This book mediates a dialectics between power and subjectivity versus history and politics. The invention of Africa is not merely a residue of Africa's encounter with Europe but a project in continuity in contemporary history of Africa, where history has become a location of struggle and meaning, a location of power and domination. Eze contends that postcolonial African studies that thrive by way of unanimity, analogy, or homogenenity are merely advancing a "defeatist" historicism. It attempts to gain essence by inverting the terms of colonial discourse and is decisively implicated in the very logic of coloniality. This method of historiography not only stifles the overall socio-political imagination of contemporary Africa but offers a dogmatic blueprint for politics of domination. Eze argues that a chance for an African Renaissance is dependent on review mechanisms of African historiography

Produced in honor of White's eightieth birthday, "Re-Figuring Hayden White" testifies to the lasting importance of White's innovative work, which firmly reintegrates historical studies with literature and the humanities. The book is a major reconsideration of the historian's contributions and influence by an international group of leading scholars from a variety of disciplines. Individual essays address the key concepts of White's intellectual career, including tropes, narrative, figuralism, and the historical sublime while exploring the place of White's work in the philosophy of history, postmodernism, and ethics. They also discuss his role as historian and teacher and apply his ideas to specific historical events.

Produced in honor of White's eightieth birthday, "Re-Figuring Hayden White" testifies to the lasting importance of White's innovative work, which firmly reintegrates historical studies with literature and the humanities. The book is a major reconsideration of the historian's contributions and influence by an international group of leading scholars from a variety of disciplines. Individual essays address the key concepts of White's intellectual career, including tropes, narrative, figuralism, and the historical sublime while exploring the place of White's work in the philosophy of history, postmodernism, and ethics. They also discuss his role as historian and teacher and apply his ideas to specific historical events.

This book mediates a dialectics between power and subjectivity versus history and politics. The invention of Africa is not merely a residue of Africa's encounter with Europe but a project in continuity in contemporary history of Africa, where history has become a location of struggle and meaning, a location of power and domination. Eze contends that postcolonial African studies that thrive by way of unanimity, analogy, or homogenenity are merely advancing a "defeatist" historicism. It attempts to gain essence by inverting the terms of colonial discourse and is decisively implicated in the very logic of coloniality. This method of historiography not only stifles the overall socio-political imagination of contemporary Africa but offers a dogmatic blueprint for politics of domination. Eze argues that a chance for an African Renaissance is dependent on review mechanisms of African historiography.

Now in its third edition, "Narration and Knowledge" is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events (for example, "the Thirty Years' War began in 1618") and discusses why such sentences cannot be understood until the later event happens (no one could have said in 1618 that "the Thirty Years' War began today"). Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist discipline incapable of being reduced to scientific descriptions.

Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of "Narration and Knowledge" and considers its enduring legacy.

Now in its third edition, "Narration and Knowledge" is a classic work exploring the nature of historical knowledge and its reliance on narrative. Analytical philosopher Arthur C. Danto introduces the concept of "narrative sentences," in which an event is described with reference to later events (for example, "the Thirty Years' War began in 1618") and discusses why such sentences cannot be understood until the later event happens (no one could have said in 1618 that "the Thirty Years' War began today"). Danto compares narrative and scientific explanation and explores the legitimacy of historical laws. He also argues that history is an autonomous and humanist discipline incapable of being reduced to scientific descriptions.

Lydia Goehr's new introduction illustrates Danto's main arguments by questioning her very role, first, as an introducer of a book that has not yet been read by readers and, second, as an interpreter of a book written forty years ago. Frank Ankersmit's conclusion revisits the initial impact of the publication of "Narration and Knowledge" and considers its enduring legacy.