Eduard Fraenkel was one of the most influential classicists of the twentieth century. His Plautine Elements in Plautus (originally published in German in 1922) revolutionized the study of Roman comedy. It is still essential reading for students and scholars of Plautus. This translation makes it accessible to an English-speaking readership for the first time. All Latin and Greek is translated, thus making the work available to a wider audience consisting of all those interested in Roman drama. The book includes a translation of the Addenda to the Italian translation published in 1960. The English translation is prefaced by an essay which gives an introduction to developments in Plautine scholarship since 1960.

This book makes available in convenient form a selection of seminal articles on the Roman poet Lucan's grim epic, written in the time of Nero, on the world-changing civil war between Caesar and Pompey in the mid first century BC. The selection enables the reader of Lucan's work to trace the emergence of vital critical perspectives and controversies and the diverse approaches that have been applied to them. Five essays appear in English for the first time, and quotations from Latin and Greek have been translated. A specially written Introduction, by Susanna Braund, provides an up-to-date guide to scholarship on Lucan and to the history of the reception of the poem.

This book makes available in convenient form a selection of seminal articles on the Roman poet Lucan's grim epic, written in the time of Nero, on the world-changing civil war between Caesar and Pompey in the mid first century BC. The selection enables the reader of Lucan's work to trace the emergence of vital critical perspectives and controversies and the diverse approaches that have been applied to them. Five essays appear in English for the first time, and quotations from Latin and Greek have been translated. A specially written Introduction, by Susanna Braund, provides an up-to-date guide to scholarship on lucan and to the history of the reception of the poem.

Biondo Flavio (1392-1463), humanist and historian, was a pioneering figure in the Renaissance discovery of antiquity; famously, he was the author who popularized the term "Middle Age" to describe the period between the fall of the Roman Empire and the revival of antiquity in his own time. While serving a number of Renaissance popes, he inaugurated an extraordinary program of research into the history, cultural life, and physical remains of the ancient world. The capstone of this research program, Rome in Triumph (1459), has been said to bear comparison with the Encyclopedie of Diderot as the embodiment of the ideals of an age, seeking as it does to answer the overarching question of humanists from Petrarch to Machiavelli: what made Rome great? To answer the question Biondo undertakes a comprehensive reconstruction of Rome's religion, government, military organization, customs and institutions over its thousand-year history. This volume contains the first edition of the Latin text since 1559 and the first translation into any modern language.

'Menaechmi' is a broad farce that makes use of the comic possibilities of mistaken identity. Shakespeare adapted the plot for his 'Comedy of Errors', but his is not the only adaptation made since the Renaissance. Its neat plot and witty, fast-moving dialogue often speak for themselves: Frances Muecke's Companion to E. F. Watling's translation concentrates on the finer points of detail and is particularly useful in its discussion of the dramatic an dliterary characteristics of Plautine comedy.

The poems of Horace's second book of Satires, for the most part written in the newly-adopted dialogue form, display great literary and intellectual sophistication, artistic skill and charm. The intention of this edition is to supply sufficient background information to enable the text to be read with understanding. The emphasis is on the social context, the history of satire in Rome, and the ethical-philosophical content. Latin text with facing-page English translation, introduction and commentary.