Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Friedrich Gottlieb Welcker (1784 1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 3 discusses Greek tragedy in the Hellenistic period and the influence of Greek tragedy on later Roman drama.

Friedrich Gottlieb Welcker (1784 1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 1 deals with the period and plays of Aeschylus and Sophocles.

Friedrich Gottlieb Welcker (1784 1868) championed a comprehensive approach to antiquity, embracing history, literature, art and religion. This, and his openness to contemporary philosophical ideas about aesthetics and mythology, gave his work a visionary quality that inspired later figures as diverse as Usener and Wilamowitz. In this three-volume work on tragedy, his largest, published between 1839 and 1841, he attempts to reconstruct all the lost trilogies and tetralogies of Greek tragic theatre, insisting on their artistic unity, and demonstrating their fundamental debt to the Epic Cycle (which he had investigated in his Der Epische Cyclus, also reissued in this series). Amid much that is fantastic he made many brilliant discoveries, such that he must still be consulted by all serious students of the subject. Volume 2 discusses Euripides, and the Trojan and Theban epic cycles.

Friedrich Gottlieb Welcker (1784 1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions, here and in his companion work on Greek tragedy, do not always command assent, they offer many brilliant observations and insights. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.

Friedrich Gottlieb Welcker (1784 1868) was one of the most engaging and creative of German philologists during the formative period of modern classical scholarship; 'one of the heroes', Wilamowitz called him. Art, poetry and religion were to him all the same object of study, and a key to the world of Greek imagination and feeling. His attempt to grasp the meaning of all Greek mythology gave impetus to a still vigorous tradition. This work (in two volumes, first published 1835 and 1849) is his effort to recover the lost epics of the archaic period, and the conditions of their performance and transmission. If his adventurous reconstructions, here and in his companion work on Greek tragedy, do not always command assent, they offer many brilliant observations and insights. His influence has been as diffuse as it is unacknowledged; again and again one finds on reading him that Welcker said it first.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Iambi Qui Supersunt Semonides (Amorginus), Friedrich Gottlieb Welcker

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Fragmenta Alcman, Friedrich Gottlieb Welcker Heyer, 1815 History; Ancient; Greece; Health & Fitness / Sleep & Sleep Disorders; History / Ancient / Greece

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.