This unique study argues that the draft dodgers who went to Canada during the Vietnam War were not always the anti-war radicals portrayed in popular culture. Many were the products of stable, conservative, middle class homes who were more interested in furthering their education and careers than in fighting in Southeast Asia. The conflict in Vietnam was just one cause among many for their deep sense of disaffection from the land of their birth. These expatriates remained quintessentially American, because evading the draft was in their opinion consistant with the very best American traditions of individualism and resistance to undue authority or state servitude.

Although the war was not the only or even the primary reason for their immigration to Canada, it was the final action in response to an increasing sense of alientation from America that many had felt since childhood. Kusch's work also raises questions about what it means to be an American. Intriguingly, it suggests the actions of these expatriates should be seen not merely as a drastic response to the Vietnam war, but as a commitment to the core ideals of American and European thought since the Enlightenment.

Did the police lose control of themselves in dealing with demonstrators during the 1968 Democratic National Convention? Or were they simply men who saw themselves as protecting their city from the forces of revolution? Kusch contends that Chicago's police were more than unthinking "thugs," that they had, in effect, become a counterculture, even more so than the people they ended up attacking. From Polish and Irish working class backgrounds, these men felt they represented a time gone by, a different way of life. The world they found themselves in during August of 1968 was an almost alien environment. Analyzing interviews of men who were on the streets and examining in-depth their actions and the reasons behind them, Kusch challenges traditional thinking on this pivotal event. As television cameras rolled, and flash bulbs popped, young middle-class college kids were attacked by Chicago's finest. For four days, police chased, bludgeoned, and kicked, not only the protesters, but innocent onlookers and dozens of media representatives. Going beyond stereotypes and addressing what went on behind the cameras, Kusch challenges the assumptions that the police rioted and that the violence was limited to a handful of individuals. These officers are revealed as real men, with families, lives, and fears. It was these fears--as much as their hatred of the antiwar movement and the people in it--that led to the violent showdown. This work tackles a turbulent period when presentation was key for all the major players: the protesters, the media, and the police themselves.

The 1968 Democratic Convention, best known for police brutality against demonstrators, has been relegated to a dark place in American historical memory. "Battleground Chicago "ventures beyond the stereotypical image of rioting protestors and violent cops to reevaluate exactly how--and why--the police attacked antiwar activists at the convention.
Working from interviews with eighty former Chicago police officers who were on the scene, Frank Kusch uncovers the other side of the story of '68, deepening our understanding of a turbulent decade.
"Frank Kusch's compelling account of the clash between Mayor Richard Daley's men in blue and anti-war rebels reveals why the 1960s was such a painful era for many Americans. . . . to his great credit, [Kusch] allows 'the pigs' to speak up for themselves."--Michael Kazin
"Kusch's history of white Chicago policemen and the 1968 Democratic National Convention is a solid addition to a growing literature on the cultural sensibility and political perspective of the conservative white working class in the last third of the twentieth century."--David Farber, "Journal of American History"""