Narratives of Environmental Challenges in Brazil and India: Losing Nature, edited by Zelia Bora and Murali Sivaramakrishnan, contextualizes the two subcontinents of India and Brazil and closely examines environmental issues from within and without. This collection focuses largely on the fate of forests and water in these two geographical terrains. This book explores narratives that reflect transformations: hitherto unprecedented demographic expansions, exploitation of natural resources, pollution and depletion of river and fresh water sources, uncontrollable demands on the energy front, waste and garbage disposal, drastic reduction of biodiversity. All of these are factors to research when one considers "losing nature." In philosophical as well as theoretical terms the question of what is nature, what is gained and lost in human-nature interaction, what is the essential "balance" of nature, are all important queries on a similar scale. Societal reality in present day Brazil and India is reconstructed and deconstructed at will by the powerful influence of the past alongside that of globalization and technocratic market structures. The volume contemplates the representation and interrogation of environmental issues in both subcontinents, Brazil and India.

"Nature, thou art my goddess"-Edmund's bold assertion in King Lear could easily inspire and, at the same time, function as a lamentation of the inadequate respect of nature in culture. In this volume, international experts provide multidisciplinary exploration of the insubordinate representations of nature in modern and contemporary literature and art. The work foregrounds the need to reassess how nature is already, and has been for a while, striking back against human domination. From the perspective of literary studies, art, history, media studies, ethics and philosophy, and ethnology and anthropology, Avenging Nature highlights the need of assessing insurgent discourses that-converging with counter-discourses of race, gender or class-realize the empowerment of nature from its subaltern position. Acknowledging the argument that cultural representations of nature establish a relationship of domination and exploitation of human discourse over nonhuman reality and that, in consequence, our regard for nature as humanist critics is instrumental and anthropocentric, the present volume advocates for the view that the time has come to finally perceive nature's vengeance and to critically probe into nature's ongoing revenge against the exploitation of culture.