A mind-blowing murder mystery on a ship full of magical passengers. If Agatha Christie wrote fantasy, this would be it!

To mark the thousandth year of peace in the Empire of Concordia, the emperor's ship embarks upon a twelve-day voyage. Aboard are the heirs of the twelve provinces of Concordia, each graced with a unique magical ability known as a Blessing.

Except one: Ganymedes Piscero.

When a beloved heir is murdered, everyone is a suspect. Stuck at sea and surrounded by powerful people, odds of survival are slim. But as the bodies pile higher, Ganymedes must become the hero he was not born to be and unmask the killer before he ends up the next victim of their bloody crusade.

A mind-blowing murder mystery on a ship full of magical passengers. If Agatha Christie wrote fantasy, this would be it! ----------- For a thousand years, Concordia has maintained peace between its provinces. To mark this honorary feat, the emperor's ship embarks upon a twelve-day voyage to the sacred Goddess's Mountain. Aboard are the heirs of the twelve provinces of Concordia, each graced with a unique and secret magical ability known as a Blessing. Except one: Ganymedes Piscero - class clown, slacker, and all-round disappointment. When a beloved heir is murdered, everyone is a suspect. Stuck at sea and surrounded by powerful people, odds of survival are slim. But as the bodies pile higher, Ganymedes must become the hero he was not born to be. Can he unmask the killer and their blessing before this bloody crusade reaches the shores of Concordia? Or will the empire as he knows it fall?

This volume is the third volume in Palgrave' Macmillan's new Iris Murdoch Today scholarly series. Iris Murdoch and the Literary Imagination is the first major collection of literary essays since her centenary in 2019. It brings together leading Murdoch scholars from across the world who expand the boundaries of recent criticism offering work not only on the novels, but on her unpublished poetry and archival materials. This collection discusses her interest in, and use of, Japanese literature; her relationship with, and reader-response to her, in Australia; Murdoch in the post #metoo era; her lifelong interest in the supernatural, same-sex relationships and friendships; as well as the use and abuse of biographical material. The collection widens the field of Murdoch studies and marks a new waypoint in the development of her critical reception.

THE SUNDAY TIMES BESTSELLER 'Breathes life into conversations about feminism' PHOEBE WALLER-BRIDGE 'Very funny, very clever, very thoughtful and very relevant' DOLLY ALDERTON Why do we find it so hard to say 'No'? How can feminism be more inclusive? What can rom-coms tell us about taking charge? The Guilty Feminist will challenge you, reassure you and empower you to see the world differently. From inclusion to intersectionality, #MeToo to men's rights, rom-coms to pornography, Deborah Frances-White tackles urgent questions for the modern woman. Featuring interviews with activists, businesswomen and all-round inspirations, The Guilty Feminist examines how women can abandon their guilt, say No (when they mean it), say Yes (when they want to), and to change the world - and ourselves - for the better. Includes interviews with Jessamyn Stanley * Zoe Coombs Marr * Susan Wokoma * Phoebe Waller-Bridge * Hannah Gadsby * Reubs Walsh * Bisha K. Ali * Becca Bunce * Mo Mansfield * Leyla Hussein * Amika George 'Genius' Sunday Times 'Funny, fresh, thought-provoking' Observer 'Everything you wanted to know about feminism but were afraid to ask' EMMA THOMPSON 'Quite possibly the defining feminist of our generation' ELIZABETH DAY 'Encouraging every woman to say: "I get to be heard. I deserve to be seen" ' Daily Express 'A passionate and engaging manifesto, reminding readers that feminism isn't one-size-fits-all' I

The Improv Handbook is the most comprehensive, smart, helpful and inspiring guide to improv available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes, it features a range of games, interviews, descriptions and exercises that illuminate and illustrate the exciting world of improvised performance. First published in 2008, this second edition features a new foreword by comedian Mike McShane, as well as new exercises on endings, managing blind offers and master-servant games, plus new and expanded interviews with Keith Johnstone, Neil Mullarkey, Jeffrey Sweet and Paul Rogan. The Improv Handbook is a one-stop guide to the exciting world of improvisation. Whether you're a beginner, an expert, or would just love to try it if you weren't too scared, The Improv Handbook will guide you every step of the way.

The Improv Handbook is the most comprehensive, smart, helpful and inspiring guide to improv available today. Applicable to comedians, actors, public speakers and anyone who needs to think on their toes, it features a range of games, interviews, descriptions and exercises that illuminate and illustrate the exciting world of improvised performance. First published in 2008, this second edition features a new foreword by comedian Mike McShane, as well as new exercises on endings, managing blind offers and master-servant games, plus new and expanded interviews with Keith Johnstone, Neil Mullarkey, Jeffrey Sweet and Paul Rogan. The Improv Handbook is a one-stop guide to the exciting world of improvisation. Whether you're a beginner, an expert, or would just love to try it if you weren't too scared, The Improv Handbook will guide you every step of the way.

