* An accessible text giving an overview of contemporary depictions of transgender men and women in film * Structured around film genres including the costume drama, the musical and the action film * films discussed are contemporary, popular, films from Anglophonic, Asian, European and Latin American cinema

* An accessible text giving an overview of contemporary depictions of transgender men and women in film * Structured around film genres including the costume drama, the musical and the action film * films discussed are contemporary, popular, films from Anglophonic, Asian, European and Latin American cinema

The short stories vary in size from one page to thirty pages as the reader is taken on rides of the author's imagination. Brought back to face reality through the Author's Notes, and quotes from the Bible, Savage's goal is to force the reader to desire to learn the truth as taught in the Bible as opposed to the many untruths taught in a world of unbelievers where Christians are viewed as weirdos.

Setting out to correct the inadequacies of many written accounts of slavery, teacher and social activist Octavia Albert added her own incisive commentary to the personal narratives of former slaves. Her early interviews, like many antebellum slave narratives, depict cruel punishments, divided families, and debilitating labour. Seeing herself as a public advocate for social change, Albert called for every Christian's personal acceptance of responsibility for slavery's legacies and lessons. As well as its historical value, the book has many merits as a work of literature, using dialogue and experiments with dialect, and incorporating songs and poems in the text.

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

The films of John Hughes (1950-2009) have enjoyed popular and critical success alike, from his first scripts in the early 1980s through to his celebrated work later in the decade and into the 1990s. While Hughes is best remembered for his stories about teenagers, such as Sixteen Candles (1984), The Breakfast Club (1985) and Ferris Bueller's Day Off (1986), almost all of his films deal with comical conflicts within everyday American families. He directed eight films and wrote over thirty in a career spanning a quarter of a century, and is fondly remembered for influencing American perceptions of - and appreciation for - the daily lives of (primarily) common citizens. This wide-ranging collection examines the films of John Hughes from diverse angles, considering how he depicted young characters, how he revealed the humour of family life, and how his films subtly critiqued social issues such as class, race, gender, education and domestic relationships.

Conventional wisdom says that marriage was rare or illegal for slaves and that if African Americans married at all, their vows were tenuous ones: "until death or distance do us part." It is believed that this history explains the dysfunction of the African American family to this day. In this groundbreaking book, Frances Smith Foster shows that this common wisdom is flawed as it is based upon partial evidence and it ignores the writings African Americans created for themselves. Rather than relying on documents produced for abolitionists, the state, or other biased parties, Foster draws upon a trove of little-examined alternative sources and in so doing offers a correction to this widely held but misinformed viewpoint. The works examined include family histories, folkloric stories, organizational records, personal memoirs, sermons and especially the fascinating and varied writings published in the Afro-Protestant Press of the times. She shows that "jumping the broom" was but one of many wedding rituals and that love, marriage and family were highly valued and central to early African American society. Her book offers a provocative new understanding of a powerful belief about African American history and sheds light on the roles of memory and myth, story and history in defining contemporary society and shaping the future.

This Norton Critical Edition includes: The first edition (1861), with the editors' explanatory annotations, introduction, and glossary of the people of Incidents in the Life of a Slave Girl. Three illustrations. Key public statements by Harriet Jacobs, William C. Nell, the Reverend Francis J. Grimke, and others. A rich selection of correspondence by Harriet Jacobs, Lydia Maria Child, and John Greenleaf Whittier, suggesting Incidents's initial reception. Ten major critical essays, six of them new to the Second Edition. A Chronology and a Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format-annotated text, contexts, and criticism-helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

Few films in the twenty-first century have represented coming-of-age with the beauty and brutality of Bande de Filles (or Girlhood). This book provides an in-depth examination of Celine Sciamma's film, focusing on its portrayal of female adolescence in contemporary Paris. Motivated by the absence of black female characters in French cinema, Sciamma represents the lives of figures that have passed largely unnoticed on the big screen. While observing the girls' tough circumstances, Sciamma's film emphasises the joy and camaraderie found in female friendships. This book places Girlhood in its cinematic as well as its sociocultural context. Pop music, urban violence, and female friendships are all considered here in a book that draws out the complexity of Sciamma's deceptively simple portrayal of coming-of-age. Thoughtful, concise, and deeply contemporary, this book is perfect for students, scholars, and general readers interested in youth cultures, European cinema, gender, and sexuality.

