In June 1942, Anne Frank received a red-and-white-checked diary for her thirteenth birthday, just weeks before she and her family went into hiding in an Amsterdam attic to escape the Nazis. For two years, with ever-increasing maturity, Anne crafted a memoir that has become one of the most compelling documents of modern history. But Anne Frank's diary, argues Francine Prose, is as much a work of art as it is a historical record. Through close reading, she marvels at the teenage Frank's skillfully natural narrative voice, at her finely tuned dialogue and ability to turn living people into characters.

Anne Frank: The Book, The Life, The Afterlife tells the extraordinary story of the book that became a force in the world. Along the way, Prose definitively establishes that Anne Frank was not an accidental author or a casual teenage chronicler but a writer of prodigious talent and ambition.

My father was killed on 9/11.

Everybody in town knows we lost him forever when the North Tower collapsed.

What they "don't" know is that he was gone long before that day.

What they "don't" know is that a scholarship to exclusive Baileywell Academy only made my life worse.

What they "don't" know is that my mentor at Baileywell is my own personal terrorist.

Everybody calls me Miracle Boy.

What "nobody" knows is that it's a miracle I'm still here to tell you the real story about the worst year of my life.

From nationally acclaimed author Francine Prose comes an unforgettable novel about disasters, both public and private, and the aftermath of tragedy.

The less-than-innocents abroad in these short novels are Americans in Europe, involved in what turn out to be pleasure tours of hell: shocking, bewildering trips that change forever their ideas about history, reality, politics, sex -- their entire lives.

In the title novella, a third-rate American playwright named Landau attends a literary conference in Prague, where an organized group excursion to a former concentration camp degenerates into a battle of wills and an exercise in egomania and public humiliation. Nina, the heroine of the second novella, "Three Pigs in Five Days," is sent to Paris to write an article for her lover's travel journal -- a dizzying, erotic pilgrimage that forces her to see how sex has distorted her view of the world.

After the sudden death of her beloved older sister, thirteen-year-old Nico finds her life on New England's idyllic Mirror Lake irrevocably altered. Left alone to grope toward understanding, she falls into a seductive, dangerous relationship with her sister's boyfriend. Over one haunted summer, Nico faces that life-changing moment when children realize their parents can no longer help them as she experiences the mystery of loss and recovery. Still, for all the darkness at its heart, Goldengrove is radiant with the lightness of summer and charged by the restless sexual tension of adolescence.

During her twenties, Francine Prose lived in San Francisco, where she began an intense and strange relationship with Tony Russo, who had been indicted and tried for working with Daniel Ellsberg to leak the Pentagon papers. The narrative is framed around the nights she spent with Russo driving manically around San Francisco, listening to his stories--and the disturbing and dramatic end of that relationship in New York.

What happens to them mirrors the events and preoccupations of that historical moment: the Vietnam war, drugs, women's liberation, the Patty Hearst kidnapping. At once heartfelt and ironic, funny and sad, personal and political, 1974 provides an insightful look at how Francine Prose became a writer and artist during a time when the country, too, was shaping its identity.

Seventeen-year-old Natalie Waite longs to escape home for college. Her father is a domineering and egotistical writer who keeps a tight rein on Natalie and her long-suffering mother. When Natalie finally does get away, however, college life doesn't bring the happiness she expected. Little by little, Natalie is no longer certain of anything--even where reality ends and her dark imaginings begin. Chilling and suspenseful, "Hangsaman "is loosely based on the real-life disappearance of a Bennington College sophomore in 1946.

All loved, and were loved by, their artists, and inspired them with an intensity of emotion akin to Eros.

In a brilliant, wry, and provocative book, National Book Award finalist Francine Prose explores the complex relationship between the artist and his muse. In so doing, she illuminates with great sensitivity and intelligence the elusive emotional wellsprings of the creative process.

A feminist reinterpretation of the myths surrounding Cleopatra casts new light on the Egyptian queen and her legacy   “A lucid and persuasive reinterpretation. Readers won’t see Cleopatra the same way again.�—Publishers Weekly   “Where Prose really sparkles: her critiques of the cultural depictions of Cleopatra.�—Allison Arieff, San Francisco Chronicle   The siren passionately in love with Mark Antony, the seductress who allegedly rolled out of a carpet she had herself smuggled in to see Caesar, Cleopatra is a figure shrouded in myth. Beyond the legends immortalized by Plutarch, Shakespeare, George Bernard Shaw, and others, there are no journals or letters written by Cleopatra herself. All we have to tell her story are words written by others. What has it meant for our understanding of Cleopatra to have had her story told by writers who had a political agenda, authors who distrusted her motives, and historians who believed she was a liar?   Francine Prose delves into ancient Greek and Roman literary sources, as well as modern representations of Cleopatra in art, theater, and film, to challenge narratives driven by orientalism and misogyny and offer a new interpretation of Cleopatra’s history through the lens of our current era.

