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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Sir Frederick Arthur Gore Ouseley (1825 1889), English church musician, composer, Professor of Music at Oxford and Precentor of Hereford Cathedral, is best remembered for the foundation of St Michael's College, Tenbury, and its extensive music library in 1856. Here he was concerned to maintain the tradition of sung daily offices and to provide a model for others to follow. This book, first published in 1868, is the first of Ouseley's three works on music theory, and offers a structured approach to the subject, beginning with an explanation of musical notation and the harmonic series, then moving through the rules of harmony from tonic and dominant triads, to chord inversions, augmentation, diminution, modulation, the use of suspensions, pivot notes and cadence sequences. Of interest to music students and historians, the book contains exercises for the student and an appendix giving a number of musical examples.