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

A concise, superbly illustrated (print + electronic) textbook that brings together a reliable, clear and up to date guide to surface anatomy and its underlying gross anatomy, combined with a practical application of ultrasound and other imaging modalities. A thorough understanding of surface anatomy remains a critical part of clinical practice, but with improved imaging technology, portable ultrasound is also fast becoming integral to routine clinical examination and effective diagnosis. This unique new text combines these two essential approaches to effectively understanding clinical anatomy and reflects latest approaches within modern medical curricula. It is tailored specifically to the needs of medical students and doctors in training and will also prove invaluable to the wide range of allied health students and professionals who need a clear understanding of visible and palpable anatomy combined with anatomy as seen on ultrasound. Concise text and high quality illustrations, photographs, CT, MRI and ultrasound scans provide a clear, integrated understanding of the anatomical basis for modern clinical practice Highly accessible and at a level appropriate for medical students and a wide range of allied health students and professionals Reflects current curriculum trend of heavily utilizing living anatomy and ultrasound to learn anatomy Supplementary video content showing live ultrasound scans and guided areas of surface anatomy to bring content to life and reflect current teaching and clinical settings An international advisory panel appointed to add expertise and ensure relevance to the variety of medical and allied health markets Inclusion of latest ultrasound image modalities Designed to complement and enhance the highly successful Gray's family of texts/atlases although also effective as a stand-alone or alongside other established anatomy resources

Conventional wisdom tells us that marriage was illegal for African Americans during the antebellum era, and that if people married at all, their vows were tenuous ones: "until death or distance do us part." It is an impression that imbues beliefs about black families to this day. But it's a perception primarily based on documents produced by abolitionists, the state, or other partisans. It doesn't tell the whole story.
Drawing on a trove of less well-known sources including family histories, folk stories, memoirs, sermons, and especially the fascinating writings from the Afro-Protestant Press, 'Til Death or Distance Do Us Part offers a radically different perspective on antebellum love and family life.
Frances Smith Foster applies the knowledge she's developed over a lifetime of reading and thinking. Advocating both the potency of skepticism and the importance of story-telling, her book shows the way toward a more genuine, more affirmative understanding of African American romance, both then and now.

Refocus: The Films of Amy Heckerling is the first book-length study of the work of Amy Heckerling, the phenomenally popular director and screenwriter of Clueless and Fast Times at Ridgemont High. As such, the book constitutes a significant intervention in Film Studies, prompting a reconsideration of the importance of Heckerling both in the development of Teen cinema, and as a figure in Hollywood comedy. As part of the Refocus series, the volume brings together outstanding original essays examining Heckerling's work from a variety of perspectives, including film, television and cultural studies and is destined to be used widely in undergraduate teaching.

The Schomburg Library of Nineteenth-Century Black Women Writers

General Editor: HENRY LOUIS GATES, JR.

The past two decades have seen a dramatic resurgence of interest in black women writers, as authors such as Toni Morrison and Alice Walker have come to dominate the larger African-American literary landscape. Yet the works of the writers who founded and nurtured the black women's literary tradition--nineteenth-century African-American women--have remained buried in research libraries or in expensive hard-to-find reprints, often inaccessible to twentieth-century readers.

Oxford University Press, in collaboration with the Schomburg Center for Research in Black Culture, a research unit of The New York Public Library, rescued the voice of an entire segment of the black tradition by offering thirty volumes of these compelling and rare works of fiction, poetry, autobiography, biography, essays, and journalism. Responding to the wide recognition this series has received, Oxford now presents four more of these volumes in paperback (to add to the four already available). Each book contains an introduction written by an expert in the field, as well as an overview by Henry Louis Gates, Jr., the General Editor.

Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to critical concepts of intersectionality, postfeminism and the posthuman. This book is an innovative overview of the Hollywood teen movie and its construction of teen identity.

The much-anticipated Third Edition brings together the work of 140 writers from 1746 to the present writing in all genres, as well as performers of vernacular forms from spirituals and sermons to jazz and hip hop. Fresh scholarship, new visuals and media, and new selections with an emphasis on contemporary writers combine to make The Norton Anthology of African American Literature an even better teaching tool for instructors and an unmatched value for students."