What is charismatic Holocaust survivor Meyer Maslow to think when a rough-looking young neo-Nazi named Vincent Nolan walks into the Manhattan office of Maslow's human rights foundation and declares that he wants to "save guys like me from becoming guys like me"? As Vincent gradually turns into the sort of person who might actually be able to do this, he also transforms those around him: Meyer Maslow, who fears heroism has become a desk job; the foundation's dedicated fund-raiser, Bonnie Kalen, an appealingly vulnerable divorced single mother; and even Bonnie's teenage son.

Francine Prose's "A Changed Man" is a darkly comic and masterfully inventive novel that poses essential questions about human nature, morality, and the capacity for personal reinvention.

Part of a series of highly entertaining books on the history of sinning. Eating too much is one of the Western world's greatest problems, but relatively few people would consider it a crime against God. Yet even as gluttony has ceased to be an evil, food and dieting have become a cultural obsessions, with millions of pounds expended on mortifying the flesh with punishing diet and exercise regimes. This brief history of gluttony traces the changing cultural attitudes towards food and pleasure, scarcity and abundance. It reveals how notions of saintliness and purity have helped form modern views of enjoyment, self-mortification, and ultimately nutrition. Restaurant-goers and readers of gourmt magazines rationalize their pursuit of too much food in many ways, but does a slight tinge of guilt makes your meal taste that much better? This book provides the answer, throughly exploring humankind's attempts to quell its chief survival strategy - eating.

The first - and highly anticipated - monograph on one of the most influential painters of our time Cecily Brown is a British-born, New York-based artist who rose to prominence in the late 1990s. Originally influenced by Cubism and Abstract Expressionism, Brown has over the years developed her unique voice, which investigates the sensual qualities of oil paint and portraiture through a satirizing and celebratory process inspired both by abstraction and realism. Gentle and yet forceful, Brown's exuberant brushwork, rich palette, intense energy, and black humor have redefined some of painting's historical canons.

This book presents an inside look at how the professionals read and write. Long before there were creative writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says the author. In "Reading Like a Writer", Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers, Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov, and discovers why these writers endure. She takes pleasure in the long and magnificent sentences of Philip Roth and the breath-taking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's "Middlemarch". She looks to John Le Carre for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield who offer clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted. Written with passion, humor, and wisdom, "Reading Like a Writer" will inspire readers to return to literature with a fresh eye and an eager heart.

Shirley Jackson's Hangsaman is a story of lurking disquiet and haunting disorientation, inspired by the real-life, unsolved disappearance of a female college student. 'Shirley Jackson's stories are among the most terrifying ever written' Donna Tartt, author of The Goldfinch Natalie Waite, daughter of a mediocre writer and a neurotic housewife, is increasingly unsure of her place in the world. In the midst of adolescence she senses a creeping darkness in her life, which will spread among nightmarish parties, poisonous college cliques and the manipulations of the intellectual men who surround her, as her identity gradually crumbles. This Penguin edition includes a Foreword by Francine Prose. Shirley Jackson's chilling tales have the power to unsettle and terrify unlike any other. She was born in California in 1916. When her short story The Lottery was first published in The New Yorker in 1948, readers were so horrified they sent her hate mail; it has since become one of the greatest American stories of all time. Her first novel, The Road Through the Wall, was published in the same year and was followed by five more: Hangsaman, The Bird's Nest, The Sundial, The Haunting of Hill House and We Have Always Lived in the Castle, widely seen as her masterpiece. Shirley Jackson died in her sleep at the age of 48. 'An amazing writer' Neil Gaiman 'The world of Shirley Jackson is eerie and unforgettable ... It is a place where things are not what they seem; even on a morning that is sunny and clear there is always the threat of darkness looming, of things taking a turn for the worse' A. M. Homes 'Shirley Jackson is unparalleled as a leader in the field of beautifully written, quiet, cumulative shudders' Dorothy Parker

A richly imagined and stunningly inventive literary masterpiece of love, art, and betrayal, exploring the genesis of evil, the unforeseen consequences of love, and the ultimate unreliability of storytelling itself

Paris in the 1920s. It is a city of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol, and the caustic American writer Lionel Maine.

As the years pass, their fortunes--and the world itself--evolve. Lou falls in love and finds success as a race car driver. Gabor builds his reputation with vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis that will warp her earnest desire for love and approval into something far more sinister: collaboration with the Nazis.

