In his old age, Plenty-coups (1848-1932), the last hereditary chief of the Crow Indians, told the moving story of his life to Frank B. Linderman, the well-known western writer who had befriended him. Plenty-coups is a classic account of the nomadic, spiritual, and warring life of Plains Indians before they were forced onto reservations. Plenty-coups tells of the great triumphs and struggles of his own life: his powerful medicine dreams, marriage, raiding and counting coups against the Lakotas, fighting alongside the U.S. Army, and the death of General Custer.

This new edition allows readers to appreciate more fully the accomplishments and rich legacy of Plenty-coups. A previously unpublished essay by Linderman tells of his meeting and working with the chief. An introduction by Phenocia Bauerle and Barney Old Coyote Jr., both members of the Crow Nation, speaks to the enduring importance of Plenty-coups for the Crow people in the twenty-first century; an afterword by Timothy P. McCleary, also of the Crow Nation, highlights the pivotal role Plenty-coups played during the early reservation years after the buffalo had gone; an essay by Celeste River examines the special relationship between the old chief and Linderman; a map of Plenty-coups's world highlights places named in the story; a glossary of Crow words and concepts found in the story draws upon the latest orthographic standards and contemporary translation; and a photo gallery showcases both Plenty-coups at different stages of his life and unforgettable scenes of his world.

Delightful fables, collected by a devotee of Indian lore, recounts many of the legends told to him by tribal members, among them intriguing explanations of "Why the Chipmunk's Back is Striped," "How the Otter Skin Became Great Medicine," "How the Man Found His Mate," and "Why Blackfeet Never Kill Mice." Elders of the Blackfeet, Cree, and Chippewa (Ojibwa) people shared these wonderful tales with Frank B. Linderman in the late nineteenth century and early years of the twentieth century. War Eagle (the fictional name of Linderman's friend and Chippewa medicine man Pah-nah-to, or Full-of-dew), tells these stories to attentive youngsters after the first frost in the fall. He speaks of animal people, including a deer and an antelope in a footrace, a dancing fox who convulses a buffalo with laughter, a white beaver and ghost people, a huge snake in love with the moon, a sparrow hawk of conscience, and many others. These sparkling tales reveal a reverence for life, honesty, and the unity of creation.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

"Old-man then dried the dirt in his hands, rubbing it slowly and singing a queer song. Finally it was dry; then he settled the hand that held the dirt in the water slowly, until the water touched the dirt. The dry dirt began to whirl about and then Old-man blew upon it. Hard he blew and waved his hands, and the dirt began to grow in size right before their eyes. Old-man kept blowing and waving his hands until the dirt became real land, and the trees began to grow. So large it grew that none could see across it. Then he stopped his blowing and sang some more.

"Old-man then dried the dirt in his hands, rubbing it slowly and singing a queer song. Finally it was dry; then he settled the hand that held the dirt in the water slowly, until the water touched the dirt. The dry dirt began to whirl about and then Old-man blew upon it. Hard he blew and waved his hands, and the dirt began to grow in size right before their eyes. Old-man kept blowing and waving his hands until the dirt became real land, and the trees began to grow. So large it grew that none could see across it. Then he stopped his blowing and sang some more.

"Old-man then dried the dirt in his hands, rubbing it slowly and singing a queer song. Finally it was dry; then he settled the hand that held the dirt in the water slowly, until the water touched the dirt. The dry dirt began to whirl about and then Old-man blew upon it. Hard he blew and waved his hands, and the dirt began to grow in size right before their eyes. Old-man kept blowing and waving his hands until the dirt became real land, and the trees began to grow. So large it grew that none could see across it. Then he stopped his blowing and sang some more.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

The Indians of the northwestern plains always laughed at the tales about Old-man, heard around a campfire after the sun set. For a powerful character, he was comically flawed. Old-man made the world but sometimes forgot the names of things. Victim and victimizer, he seemed closer to common experience than the awesome god Manitou. Frank B. Linderman thought Old-man was, under different names, an undergod for all Indian tribes. These stories-collected from Blackfeet, Chippewa, and Cree elders and first published in 1920-are full of wonder at the way things are. Why children lose their teeth, why eyesight fails with age, why dogs howl at night, why some animals wear camouflage-these and other mysteries, large and small, are made vividly sensible. Ohio-born Frank B. Linderman (1869-1938) spent his adult life in Montana, first as a trapper and then as a publisher, politician, and businessman. He was intimately associated with the Flathead, Blackfeet, Crow, and other Indian tribes in the region. His acclaimed writing career began in middle age with Indian Why Stories also available as a Bison book.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

The Indians of the northwestern plains always laughed at the tales about Old-man, heard around a campfire after the sun set. For a powerful character, he was comically flawed. Old-man made the world but sometimes forgot the names of things. Victim and victimizer, he seemed closer to common experience than the awesome god Manitou. Frank B. Linderman thought Old-man was, under different names, an undergod for all Indian tribes. These stories-collected from Blackfeet, Chippewa, and Cree elders and first published in 1920-are full of wonder at the way things are. Why children lose their teeth, why eyesight fails with age, why dogs howl at night, why some animals wear camouflage-these and other mysteries, large and small, are made vividly sensible. Ohio-born Frank B. Linderman (1869-1938) spent his adult life in Montana, first as a trapper and then as a publisher, politician, and businessman. He was intimately associated with the Flathead, Blackfeet, Crow, and other Indian tribes in the region. His acclaimed writing career began in middle age with Indian Why Stories also available as a Bison book.

Old-man, or Napa, as he was called by the Blackfeet, is an extraordinary character in Indian stories. Both powerful and fallible, he appears in different guises: god or creator, fool, thief, clown. The world he made is marvelous but filled with mistakes. As a result, tensions between the haves and have-nots explode with cosmic consequences in "Indian Why Stories".
Elders of the Blackfeet, Cree, and Chippewa (Ojibwa) people shared these wonderful tales with Frank B. Linderman in the late nineteenth century and early years of the twentieth century. War Eagle (the fictional name of Linderman's friend and Chippewa medicine man Pah-nah-to, or Full-of-dew), tells these stories to attentive youngsters after the first frost in the fall. He speaks of animal people, including a deer and an antelope in a footrace, a dancing fox who convulses a buffalo with laughter, a white beaver and ghost people, a huge snake in love with the moon, a sparrow hawk of conscience, and many others. These sparkling tales reveal a reverence for life, honesty, and the unity of creation.

This expanded edition features thirteen previously unpublished verse stories along with an introduction to those stories by Sarah Waller Hatfield, granddaughter of Linderman.

Frank Bird Linderman (25 september 1869- 12 mei 1938) was een schrijver, politicus, vriend van de Indianen en etnograaf uit Montana. "Indiaanse "Waarom" Verhalen" is een prachtige collectie originele Blackfoot en andere verhalen, ongeveer een eeuw geleden verzameld bij de Blackfoot Indianen in het noordwesten van de Verenigde Staten. Nu voor het eerst in de Nederlandse taal verkrijgbaar! Eigen vertaling en uitgave van de Stichting Cosmic Fire Foundation.