Rethinking the Hollywood Teen Movie is the first academic monograph to consider the aesthetic and narrative potential of this highly popular, yet often overlooked, film genre. Reconsidering tropes such as the male juvenile delinquent figure, the makeover and the teen vampire, the book uses a series of detailed case studies of key films like Rebel Without a Cause, Grease, Heathers and Twilight to explore the genre's relation to key critical concepts of intersectionality, postfeminism and the posthuman, and provides an innovative overview of the Hollywood teen movie and its construction of teen identity.

A breathtaking achievement, this Concise Companion is a suitable crown to the astonishing production in African American literature and criticism that has swept over American literary studies in the last two decades. It offers an enormous range of writers-from Sojourner Truth to Frederick Douglass, from Zora Neale Hurston to Ralph Ellison, and from Toni Morrison to August Wilson. It contains entries on major works (including synopses of novels), such as Harriet Jacobs's Incidents in the Life of a Slave Girl, Richard Wright's Native Son, and Lorraine Hansberry's A Raisin in the Sun. It also incorporates information on literary characters such as Bigger Thomas, Coffin Ed Johnson, Kunta Kinte, Sula Peace, as well as on character types such as Aunt Jemima, Brer Rabbit, John Henry, Stackolee, and the trickster. Icons of black culture are addressed, including vivid details about the lives of Muhammad Ali, John Coltrane, Marcus Garvey, Jackie Robinson, John Brown, and Harriet Tubman.

Here, too, are general articles on poetry, fiction, and drama; on autobiography, slave narratives, Sunday School literature, and oratory; as well as on a wide spectrum of related topics. Compact yet thorough, this handy volume gathers works from a vast array of sources--from the black periodical press to women's clubs--making it one of the most substantial guides available on the growing, exciting world of African American literature.

This is the first book-length study of the work of Amy Heckerling, the phenomenally popular director and writer of Clueless and Fast Times at Ridgemont High. As such, the book constitutes a significant intervention in Film Studies, prompting a reconsideration of the importance of Heckerling both to the development of teen cinema and as a figure in Hollywood comedy. As part of the ReFocus series, the volume brings together outstanding original and previously published work, examining Heckerling's work from an interdisciplinary perspective. In addition, an interview is planned with the director herself, who will be invited to reflect on her own work in light of the essays. Teen cinema, film and television comedy and the place of female directors in genre cinema are all considered here in a book that attempts to go 'beyond Clueless' and examine the significance of the work of Amy Heckerling.

Crash Course - your effective every-day study companion PLUS the perfect antidote for exam stress! Save time and be assured you have the essential information you need in one place to excel on your course and achieve exam success. A winning formula now for over 20 years, each series volume has been fine-tuned and fully updated - with an improved full-colour layout tailored to make your life easier. Especially written by senior students or junior doctors - those who understand what is essential for exam success - with all information thoroughly checked and quality assured by expert Faculty Advisers, the result are books which exactly meet your needs and you know you can trust. Each chapter guides you succinctly through the full range of curriculum topics, integrating clinical considerations with the relevant basic science and avoiding unnecessary or confusing detail. A range of text boxes help you get to the hints, tips and key points you need fast! A fully revised self-assessment section matching the latest exam formats is included to check your understanding and aid exam preparation. The accompanying enhanced, downloadable eBook completes this invaluable learning package. Series volumes have been honed to meet the requirements of today's medical students, although the range of other health students and professionals who need rapid access to the essentials of anatomy and physiology will also love the unique approach of Crash Course. Whether you need to get out of a fix or aim for a distinction Crash Course is for you! Provides the exam syllabus in one place - saves valuable revision time Written by senior students and recent graduates - those closest to what is essential for exam success Quality assured by leading Faculty Advisors - ensures complete accuracy of information Features the ever popular 'Hints and Tips' boxes and other useful aide-memoires - distilled wisdom from those in the know Updated self-assessment section matching the latest exam formats - confirm your understanding and improve exam technique fast

Teacher and social activist Octavia Albert added her own incisive commentary to the personal narratives of former slaves, and called for every Christian's personal acceptance of responsibility for slavery's legacies and lessons.