The third concert etude in D-flat major from Liszt's Trois etudes de concert will challenge advanced pianists with its constant hand-crossings and varying number of cascading notes per measure in the accompaniment. A lovely pentatonic melody is embedded in the rolling arpeggio-like patterns, frequently played by alternating hands throughout the piece. Keeping this cantando melodic line distinct and phrased while transparently maintaining the flowing accompaniment is the primary challenge of this masterwork. This edition is based on Musikalische Werke herausgegeben von der Franz Liszt-Stifung, Series II, edited by Ferruccio Busoni.

Francis Hueffer (1845-89) was born and studied music in Germany, but moved to London in 1869 to pursue a career as a critic and writer on music. He edited the series 'The Great Musicians' for Novello and Co., was music critic of The Times, wrote libretti for some now-forgotten operas, and was an early advocate and interpreter to the British of Wagner. As well as writing Wagner in his own 'Great Musicians' series (1881), and Richard Wagner and the Music of the Future (1874), he translated the correspondence of Wagner and Liszt. This fascinating two-volume selection, published in 1888, covers the period 1841-61. Hueffer signals in his preface the importance to Wagner of the encouragement of Liszt - an established performer when Wagner was barely known and widely ridiculed, a musical mentor, an enthusiastic critic and eventually a father-in-law.

Masterful transcriptions include Rossini's "La Danza," Bach's "Organ Fantasy and Fugue in G minor," Beethoven's "Joyous gathering of the peasants" from the "Pastorale" Symphony, Mendelssohn's "Wedding March" and "Dance of the Elves" from A Midsummer Night's Dream, "The Trout" and "Erlkonig" by Schubert, the "Polonaise" from Tchaikovsky's Eugene Onegin, and many others.

One of the greatest piano virtuosos of all time, Franz Liszt composed piano music marked by its technical brilliance, innovation, and imagination. This collection presents authoritative miniature score editions of two staples of the repertoire: Liszt's Piano Concerto No. 1 in E-flat Major and his Piano Concerto No. 2 in A Major.
The works are reproduced here from authoritative editions, complete with bar-numbered movements for easy reference. Affordable, durable, and portable, this miniature score edition is ideal for study in the classroom, at home, or in the concert hall.

Francis Hueffer (1845-89) was born and studied music in Germany, but moved to London in 1869 to pursue a career as a critic and writer on music. He edited the series 'The Great Musicians' for Novello and Co., was music critic of The Times, wrote libretti for some now-forgotten operas, and was an early advocate and interpreter to the British of Wagner. As well as writing Wagner in his own 'Great Musicians' series (1881), and Richard Wagner and the Music of the Future (1874), he translated the correspondence of Wagner and Liszt. This fascinating two-volume selection, published in 1888, covers the period 1841-61. Hueffer signals in his preface the importance to Wagner of the encouragement of Liszt - an established performer when Wagner was barely known and widely ridiculed, a musical mentor, an enthusiastic critic and eventually a father-in-law.

This outstanding new compilation of piano works by the supreme piano virtuoso of the 19th century includes such masterworks as S"onetto 104 di Petrarca, Hungarian Rhapsody No. 2 in C-sharp minor, Un Sospiro" (Concert Etude No. 3 in D-flat major), Funerailles (from "Annees de pelerinage"), "Consolation No. 3 in D-Flat major, Liebestraum No. 3 in A-flat major, " and "La Campanella" (Paganini Etude No. 3). Reprinted in one convenient, modestly priced volume that will be treasured by students, musicians, and music lovers.

Contents: Etude No. 1 in G Minor * Etude No. 2 in E Flat * Etude No. 3 (La Campanella) * Etude No. 4 in E * Etude No. 5 (La Chasse) * Etude No. 6 in A Minor.

This classic text represents the definitive account of the life of the great Polish pianist/composer, Frederic Chopin. The story is told by his friend and colleague, the legendary Hungarian pianist, Franz Liszt-the ideal man to relate the brief, but brilliant life of Chopin. Liszt's proximity to the subject and insightful accounts make this biography resonate as few can.

He was so entirely filled with the sentiments whose most perfect types he believed he had known in his own youth, with the ideas which it alone pleased him to confide to art; he contemplated art so invariably from the same point of view, that his artistic preferences could not fail to be influenced by his early impressions. In the great models and CHEFS-D'OEUVRE, he only sought that which was in correspondence with his own soul. That which stood in relation to it pleased him; that which resembled it not, scarcely obtained justice from him.

Recording of pianist Lazar Berman's renowned concert in Tokyo in 1988. The works performed are 'Apres une Lecture de Dante', 'Sposalizio' and 'Annees de Pelerinage II - Italie, Venezia and Napoli', by Franz Liszt; 'Moment Musical No. 4 in E minor, Op. 16 No. 4', by Sergei Rachmanainov; 'Ave Maria' arr. Liszt, by Franz Peter Schubert; 'Piano Sonata No. 1 in F sharp minor, Op. 11', by Robert Schumann and 'Isoldes Liebestod' arr. Liszt, by Richard Wagner.