Told in a kaleidoscope of voices, Lovers at the Chameleon Club, Paris 1932 evokes this incandescent city with brio, humor, and intimacy. A brilliant work of fiction and a mesmerizing read, it is Francine Prose's finest novel yet.

Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose.

In "Reading Like a Writer," Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers&#8212Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov&#8212and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's "Middlemarch." She looks to John Le Carre for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.

Written with passion, humor, and wisdom, "Reading Like a Writer" will inspire readers to return to literature with a fresh eye and an eager heart.

A spirited portrait of the colorful, irrepressible, and iconoclastic American collector who fearlessly advanced the cause of modern art One of twentieth-century America's most influential patrons of the arts, Peggy Guggenheim (1898-1979) brought to wide public attention the work of such modern masters as Jackson Pollock and Man Ray. In her time, there was no stronger advocate for the groundbreaking and the avant-garde. Her midtown gallery was the acknowledged center of the postwar New York art scene, and her museum on the Grand Canal in Venice remains one of the world's great collections of modern art. Yet as renowned as she was for the art and artists she so tirelessly championed, Guggenheim was equally famous for her unconventional personal life, and for her ironic, playful desire to shock. Acclaimed best-selling author Francine Prose offers a singular reading of Guggenheim's life that will enthrall enthusiasts of twentieth-century art, as well as anyone interested in American and European culture and the interrelationships between them. The lively and insightful narrative follows Guggenheim through virtually every aspect of her extraordinary life, from her unique collecting habits and paradigm-changing discoveries, to her celebrity friendships, failed marriages, and scandalous affairs, and Prose delivers a colorful portrait of a defiantly uncompromising woman who maintained a powerful upper hand in a male-dominated world. Prose also explores the ways in which Guggenheim's image was filtered through the lens of insidious antisemitism.

Presenting unique and in-depth collaborations and editions with leading international artists, Parkett #58 features the work of Sylvie Fleury, Jason Rhoades, and James Rosenquist, three artists who work with everyday matter to produce lively and expressive paintings and installations. Contributing writers include Adrian Dannatt, Jutta Koether, and Beatrix Ruff on Fleury; Russell Ferguson, Roberto Ohrt, and a conversation between Christian Scheidemann & Eve Meyer-Hermann on Rhoades; and Constance Glenn, Pontus Hulten, Michael Lobel, John Russell, and Zdenek Felix on Rosenquist with a conversation between Jeff Koons and Rosenquist. The issue also contains essays on Hans Peter Kuhn, Jane & Louise Wilson, and an interview with Chris Ofili by Paul Miller. Parkett #59, featuring collaborations with Maurizio Cattelan, Yayoi Kusama, and Kara Walker, will include essays by Francesco Bonami on Cattelan; Midori Matsui on Kusama; and Hamza Walker and Elizabeth Janus on Walker, among others. In addition, the issue will feature articles on Anna Gaskell and Annette Messager Parkett #60 will be published in December, 2000.

The acclaimed New York Times bestselling author weaves an ingenious, darkly humorous, and brilliantly observant story that follows the exploits and intrigue of a constellation of characters affiliated with an off-off-off-off Broadway children's musical. Mister Monkey-a screwball children's musical about a playfully larcenous pet chimpanzee-is the kind of family favorite that survives far past its prime. Margot, who plays the chimp's lawyer, knows the production is dreadful and bemoans the failure of her acting career. She's settled into the drudgery of playing a humiliating part-until the day she receives a mysterious letter from an anonymous admirer ...and later, in the middle of a performance, has a shocking encounter with Adam, the twelve-year-old who plays the title role. Francine Prose's effervescent comedy is told from the viewpoints of wildly unreliable, seemingly disparate characters whose lives become deeply connected as the madcap narrative unfolds. There is Adam, whose looming adolescence informs his interpretation of his role; Edward, a young audience member who is candidly unimpressed with the play; Ray, the author of the novel on which the musical is based, who witnesses one of the most awkward first dates in literature; and even the eponymous Mister Monkey, the Monkey God himself. With her trademark wit and verve, Prose delves into humanity's most profound mysteries: art, ambition, childhood, aging, and love. Startling and captivating, Mister Monkey is a breathtaking novel from a writer at the height of her craft.

"Francine Prose is a world-classsatirist who's also a world-class storyteller."-Russell Banks Francine Prose captures contemporary America at itsmost hilarious and dreadful in My New American Life, a darkly humorousnovel of mismatched aspirations, Albanian gangsters, and the ever-elusiveAmerican dream. Following her New York Times bestselling novels BlueAngel and A Changed Man, Prose delivers the darkly humorous storyof Lula, a twenty-something Albanian immigrant trying to find stability andcomfort in New York City in the charged aftermath of 9/11. Set at the frontlines of a cultural war between idealism and cynicism, inalienable rights andimplacable Homeland Security measures, My New American Life is a movingand sardonic journey alongside a cast of characters exploring what it means tobe American.

