updated to reflect changes in the processes and procedures of project management, global trends and international standards, and the expansion of the Project Management Body of Knowledge.

It also includes a new chapter on Project Management and Development Studies. There are extensive self-assessment questions, group activities, exercises, and guidelines for the completion of a summative assignment/portfolio of evidence based on SAQA Unit Standards and chapter outcomes.

Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than 80 poems, Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process.

"These poems were written in an attempt to excise the illness that had taken root in me because of my silence. I've spent my entire life keeping the secrets of men, my body aches from carrying the weight of their sins. My freedom lives in these pages, and I hope that my words can inspire others to take back their happiness and their identity by using their voice to illuminate what's been buried, but not forgotten, in the darkness," says Fox.

Pretty Boys Are Poisonous marks the powerful debut from one of the most well-known women of our time. Turn the page, bite the apple, and sink your teeth into the most deliciously compelling and addictive book you'll read all year.

December 1941. It’s the height of World War II and the fate of the world hangs in the balance.

Lieutenant Jack Pembroke is ordered to join a convoy and sail his beloved ship, HMSAS Gannet, from South Africa to Egypt, where he will join the coastal escorts. With the Mediterranean all but closed to maritime traffic and Rommel’s forces rampaging across North Africa, it seems unlikely Gannet will survive.

Jack finds passionate romance with a Spanish beauty in exotic Alexandria but is soon thrust into battle while escorting ships running supplies to the beleaguered town of Tobruk, home of the Second South African Infantry Division. With the pressure building and ships around him being sunk by enemy bombers, Jack must deal with his own trauma while leading his men to safety.

It all comes to a head when Tobruk is surrounded, about to fall to Axis forces, with Gannet still trapped in the port.

Hell Run Tobruk is the third book in the thrilling Jack Pembroke series, each of which is a stand-alone story.

“Let us, then, set off together on a series of journeys around South Africa with an old kitbag full of books instead of maps to guide us. Let us follow meandering paths through the landscapes of literature, and celebrate how local authors, characters and readers are shaped and inspired by place …”

In this gripping travelogue, Justin Fox goes on a one-of-a-kind journey. Marrying his love for travel and writing, he sets off to explore the places of his favourite books. From the mountainous eastern Karoo of Olive Schreiner to the big-game lowveld of Sir Percy Fitzpatrick, from Deneys Reitz’s wide-open Cape interior to the bushveld of Eugène Marais’s Waterberg, Fox reveals the majestic power of place. Through the savannah of Herman Charles Bosman’s Marico, the dusty plains of JM Coetzee’s Moordenaars Karoo, the forests of Dalene Matthee’s Garden Route, the subtropical hamlets of Zakes Mda’s Wild Coast, and finally the sandstone crags of Stephen Watson’s Cederberg, he brings to life the settings we’ve only seen through characters’ eyes.

Place is a moving love letter to South Africa, merging literature and landscape, and taking the reader on a breath-taking journey – into the heart of South Africa’s spectacular landscape and the inner-worlds of its most celebrated authors.

The hotly anticipated sequel to the bestselling 2 Sisters Detective Agency.

Rhonda and Barbara “Baby” Bird are half-sisters—and full partners in their Los Angeles detective agency. They agree on nothing.

Rhonda, a former attorney, takes a by-the-book approach to solving crimes, while teenage Baby relies on her street smarts. But when they take a controversial case of a loner whose popular wife has gone missing, they’re accused of being PIs who can’t tell a client from a killer.

The Bird sisters share a late father, but not much else…except their willingness to fight.

Fight the system. Fight for the underdog. Fight for the truth. If they can stop fighting each other long enough to work together.

It's the perfect getaway. But the past will always find you . . .

When ex-cop Bill Robinson takes over The Inn by the Sea, all he wants is a quiet escape from the city.

But when a crime boss moves into town and begins terrorising Bill's friends, he can't just sit back and watch.

It's not long before local criminals are turning up dead and The Inn comes under attack.

With the help of The Inn's fearless residents, Bill must do everything he can to defend his town, his chosen family, and his home.

Symposium LL, 'Scientific Basis for Nuclear Waste Management XXXVI', was held November 25-30 at the 2012 MRS Fall Meeting in Boston, Massachusetts. This Symposium continues to set the research agenda in the field of radioactive waste management, charting the development of waste processing, conditioning, packaging and disposal. Symposium XXXVI featured 77 presentations, delivered over four days during the 2012 MRS Fall Meeting, from participants in Australia, Austria, Finland, France, Japan, Russia, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America. Sessions reported on advances in glass and ceramic wasteforms, conditioning of technetium, management of spent nuclear fuel, and geological disposal, plus a special joint session with Symposium HH, on radiation effects in nuclear materials. Each paper provides a snapshot of the exciting recent developments in each of these areas and the international progress toward achieving the safe, timely and cost-effective management and disposal of radioactive wastes.