Getxo and Other Poems is the fifth poetry collection of prize-winning poet Gilbert Luis R. Centina III. Critics have described his poetry as lyrical, modern poetry at its best and deeply rooted in religious history, mythology and mysticism. He continues that trajectory with the flash pieces contained in this collection, which he has masterfully crafted "with the strength and magnitude of prayer" that is palpable through the pages not only of this volume but of all his works.

Triptych and Collected Poems represents over thirty years of Gilbert Luis R. Centina III's poetic works, which critics have described as "modern poetry at its best," "lyrical" and "eloquent." It cements his reputation as a religious poet who "honors the Catholic] church's fortitude, individual spirit and conviction, belief and the voyage thereof." Written in four different continents (Asia, Europe and the two Americas), it echoes his own personal quest for that Beauty ever ancient, ever new, as described by Saint Augustine, the spiritual founder of his religious order. That pursuit is by no means without its struggles, which is not a revelation in itself, considering that it is, after all, a part of the human experience, with all its foibles, disappointments and triumphs. But it is a search rooted in the firm belief that when all is said and done, our heart is restless until it finally rests in the bosom of our Creator.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

"The Improv Handbook" is a great new guide that covers the history of improvisation and includes chapters on spontaneity and the fundamentals of storytelling.Although there are already several successful books on the market about the theory and practice of improvised theatre, there's nothing comprehensive, helpful, fun and full of experience and advice."The Improv Handbook" is a great new guide from a husband and wife team who have years of studying, performance and teaching behind them. Beginning with a history of improvisation, the book works through different types of format and performance including TheatreSports and the inventions of Keith Johnstone and Del Close. The core section of the book is called, simply, "How To Improvise" and includes chapters on spontaneity, the fundamentals of storytelling, working together, upping the ante and characters.Having established the fundamentals, the two authors go on to elaborate on more advanced techniques and skills. The book concludes with sections on how to improvise in front of an audience and - just as crucially - how to attract an audience in the first place." The Improv Handbook" should become a standard book in the field - it's smart, fun, helpful, and inspiring, and it's on a mission to bring Improv to a much wider audience.

In this story, the second book in the Mary Jane series, five-year-old Mary Jane has more happy, wholesome adventures, this time at her great-grandparents' farm in the country where she hunts for eggs, picks berries, finds baby rabbits, goes to the circus and more!

In this story, the second book in the Mary Jane series, five-year-old Mary Jane has more happy, wholesome adventures, this time at her great-grandparents' farm in the country where she hunts for eggs, picks berries, finds baby rabbits, goes to the circus and more!

In this story, the second book in the Mary Jane series, five-year-old Mary Jane has more happy, wholesome adventures, this time at her great-grandparents' farm in the country where she hunts for eggs, picks berries, finds baby rabbits, goes to the circus and more!

This story, the first book in the Mary Jane series, recounts the happy, wholesome adventures of five-year-old Mary Jane and her family as she helps her mother around the house, goes on a picnic with the big girls, plants a garden with her father, learns to sew and more!

This story, the first book in the Mary Jane series, recounts the happy, wholesome adventures of five-year-old Mary Jane and her family as she helps her mother around the house, goes on a picnic with the big girls, plants a garden with her father, learns to sew and more!

What is it to be a stand-up comedian? To be funny, solo? You have no character-role, no double-act partner, and nowhere to look but out into the darkness, with just a microphone, an audience and your imagination. This is a job without an annual appraisal; a job where you are publicly appraised every ten seconds. The results are harsh and obvious: if the audience isn't laughing, you 'died'; if they can't stop, you 'killed'. Deborah Frances-White and Marsha Shandur unpack the inner-workings of the minds of comics, sharing their secrets, insecurities and successes; their betes noires and their biggest fears. Featuring interviews with a host of comedians including Eddie Izzard, Moshe Kasher, Sarah Millican, Jim Jeffries, Stewart Lee, Lewis Black, Jenny Eclair, Todd Barry, Richard Herring, Marc Maron, Stephen K Amos, Rich Hall, Zoe Lyons, Marcus Brigstocke, Phill Jupitus, Gary Delaney, Mark Watson, Greg Davies and many more, this excellent book lets you in to the hearts and minds of celebrated comedians, away from the stage and off the mic.

"The Improv Handbook" is a great new guide that covers the history of improvisation and includes chapters on spontaneity and the fundamentals of storytelling.Although there are already several successful books on the market about the theory and practice of improvised theatre, there's nothing comprehensive, helpful, fun and full of experience and advice."The Improv Handbook" is a great new guide from a husband and wife team who have years of studying, performance and teaching behind them. Beginning with a history of improvisation, the book works through different types of format and performance including TheatreSports and the inventions of Keith Johnstone and Del Close. The core section of the book is called, simply, "How To Improvise" and includes chapters on spontaneity, the fundamentals of storytelling, working together, upping the ante and characters.Having established the fundamentals, the two authors go on to elaborate on more advanced techniques and skills. The book concludes with sections on how to improvise in front of an audience and - just as crucially - how to attract an audience in the first place." The Improv Handbook" should become a standard book in the field - it's smart, fun, helpful, and inspiring, and it's on a mission to bring Improv to a much wider audience.