One of European theatre's major plays, Schiller's masterpiece hinges on a brilliantly imagined meeting between Mary, Queen of Scots - focus of simmering Catholic dissent and her cousin Elizabeth, Queen of England, who has imprisoned her. Isolated by their duplicitous male courtiers, the women collide headlong, each wrestling with the rank, ambition and destiny their births have bestowed, against a thrilling background of intrigue, plot and counter-plot. David Harrower's version of Mary Stuart premiered at the Citizen's Theatre, Glasgow, in October 2006.

The foremost dramatist of German classicism wrote The Robbers, his first play, in 1781; in the trilogy Wallenstein, written nineteen years later, Schiller tried to combine the strengths of Sophocles, Shakespeare, and French classical drama.

A classic of 18th-century thought, Schiller's treatise on the role of art in society ranks among German philosophy's most profound works. An important contribution to the history of ideas, it employs a political analysis of contemporary society -- and of the French Revolution, in particular -- to define the relationship between beauty and art. Schiller's proposal of art as fundamental to the development of society and the individual remains an influential concept, and this volume offers his philosophy's clearest, most relevant expression.

The brooding, introverted Count von O- arrives in Venice during the carnival in order to escape from his duties and live incognito. But after encountering a enigmatic Armenian stranger who makes an uncanny pronouncement, a bizarre chain of events unfolds, involving a Jesuit secret society, a ghostly seance and a mysterious Sicilian magician - leading the Count to question his faith and morality. First serialized in 1787-89, this multilayered, fragmentary novel - which gave Friedrich Schiller a platform to expound his Enlightenment ideas on society and religion - has thrilled and engaged lovers of Gothic literature for over two centuries.