Lori works illegally in a rented flat in central London, living in fear of police raids which could mean losing her small daughter and her dream of a new life. Freya is a student who finds she can make far more money as an escort than she could in an office; life, after all, is already a tangle of madness and dissociation. And Paula is a journalist whose long-term campaign against prostitution has brought her some strange bedfellows. After a shock change to the law, with brothels being raided by the authorities, lives across the country are fractured. As a threat from Lori's past begins to catch up with her, the three women are increasingly, inevitably drawn into each other's orbit The Service is a powerful and challenging novel about women's bodies, sex and relationships, mental health, entitlement, authenticity, privilege and power - as shocking as any dystopia, but touching and deeply humane.

The histories of the trans and sex worker rights movements are closely intertwined and, particularly in the UK, it's rare to find a carceral feminist who isn't also a rabid transphobe. What does it mean to write as part of a community that is under attack? Where, in fiction, is the line between exploring harmful ideology and humanising it? In Morbid Obsessions Alison Rumfitt and Frankie Miren explore these questions and talk about the crossover in the ways they chose to approach them in their novels Tell Me I'm Worthless (Cipher Press) and The Service (Influx Press), covering the pornographic interest in sex workers and trans women, online violence, moral panic, creative representation, and paying tribute to sex worker and trans activism through fiction. Frank, funny, and hopeful, and featuring two new stories, an introduction by writer and historian Morgan M. Page, and an interview with Natalia Santana Mendes, Morbid Obsessions is an urgent and vital conversation about making art as collective struggle. All proceeds (after production costs) from the sale of this book will be donated to Babeworld, a collective which seeks to create a more representative art world, and will go into direct grants to marginalised artists.