As the global climate changes, scientists anticipate that the distribution of animal populations and disease vectors will expand. In the case of arthropods, such efforts hold immense significance as they have the potential to increase human mortality and suffering from arboviruses above current levels. The 238th American Chemical Society National Meeting and Exposition in Washington, D.C. on August 16-20, 2009, offered an opportunity for researchers to present and discuss new findings in invertebrate repellents research, regulations, and technology development. Recently efforts have been made to understand the role of chemicals in arthropod behavior, and screening programs are starting to incorporate repellency testing into their battery of bioassays. The lack of standardized protocols for measuring and comparison of repellents has remained a significant obstacle in arthropod research. Oftentimes studies report variable measures of success, and comparison of results across studies is not always consistent. Progress in the standardization of arthropod test methods for repellents would be valuable to many groups including academic researchers working in the field, contract labs supplying test results, government research laboratories, regulatory bodies in the process of developing guidelines for product registration, as well as companies looking to invest in new technologies. Perhaps one complicating factor in this process has been that research and technology haven't moved fast enough to meet the demand for effective arthropod repellents. Issues such as pest arthropod resurgence and insecticide/repellent resistance to chemical can create new challenges and add pressure for researchers. The collection of chapters in this book covers a range of applied and basic research on arthropod repellents. An overview of the state of arthropod repellents research is provided at the start. In the chapters that follow, there is a selection of papers demonstrating research on new repellent technologies at different stages of development. The scope of basic and applied research methods described in these chapters on new repellent technologies presents the range of testing that is often necessary to move a repellent technology forward in development. The transition from newly developed technologies to registered products is achieved in perspective of a growing market for natural arthropod repellents. New technologies that are completely developed and have gone through registration need to be accompanied by successful commercialization. The growing market for natural arthropod repellents presents such an example and highlights new opportunities in this area. The concluding chapter discusses the public entomology landscape, past and future opportunities for the development of chemical protectants.

This book is carefully designed to be used on a wide range of introductory courses at first degree and HND level in the U.K., with content matched to a variety of first year degree modules from IEng and other BSc Engineering and Technology courses. Lecturers will find the breadth of material covered gears the book towards a flexible style of use, which can be tailored to their syllabus, and used along side the other IIE Core Textbooks to bring first year students up to speed on the mathematics they require for their engineering degree.
*Features real-world examples, case studies, assignments and knowledge-check questions throughout
*Introduces key mathematical methods in practical engineering contexts
*Bridges the gap between theory and practice

Observing Bioethics examines the history of bioethics as a discipline related not only to modern biology, medicine, and biotechnology, but also to the core values and beliefs of American society and its courts, legislatures, and media. The book is written from the perspective of two social scientists--a sociologist of medicine(Renee C. Fox) and a historian of medicine (Judith P. Swazey)--who have participated in bioethics since the emergence of this multidisciplinary field more than 30 years ago.
Fox and Swazey draw on first-hand observations and experiences in a variety of American bioethical settings; face-to-face interviews with first- and second-generation figures in the genesis and early unfolding of bioethics; a detailed examination of the theatrical media coverage of what was considered to be a banner event in the annals of bioethics (the creation and birth of the cloned sheep, Dolly); case studies of how bioethics has internationally developed; and a large corpus of primary documents and secondary source materials.
While recognizing the intellectual, moral, and sociological importance of American bioethics, Fox and Swazey are critical of its characteristics. Foremost among these are what they identify as the problems of thinking socially, culturally, and internationally in American bioethics; the 'tenuous interdisciplinarity' of the field; and the troubling extent to which the 'culture wars' have penetrated bioethics.
This book will appeal to a wide range of doctors, scientists, and academics who are involved in the history and sociology of bioethics.

Sequel to the big-budget reboot of the comic book series following the anthropomorphic ninjutsu-trained turtles Leonardo (Pete Ploszek), Michelangelo (Noel Fisher), Donatello (Jeremy Howard) and Raphael (Alan Ritchson). The turtle's arch nemesis Shredder (Brian Tee) has returned and employed Techno Cosmic Research Institute scientist Dr. Stockman (Tyler Perry) to create some mutants of his own in the form of ferocious duo Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly). Meanwhile, the evil Kraang (voice of Fred Armisen) has arrived from Dimension X to lead an invasion of New York City. With the help of journalist April O'Neil (Megan Fox) and vigilante Casey Jones (Stephen Amell), the turtles face a fight on two fronts to save the city from certain destruction.

Jodie Whittaker stars in this London-set psychological thriller. Mia (Whittaker) is an emotionally fragile young nurse struggling to come to terms with her mother's recent death. When an old woman in her building commits suicide in front of her, Mia becomes intensely curious about her. Admitted into the old woman's flat by the mysterious caretaker, Max (David Warner), Mia is shocked to discover that it is filled with mementoes and belongings from Mia's own past, including pictures of her abusive former lover Ludwig (Dougray Scott). So begins a journey into her past in which Mia finally learns to accept her own mistakes and faults, including her strong affection for the partner who hurt her, even as she tries to avoid the tragic ending that fate appears to have in store for her. Emilia Fox co-stars.

