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Alemannia (Hardcover)
Freiburg I B Anton Birlin Heimat
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R870
Discovery Miles 8 700
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Ships in 18 - 22 working days
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Women in the Criminal Justice System: Tracking the Journey of
Females and Crime provides a rare up-to-date examination of women
both as offenders and employees in the criminal justice system.
While the crime rate in the United States is currently decreasing,
the rate of female incarceration is rising. Female participation in
the criminal justice workforce is also rising. However, women on
both sides of the system experience special issues. This book
presents the current state of females in the system through
contributions by expert authors. The book discusses the criminal
justice system's reaction to women, as well as the successes and
failures of its responses and current and future consequences. The
surge of incarcerated women comes with accusations of sexism,
racism, and differential treatment, and female employees face
sexual harassment, corruption, and differential pay. It examines
the victimization of women through sexual and physical assault,
victimization during incarceration, and the need for services such
as financial assistance, addiction treatment, and psychological
care for issues unique to women. The early chapters outline the
history of women in the context of the criminal justice system, and
lead into chapters that address specific women's issues. Each
chapter contains discussion questions to broaden understanding of
the history and issues relating to women in the system. The
chapters also highlight key concepts, significant statistics, and
legislative landmarks in criminal justice for women. As a
historical analysis and currently informed resource, Women in the
Criminal Justice System is a landmark work in its own right. It
gives you a firm understanding of past problems that women faced in
criminal justice, the present problems concerning women, how
progress was made from past to present, and what progress is still
needed.
The Ethics of Survival in Contemporary Literature and Culture
delves into the complex problems involved in all attempts to
survive. The essays analyze survival in contemporary prose
narratives, short stories, poems, dramas, and theoretical texts,
but also in films and other modes of cultural practices. Addressing
diverse topics such as memory and forgetting in Holocaust
narratives, stories of refugees and asylum seekers, and
representations of war, the ethical implications involved in
survival in texts and media are brought into a transnational
critical discussion. The volume will be of potential interest to a
wide range of critics working on ethical issues, the body, and the
politics of art and literature.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
French countertenor Philippe Jaroussky performs Bach and Telemann's
sacred cantatas live at the Alte Oper in Frankfurt in November
2011, accompanied by the Freiburger Barockorchester.
French countertenor Philippe Jaroussky performs Bach and Telemann's
sacred cantatas live at the Alte Oper in Frankfurt in November
2011, accompanied by the Freiburger Barockorchester.
René Jacobs conducts the Freiburger Barockorchester in this
performance of Haydn's opera recorded at the Berliner Staatsoper in
May 2009. Members of the cast include Marlis Petersen, Tom Randle,
Pietro Spagnoli and Alexandrina Pendatchanska.
Women in the Criminal Justice System: Tracking the Journey of
Females and Crime provides a rare up-to-date examination of women
both as offenders and employees in the criminal justice system.
While the crime rate in the United States is currently decreasing,
the rate of female incarceration is rising. Female participation in
the criminal justice workforce is also rising. However, women on
both sides of the system experience special issues. This book
presents the current state of females in the system through
contributions by expert authors. The book discusses the criminal
justice system's reaction to women, as well as the successes and
failures of its responses and current and future consequences. The
surge of incarcerated women comes with accusations of sexism,
racism, and differential treatment, and female employees face
sexual harassment, corruption, and differential pay. It examines
the victimization of women through sexual and physical assault,
victimization during incarceration, and the need for services such
as financial assistance, addiction treatment, and psychological
care for issues unique to women. The early chapters outline the
history of women in the context of the criminal justice system, and
lead into chapters that address specific women's issues. Each
chapter contains discussion questions to broaden understanding of
the history and issues relating to women in the system. The
chapters also highlight key concepts, significant statistics, and
legislative landmarks in criminal justice for women. As a
historical analysis and currently informed resource, Women in the
Criminal Justice System is a landmark work in its own right. It
gives you a firm understanding of past problems that women faced in
criminal justice, the present problems concerning women, how
progress was made from past to present, and what progress is still
needed.
The Ethics of Survival in Contemporary Literature and Culture
delves into the complex problems involved in all attempts to
survive. The essays analyze survival in contemporary prose
narratives, short stories, poems, dramas, and theoretical texts,
but also in films and other modes of cultural practices. Addressing
diverse topics such as memory and forgetting in Holocaust
narratives, stories of refugees and asylum seekers, and
representations of war, the ethical implications involved in
survival in texts and media are brought into a transnational
critical discussion. The volume will be of potential interest to a
wide range of critics working on ethical issues, the body, and the
politics of art and literature.
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