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"Inframince", a term coined by Marcel Duchamp, refers to ephemeral,
ultra-thin, and undecidable phenomena - such as the warmth that
remains on a chair after a person gets up. In this book,
"inframince" is taken to signify forms of transdisciplinarity in
contemporary art. Authors and visual artists capture in text and
image fleeting moments in which artistic, theoretical, scientific,
or everyday cultural elements meet, change, or merge with one
another. Numerous examples of artistic and teaching practice within
the discipline of TransArts at the University of Applied Arts
Vienna vividly reveal how these manifold transgressions can be
rendered productive.
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