This innovative textbook, now in its second edition, presents EU competition law in political, economic and comparative context. It brings competition law to life from an EU and global perspective, with cross currents of trade and industrial policy and attention to the intervention of the state in the market. Quintessentially readable, the book deftly and concisely excerpts the key cases and embeds them in explanatory materials, including policy statements and regulations. It is entirely up to date and integrates, for example, new issues of power in the digital economy. Notes accompanying the cases raise hard questions and explain the fascinating issues underlying contemporary competition policy in the European Union and around the world. The book covers the full range of competition law and policy subjects, namely: the Treaties and the single market, cartels, other horizontal and vertical agreements, abuses of dominance, merger control, and state restraints including State aids. Among key features, the book: integrates law, economics and policies, providing a holistic sense of competition law and its place in the EU system is unusually concise, given its coverage, while explaining the critical nuances of cases by means of notes and questions provides a unique comparative perspective by including excerpts of landmark US antitrust cases and numerous other comparative references. This book is a perfect textbook for students of EU competition law and even competition law in general, given that most nations in the antitrust family of the world build their competition laws upon the EU model. It is useful for specialized seminars on European, US, and other nations’ and regions’ competition laws. It is also an excellent desk book and resource for academics, enforcers and practitioners in the field.

Crisis Cities blends critical theoretical insight with a historically grounded comparative study to examine the form, trajectory, and contradictions of redevelopment efforts following the 9/11 and Hurricane Katrina disasters. Based on years of research in the two cities, Gotham and Greenberg contend that New York and New Orleans have emerged as paradigmatic crisis cities, representing a free-market approach to post-disaster redevelopment that is increasingly dominant for crisis-stricken cities around the world. This approach, which Gotham and Greenberg term crisis driven urbanization, emphasizes the privatization of disaster aid and resources, the devolution of disaster recovery responsibilities to the local state, and the use of generous tax incentives to bolster revitalization. Crisis driven urbanization also involves global branding campaigns and public media events to repair a city's image for business and tourism, as well as internally-focused political campaigns and events that associate post-crisis political leaders and public-private partnerships with this revitalized urban image. By focusing on past and present conditions in New York and New Orleans, Gotham and Greenberg show how crises expose long-neglected injustices, underlying power structures, and social inequalities. In doing so, they reveal the impact of specific policy reforms, public-private actions, and socio-legal regulatory strategies on the creation and reproduction of risk and vulnerability to disasters. Crisis Cities questions the widespread narrative of resilience and reveals the uneven and contradictory effects of redevelopment activities in the two cities.

All 24 episodes from the ninth season of the US drama series following a passionate team of forensic investigators who work the graveyard shift at the Las Vegas Criminalistics Bureau. Their job is to find the missing pieces at the scene that will help to solve the crime and vindicate those who often cannot speak for themselves: the victims. Episodes are: 'For Warrick', 'The Happy Place', 'Art Imitates Life', 'Let It Bleed', 'Leave Out All the Rest', 'Say Uncle', 'Woulda, Coulda, Shoulda', 'Young Man With a Horn', '19 Down', 'One to Go', 'The Grave Shift', 'Disarmed and Dangerous', 'Deep Fried and Minty Fresh', 'Miscarriage of Justice', 'Kill Me If You Can', 'Turn, Turn, Turn', 'No Way Out', 'Mascara', 'The Descent of Man', 'A Space Oddity', 'If I Had a Hammer...', 'The Gone Dead Train', 'Hog Heaven' and 'All In'.

Ensemble comedy about a group of twentysomethings all approaching the landmark age of 30 who decide to compile a list of things they should do before they finally have to grow up. Cass (Dougray Scott) is shocked to find that he might want to settle down, Dylan (Jimi Mistry) is still trying to find the perfect woman, and Colin (Bruce Mackinnon) is just desperate to have a threesome. Also starring Billie Piper, Emilia Fox, and Shaun Parkes.

When Mr and Mrs Little (Hugh Laurie and Geena Davis) visit an orphanage to find a brother for their son George (Jonathan Lipnicki) they come away with a charming talking mouse called Stuart. After initial misgivings, George and Stuart begin to get on famously, and everything seems to be going perfectly; but unknown to the family, the neighbourhood cats have ganged together with the sole intention of getting rid of Stuart. Co-written by M. Night Shyamalan ('The Sixth Sense') and featuring state-of-the-art computer-generated effects and Michael J. Fox as the voice of Stuart.

James Franco and Kate Hudson star in this thriller directed by Henrik Ruben Genz. American couple Tom and Anna Wright (Franco and Hudson) are in the process of renovating their London townhouse but are struggling to make ends meet as they frequently spend more money than they make. When their tenant Ben (Francis Magee) fails to turn down his music after multiple requests, Tom and Anna let themselves into his flat to check if anything is wrong. When they discover Ben's dead body they panic and call the police, but not before Tom finds a bag containing more than two hundred thousand pounds. As the cash-strapped couple decide to take the money to pay off their debts, they soon discover that the money did not belong to Ben and the real owner wants it back...