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Vlado Perlemuter had the privilege, as a young man in 1927, of
studying all of Ravel's solo piano music with the reclusive
composer himself. The origins of this book lie in a series of
programmes broadcast in 1950 by Radio Francaise in which Perlemuter
played all Ravel's compositions for solo piano and discussed them
with Helene Joudan-Morange - a distinguished violinist who had been
one of Ravel's closest friends. This is a transcript of their
conversations supplemented with numerous musical examples. This
edition also deals with the two piano concertos. The value of Ravel
According to Ravel is obvious, but the comprehensive background
notes which are woven into the conversational fabric give it a much
wider appeal. Performers and listeners alike will find it a
fascinating guide to the magical sound-world of Ravel's piano
music.
The 18th century was a wealth of knowledge, exploration and rapidly
growing technology and expanding record-keeping made possible by
advances in the printing press. In its determination to preserve
the century of revolution, Gale initiated a revolution of its own:
digitization of epic proportions to preserve these invaluable works
in the largest archive of its kind. Now for the first time these
high-quality digital copies of original 18th century manuscripts
are available in print, making them highly accessible to libraries,
undergraduate students, and independent scholars.Western literary
study flows out of eighteenth-century works by Alexander Pope,
Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann
Gottfried Herder, Johann Wolfgang von Goethe, and others.
Experience the birth of the modern novel, or compare the
development of language using dictionaries and grammar discourses.
++++The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to insure edition identification:
++++<sourceLibrary>British
Library<ESTCID>T123224<Notes>Anonymous. By Francis
Tanner.<imprintFull>London: printed by H. Parker, 1719. And
is given gratis at the place mentioned hereafter, 1719.
<collation>16p.; 8
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