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Critical edition of the seventeenth-century Spanish poet's moral
poetry: the Polimnia group of poems from his Poesiia moral. `The
clarity and intelligence with which both the poetry and the
introductory material are presented make this book a useful tool
for the scholar.' BARBARA MUJICAFrancisco de Quevedo, Spanish
novelist, satirist and moralist of theseventeenth century, was also
renowned as a poet. His sonnets on the vanity of life are perhaps
his finest work in the genre. He grouped his poetry in categories
corresponding to the nine muses, and this volume presents the
Polimniagroup; the second muse, Polymnia, `sings moral poetry -
which reveals and seeks to reform human customs'. Alfonso Rey's
critical edition encompasses the one hundred and ten sonnets, one
silva, and one epistle in tercetoswhich make up this group; he
rigorously elucidates problems of textual criticism and
transmission, and reveals the thematic and stylist homogeneity of
the collection. Second edition, completely revised and
significantly expanded. ALFONSO REY is Professor of Spanish
Literature at the University of Santiago de Compostela.
"An elegant, precise, and accessible modern-English rendering of
the two best examples of the early modern picaresque genre: the
paradigmatic Lazarillo de Tormes and Quevedo's mordant El Buscon .
Frye's translations are triumphant, capturing the cadence of
popular early modern speech while remaining faithful to the
original texts; his notes illuminate the diverse contexts in which
the texts were written. Frye gives careful attention throughout to
the historical background that propelled these two parallel but
different monuments of Golden Age Spanish literature." --Teofilo
Ruiz, UCLA
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Sueño de la Muerte
Francisco De Quevedo
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R349
Discovery Miles 3 490
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Ships in 10 - 15 working days
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Sueño del Infierno
Francisco De Quevedo
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R351
Discovery Miles 3 510
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Ships in 10 - 15 working days
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Los Sueños
Francisco De Quevedo
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R497
Discovery Miles 4 970
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Ships in 10 - 15 working days
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"An elegant, precise, and accessible modern-English rendering of
the two best examples of the early modern picaresque genre: the
paradigmatic Lazarillo de Tormes and Quevedo's mordant El Buscon .
Frye's translations are triumphant, capturing the cadence of
popular early modern speech while remaining faithful to the
original texts; his notes illuminate the diverse contexts in which
the texts were written. Frye gives careful attention throughout to
the historical background that propelled these two parallel but
different monuments of Golden Age Spanish literature." --Teofilo
Ruiz, UCLA
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