This study focuses on Anthony Trollope's stylistic innovations in relation to Victorian liberalism In his biography of William Makepeace Thackeray, Anthony Trollope posits the ideal of a man without style: 'I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language'. Trollope's own appearance, unlike his written language, did not pass without observation, however. A contemporary poet recollects that he was 'hirsute and taurine of aspect'. This study unravels this paradox. It disentangles the many threads in Trollope's ostensibly transparent writing and reassembles the political and intellectual fabric that they weave, thus showing how Trollope's language exceeds and questions the concepts provided by contemporary ideologies. Key Features: Shows how Trollope's stylistic peculiarities perform his inflection of Victorian liberalism Reads Victorian literature through the lens of German (post-)Romantic thinkers such as Goethe and Walter Benjamin Presents a panorama of Victorian liberalism in its literary, intellectual, and political context Examines the writings from the last decade of Trollope's life that have received only scant critical attention, such as his novellas and his biographies

This study focuses on Anthony Trollope's stylistic innovations in relation to Victorian liberalism In his biography of William Makepeace Thackeray, Anthony Trollope posits the ideal of a man without style: 'I hold that gentleman to be the best dressed whose dress no one observes. I am not sure but that the same may be said of an author's written language'. Trollope's own appearance, unlike his written language, did not pass without observation, however. A contemporary poet recollects that he was 'hirsute and taurine of aspect'. This study unravels this paradox. It disentangles the many threads in Trollope's ostensibly transparent writing and reassembles the political and intellectual fabric that they weave, thus showing how Trollope's language exceeds and questions the concepts provided by contemporary ideologies. Key Features: Shows how Trollope's stylistic peculiarities perform his inflection of Victorian liberalism Reads Victorian literature through the lens of German (post-)Romantic thinkers such as Goethe and Walter Benjamin Presents a panorama of Victorian liberalism in its literary, intellectual, and political context Examines the writings from the last decade of Trollope's life that have received only scant critical attention, such as his novellas and his biographies

Explores the many ways in which Anthony Trollope is being read in the twenty-first century Since the turn of the century, the Victorian novelist Anthony Trollope has become a central figure in the critical understanding of Victorian literature. By bringing together leading Victorianists with a wide range of interests, this innovative collection of essays involves the reader in new approaches to Trollope's work. The contributors to this volume highlight dimensions that have hitherto received only scant attention and in doing so they aim to draw on the aesthetic capabilities of Trollope's twenty-first-century readers. Instead of reading Trollope's novels as manifestations of social theory, they aim to foster an engagement with a far more broadly theorised literary culture. Key Features: The most innovative collection of original essays on Anthony Trollope to date Enables the reader to see the direction of Trollope studies and Victorian studies in the twenty-first century Situates Trollope's work in newly emerging critical contexts, such as media networks and economics Makes use of pioneering developments in stylistics, ethics, epistemology, and reception history

New essays on the evolution of cultural memory of the former German Democratic Republic since 1989-90 and its importance for Germany's continuing unification process. Twenty years on from the dramatic events that led to the opening of the Berlin Wall and the collapse of the GDR, the subjective dimension of German unification is still far from complete. The nature of the East German state remains a matter of cultural as well as political debate. This volume of new research focuses on competing memories of the GDR and the ways they have evolved in the mass media, literature, and film since 1989-90. Taking as its point ofdeparture the impact of iconic visual images of the fall of the Wall on our understanding of the historical GDR, the volume first considers the decade of cultural conflict that followed unification and then the emergence of a morecomplex and diverse "textual memory" of the GDR since the Berlin Republic was established in 1999. It highlights competing generational perspectives on the GDR era and the unexpected "afterlife" of the GDR in recent publications.The volume as a whole shows the vitality of eastern German culture two decades after the demise of the GDR and the centrality of these memory debates to the success of Germany's unification process. Contributors: Daniel Argeles, Stephen Brockmann, Arne De Winde, Wolfgang Emmerich, Andrea Geier, Hilde Hoffmann, Astrid Koehler, Karen Leeder, Andrew Plowman, Gillian Pye, Benjamin Robinson, Catherine Smale, Rosemary Stott, Dennis Tate, Frederik VanDam, Nadezda Zemanikova. Renate Rechtien is Lecturer in German Studies, and Dennis Tate is Emeritus Professor of German Studies, both at the University of Bath, UK.