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The digital humanities intensify the cooperation between the
science disciplines in terms of working tools, working methods, and
working organization, and in terms of formulating research
strategies and scientific objectives. The design for researching
the networking of disciplines, approaches, and objects is reflected
in the terms "Document - Object - Genesis". This volume discusses
the possibilities and limits in a wider factual and theoretical
context using the example of the joint venture project entitled
"Weser sandstone as global cultural asset - Innovation in the
construction industry and its worldwide spread in the
pre-industrial era (16th to 19th century)", in which art and
architectural history, economic history, information technology,
and architecture are discussed.
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