Francine Prose's life of Caravaggio evokes the genius of this great artist through a brilliant reading of his paintings. Caravaggio defied the aesthetic conventions of his time; his use of ordinary people, realistically portrayed-street boys, prostitutes, the poor, the aged-was a profound and revolutionary innovation that left its mark on generations of artists. His insistence on painting from nature, on rendering the emotional truth of experience, whether religious or secular, makes him an artist who speaks across the centuries to our own time. In "Caravaggio", Francine Prose presents the brief but tumultuous life of one of the greatest of all painters with passion and acute sensitivity.

The first extensive monograph dedicated to the work of Paolo Ventura (Milan, 1968). Ventura has established himself in the field of artistic photography, offering a singular and absolutely original interpretation of staged photography, an art form in which photography is the final product of a creative process which, in his case, involves the preparation of scenarios and mannequins: the latter, together with real characters among which the artist himself often appears, are the protagonists of his stories. In these three-dimensional settings Ventura recreates, and then fixes through photography, a mental space that refers to the atmosphere of “magical realism� and to the fairytale flavour of childhood, generating a deliberately surreal contrast with the depth of some topics involved (such as war, abandonment, memory, identity). The volume offers an overall look at the artist’s 15 years of activity, showcasing 21 series from 2005 to the present time, highlighting the evolution of his language which, in addition to photography, is also expressed through drawings. The monograph includes critical texts by Walter Guadagnini and Francine Prose, an interview with Ventura by Monica Poggi and biographical notes. Text in English and Italian.

In 1939, Helga Weiss was a young Jewish schoolgirl in Prague. Along with some 45,000 Jews living in the city, Helga s family endured the first wave of the Nazi invasion: her father was denied work; she was forbidden from attending regular school. As Helga witnessed the increasing Nazi brutality, she began documenting her experiences in a diary.

In 1941, Helga and her parents were sent to the concentration camp of Terezin. There, Helga continued to write with astonishing insight about her daily life: the squalid living quarters, the cruel rationing of food, and the executions as well as the moments of joy and hope that persisted in even the worst conditions. In 1944, Helga and her family were sent to Auschwitz. Before she left, Helga s uncle, who worked in the Terezin records department, hid her diary and drawings in a brick wall. Miraculously, he was able to reclaim them for her after the war.

Of the 15,000 children brought to Terezin and later deported to Auschwitz, only 100 survived. Helga was one of them. Reconstructed from her original notebooks, the diary is presented here in its entirety. With an introduction by Francine Prose, a revealing interview between translator Neil Bermel and Helga, and the artwork Helga made during her time at Terezin, Helga's Diary stands as a vivid and utterly unique historical document."

In this brilliant collection, the follow-up to her New York Times bestseller Reading Like a Writer, the distinguished novelist, literary critic, and essayist celebrates the pleasures of reading and pays homage to the works and writers she admires above all others, from Jane Austen and Charles Dickens to Jennifer Egan and Roberto Bolano. In an age defined by hyper-connectivity and constant stimulation, Francine Prose makes a compelling case for the solitary act of reading and the great enjoyment it brings. Inspiring and illuminating, What to Read and Why includes selections culled from Prose's previous essays, reviews, and introductions, combined with new, never-before-published pieces that focus on her favorite works of fiction and nonfiction, on works by masters of the short story, and even on books by photographers like Diane Arbus. Prose considers why the works of literary masters such as Mary Shelley, Charles Dickens, George Eliot, and Jane Austen have endured, and shares intriguing insights about modern authors whose words stimulate our minds and enlarge our lives, including Roberto Bolano, Karl Ove Knausgaard, Jennifer Egan, and Mohsin Hamid. Prose implores us to read Mavis Gallant for her marvelously rich and compact sentences, and her meticulously rendered characters who reveal our flawed and complex human nature; Edward St. Aubyn for his elegance and sophisticated humor; and Mark Strand for his gift for depicting unlikely transformations. Here, too, are original pieces in which Prose explores the craft of writing: "On Clarity" and "What Makes a Short Story." Written with her sharp critical analysis, wit, and enthusiasm, What to Read and Why is a celebration of literature that will give readers a new appreciation for the power and beauty of the written word.

Piano Stories presents fifteen wonderful works by the great Uruguayan author Felisberto Hernandez, "a writer like no other," as Italo Calvino declares in his introduction: "like no European or Latin American. He is an 'irregular,' who eludes all classifications and labellings - yet he is unmistakable on any page to which one might randomly open one of his books." Piano Stories contains classic tales such as "The Daisy Dolls," "The Usher," and "The Flooded House."