The inspiring story of five women who set out to explore the furthest reaches of the globe and redefine scholarship At the dawn of the twentieth century, Katherine Routledge, Maria Czaplicka, Winifred Blackman, Beatrice Blackwood and Barbara Freire-Marreco set out to explore the furthest reaches of the globe. Resisting pernicious sexism and misogyny, they were among the first women to study at university and went on to chart now-vanished worlds, seeking new freedoms in in the wastelands of Siberia, the uncharted interior of New Guinea, on Easter Island, and in the villages of the Nile. Yet upon their return to England, they found only loss, madness and regret waiting for them. An extraordinary insight into women's suffrage at the turn of the century and a revelatory study of Britain's colonial legacy, Undreamed Shores is an extraordinary portrait of a pioneering quintet whose struggles helped usher in a brighter dawn.

Our history is littered with heads. Over the centuries, they have decorated our churches, festooned our city walls and filled our museums; they have been props for artists and specimens for laboratory scientists, trophies for soldiers and items of barter. Today, as videos of decapitations circulate online and cryonicists promise that our heads may one day live on without our bodies, the severed head is as contentious and compelling as ever. From shrunken heads to trophies of war; from memento mori to Damien Hirst's With Dead Head; from grave-robbing phrenologists to enterprising scientists, Larson explores the bizarre, often gruesome and confounding history of the severed head. Its story is our story.

This book explores the early history of the Pitt Rivers Museum and its collections. Many thousands of people collected objects for the Museum between its foundation in 1884 and 1945, and together they and the objects they collected provide a series of insights into the early history of archaeology and anthropology. The volume also includes individual biographies and group histories of the people originally making and using the objects, as well as a snapshot of the British empire. The main focus for the book derives from the computerized catalogues of the Museum and attendant archival information. Together these provide a unique insight into the growth of a well-known institution and its place within broader intellectual frameworks of the Victorian period and early twentieth century. It also explores current ideas on the nature of relationships, particularly those between people and things.