This is the first book-length treatment of supplication, an important social practice in ancient Mediterranean civilizations. Despite the importance of supplication, it has received little attention, and no previous study has explored so many aspects of the practice. Naiden investigates the varied gestures made by the supplicants, the types of requests they make, the arguments used in defense of their requests, and the role of the supplicandus, who evaluates and decides whether to fulfill the requests. Varied and abundant sources invite comparison between the societies of Greece and Rome and also among literary genres. Additionally, Naiden formulates an analysis of the ritual in its legal and political contexts. In constructing this rich and thorough study, Naiden considered over 800 acts of supplication from Greek, Hebrew, and Roman literature, art, and scientific sources. 30 illustrations and a map of the relevant locations accompany the text.

This is the first book-length treatment of supplication, an important social practice in ancient Mediterranean civilizations. Despite the importance of supplication, it has received little attention, and no previous study has explored so many aspects of the practice. Naiden investigates the varied gestures made by the supplicants, the types of requests they make, the arguments used in defense of their requests, and the role of the supplicandus, who evaluates and decides whether to fulfill the requests. Varied and abundant sources invite comparison between the societies of Greece and Rome and also among literary genres. Additionally, Naiden formulates an analysis of the ritual in its legal and political contexts. In constructing this rich and thorough study, Naiden considered over 800 acts of supplication from Greek, Hebrew, and Roman literature, art, and scientific sources. 30 illustrations and a map of the relevant locations accompany the text.

The essays in this collection addresses questions of intense interest in Homeric studies today: the questions of performance and poet-audience interaction, especially as depicted in idealized performances within the Iliad and the Odyssey; the ways in which epic incorporates material of diverse genres, such as women's laments, blame poetry, or folk tales; how the ideological balance of epic can change and be influenced by 'alternative ideologies' introduced through the incorporation of new material; the implications of the continuity of tradition for etymological studies; and how the traditional nature of epic affects textual criticism. The essays differ in focus and method, but all share one fundamental approach to Homer: an understanding of the Homeric tradition as a poetic system that expresses and preserves what is culturally important and a view of the Homeric epics as instances of a cultural tradition which they attempt to explore through the epics themselves and through the comparative, anthropological, and linguistic evidence they bring to bear on these texts. A unique collection that explores Homeric poetry through a variety of tools and approaches linguistics, philology, cultural anthropology, sociology, textual criticism, and archeology this volume will be of interest to all scholars and students of oral poetry and Classical literature.