In this collection, readers will rediscover Gertrude Stein as the bearer of a joyfully radical literary vision. A bold experimenter, her writing sparks with vitality, relishing in rhythm, repetition, sound and colour in its central vision: to prise apart language and association and find thrilling new ways to express the true essence of her subject with charming joie de vivre Stein considered her shorter writings to be the truest expressions of her enrapturing style. Her fascination with people and personalities can be located in expressive portraits of close friends such as Pablo Picasso, Henri Matisse and Juan Gris, whilst her decades-long relationship with Alice B. Toklas is immortalised with shimmering eroticism. There are also playful meditations on her unique writing process, conveying her serious delight in meddling with conventions of grammar and composition.

A SUNDAY TIMES LITERARY NON-FICTION BOOK OF THE YEAR A GUARDIAN BEST BOOK OF THE YEAR (AS CHOSEN BY AUTHORS) **LONGLISTED FOR THE BAILLIE GIFFORD PRIZE** **SHORTLISTED FOR THE RSL ONDAATJE PRIZE** 'Outstanding. I'll be recommending this all year.' SARAH BAKEWELL 'A beautiful and deeply moving book.' SALLY ROONEY 'I like this London life . . . the street-sauntering and square-haunting.' Virginia Woolf, diary, 1925 Mecklenburgh Square, on the radical fringes of interwar Bloomsbury, was home to activists, experimenters and revolutionaries; among them were the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and writer and publisher Virginia Woolf. They each alighted there seeking a space where they could live, love and, above all, work independently. Francesca Wade's spellbinding group biography explores how these trailblazing women pushed the boundaries of literature, scholarship, and social norms, forging careers that would have been impossible without these rooms of their own. 'Elegant, erudite and absorbing, Square Haunting is a startlingly original debut, and Francesca Wade is a writer to watch.' FRANCES WILSON 'A fascinating voyage through the lives of five remarkable women - moving and immersive.' EDMUND GORDON

Wine and dine with Victorian London's literati in a heatwave in one of the first ever group biographies, introduced by Francesca Wade (author of Square Haunting). Though she loved the heat she could do nothing but lie on the sofa and drink lemonade and read Monte Cristo . 'One of the most illuminating and insufficiently praised books of the last 60 years.' Observer 'Never bettered.' Guardian 'Brilliant.' Julian Barnes 'Wholly original.' Craig Brown 'A pathfinder.' Richard Holmes 'Extraordinary.' Penelope Lively June 1846. As London swelters in a heatwave - sunstroke strikes, meat rots, ice is coveted - a glamorous coterie of writers and artists spend their summer wining, dining and opining. With the ringletted 'face of an Egyptian cat goddess', Elizabeth Barrett is courted by her secret fiance, the poet Robert Browning, who plots their elopement to Italy; Keats roams Hampstead Heath; Wordsworth visits the zoo; Dickens is intrigued by Tom Thumb; the Carlyles host parties for a visiting German novelist and suffer a marital crisis. But when the visionary painter Benjamin Robert Haydon commits suicide, they find their entwined lives spiralling around the tragedy . . . One of the first-ever group biographies, Alethea Hayter's glorious A Sultry Month is a lively mosaic of archival riches inspired by the collages of the Pop Artists. A groundbreaking feat of creative non-fiction in 1965, her portrait of Victorian London's literati is just as vivid, witty and enticing today. 'Elegant Hayter more or less invented the biographical form which is a close study of a brief period in the life of an individual or a group . . . A rigorous scholar [with] an artist's eye.' A. S. Byatt 'Hayter's clever, innovative book turned a searchlight on a time, a place, a circle of people; it has surely inspired the subsequent fashion for group biographies.' Penelope Lively 'Nothing I've ever read has flung me so immediately into those streets, that weather, that period. Hayter never forgets that people want stories, that lives are stories.' Margaret Forster 'Hayter could take a tiny chip of life [and] find within it the seeds of a whole existence.' Richard Holmes 'A pioneer . . . Beautifully written vignettes . . . Immaculate scholarship and intense readability.' Jonathan Bate 'Outstanding . . . A small masterpiece.' Anthony Burgess 'A brilliant recreation of London literary life in 1846, which is highly original in its form and narrative cross-cutting.' Julian Barnes