Columbia started life in 1850 when Dr. Thaddeus Hildreth and his brother set up the camp known as Hildreth's Diggins in the lovely Sierra foothills. More than 150 tumultuous years later, Columbia is an amazing example of a true gold rush community frozen in time. But this is no ghost town either -- the downtown area, with its plank sidewalks, ornate hotels, and saloons, is preserved as a California State Historic Park. The town today is a living, breathing, modern community at peace with both its past and its present. It's easy to imagine characters from the Old West swaggering through these streets, which served as the backdrop to Gary Cooper's Marshall Will Kane in High Noon. Of course, given Columbia's frequent historical reenactments, one doesn't have to think too hard to conjure such imagery.

Discover 100 must-do activities in Durban, with MapStudio’s newly released Visitor’s Guide to Durban. This “kif” guide will not only give you interesting facts and figures, but also important information like transport options and “dossing” (accommodation) options. Keep the laaities happy and tour the city visiting the beaches, surfbreaks, learn about fishing, the arts, theatre, dance and festivals, bookshops, movies, music, art galleries, museums and nightlife. Of course your visit would not be complete without savouring delicious Indian food and not trying a Durban “bunny”,, is like going to the UK and not eating fish ‘n chips. There are of course lovely restaurants, coffee shops, markets as well as food shops to suit the entire family. The guide also gives a great section on the parks and game reserves and local is lekker so shop around for locally produced goods and support cultural diversity, by supporting local artists, crafters and small businesses. This guide is a must-have for anyone wanting to visit Durban and the surrounding areas. So be kwaai bru, and discover the best of Durban!

Daddy, there's a man in our room...

This is the chilling announcement Alfie hears one night, when he wakes in his quiet, suburban house to find his twin daughters at the foot of his bed. It's been nine months since Pippa - their mother - suddenly died and they've been unsettled ever since, so Alfie assumes they've probably had a nightmare. Still, he goes to check to reassure the girls. As expected he finds no man, but in the following days the girls begin to refer to someone called Black Mamba. What seemingly begins as an imaginary friend quickly develops into something darker, more obsessive, potentially violent. Alfie finds himself struggling to cope, and so he turns to Julia - Pippa's twin and a psychotherapist - for help. But as Black Mamba's coils tighten around the girls, Alfie and Julia must contend with their own unspoken sense of loss, their unacknowledged attraction to one another, and the true character of the presence poisoning the twins' minds...

A darkling tale of tragedy, hauntings and sexual desire, Black Mamba is a novel of a father's love for his struggling daughters, and a widower's growing love for a woman after his wife's death. With smart, gothicky touches and a large and generous challenge to our assumptions of what and who constitutes a modern family, it explores both the limits we'll go to for our children and the sunken taboos of grief - of how erotics can still exist, and can even be life giving, after suffering loss.

David MacKenzie directs this British drama in which a troubled teenager and his father bond in the unusual surroundings of a prison. 19-year-old Eric (Jack O'Connell) has had an extremely difficult childhood. Taken into care after the death of his mother and the sentencing of his father (Ben Mendelsohn), Eric's subsequent struggles with authority are highlighted by the fact that he has been 'starred up' from juvenile prison to the real thing, despite his tender years. Eric is happy with the outcome, though, as it gives him a chance to reconnect with his father and to demonstrate his toughness. However, with certain prison wardens not averse to using extreme violence to enforce order and protect others, Eric may have to tread carefully and pay attention to the calming words of his father if he is to make it out of the facility in one piece.

Low-budget British crime thriller. Mitchell Parker (Nick Rendell) is a backstreet, lowlife debt collector who thinks he has hit the big time when he stumbles across a cache of money hidden in the flat of one of his clients, drug dealer Hopper (Giovanni Lombardo Radice). But helping himself turns out to be a deadly mistake when it materialises that the money was in fact the property of Mitchell's new boss, gangster Curtis Boswell (Victor D Thorn).