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Known as Ireland’s Chekhov, Frank O’Connor was a master of the modern
short story, with an eye for capturing the spaces between our selves
and our surroundings. The Genius brings together some of his very best
stories, often told from the perspective of young children and forming
a revealing portrait of coming of age in postwar Ireland. Humorous and
poignant in equal parts, these stories are a lesson in craft from a
celebrated, prolific author.
Key features of this text: How to study the text Author and
historical background General and detailed summaries Commentary on
themes, structure, characters, language and style Glossaries Test
questions and issues to consider Essay writing advice Cultural
connections Literary terms Illustrations Colour design
"One of the masters of the short story".--NEWSWEEK. "In almost all
the stories in this excellently balanced collection O'Connor's
people explode from the page. The nice are here and the nasty: the
gentle, the generous, the mean, the absurd, those rich in dignity,
those without a shred of it. . . . Without adornment, he simply
tells the truth".--WASHINGTON POST BOOK WORLD.
Re-issued with an introduction by Neil Jordan, 'The Big Fellow' is
the 1937 biography of the famed Irish leader Michael Collins by
acclaimed author Frank O'Connor. It is an uncompromising but humane
study of Collins, whose stature and genius O'Connor recognised. A
masterly, evocative portrait of one of Ireland's most charismatic
figures, 'The Big Fellow' covers the period of Collins' life from
the Easter Rising in 1916 to his death in 1922 during the Irish
Civil War. The author, having served with the Anti-Treaty IRA
during the Irish Civil War, wrote 'The Big Fellow' as a form of
reparation over the guilt he felt with regards to taking up arms
against his fellow Irishmen and Collins' untimely death. Liam
Neeson has said that he found the book of great assistance when
preparing for the role of Collins in the 1996 film directed by Neil
Jordan.
From its origins in the folk tale, through its evolution in response to changing social and political conditions to its current form, the Irish short story has retained its own distinct and unique form. The finest writers of their time are represented here by their best work, showing the variety of style and approach within the genre. From George Moore's masterpiece, `Homesickness', and the warmth and humour of James Stephens, to the romantic eloquence of Bryan MacMahon, these stories capture the Irish people, their way of life, mythology and history.
The story of the title deals with a little boy named Larry and his
feelings towards his father. When his father returns home from
World War II, Larry is resentful and jealous of losing his mother's
undivided attention, and finds himself in a constant struggle to
win back her affections.
Not Quite Poetry is a book of prose, structured poetry and essays
describing quantum science, random thoughts on life, friendships
and art. Lastly, the words reflect upon a life without the facility
of speech taken for granted by most of us.
Sinisteria Begins describes in detail the slow development, over
the course of several years, of a large and complex sculptural
installation located on the grounds of the Charles E. Burchfield
Nature and Art Center in West Seneca, New York. Comprised of
hundreds of dead, painted tree branches, the work covers and
engulfs a hollow, fourteen-foot-tall metal sculpture. This unique
and inviting artificial environment exists in harmony with its
natural surroundings, while at the same time referencing invasive
species, emotional trauma and even string theory.
The story of Frank O'Connor is that of a shy child from a Cork slum
who becomes aware that there is something beyond the confines of
his life and the lives around him, something grander. And with
resolve and labor, he makes his way toward it. From his childhood
to the time of his release from imprisonment as a revolutionary,
O'Connor conveys the moral fortune and the tragic elements of life,
that sparked his storytelling - a life he describes as a
"celebration of those who for me represented all I should ever know
of God".
Award-winning edition of this outstanding translation of Brian
Merriman's eighteenth-century erotic masterpiece. Translated by
Frank O'Connor Illustrations by Brian Bourke.
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