Fyodor Dostoyevsky was a Russian fiction writer, essayist, and philosopher whose works include ""Crime and Punishment"" and ""The Brothers Karamazov."" Considered by many as a founder or precursor of 20th century existentialism, Dostoyevsky is widely recognized as one of the greatest and most influential writers of all time.

Fyodor Dostoyevsky was a Russian fiction writer, essayist, and philosopher whose works include ""Crime and Punishment"" and ""The Brothers Karamazov."" Considered by many as a founder or precursor of 20th century existentialism, Dostoyevsky is widely recognized as one of the greatest and most influential writers of all time.

The Gambler is a novel by Fyodor Dostoevsky about a young tutor in the employment of a formerly wealthy Russian General. The novella reflects Dostoevsky's own addiction to roulette, which was in more ways than one the inspiration for the book: Dostoevsky completed the novella under a strict deadline so he could pay off gambling debts.

There is a great doppelganger tradition in literature, but there is nothing is quite like Fyodor Dostoevsky's _The Double_. (Jacketless library hardcover.)

Poor Folk is an epistolary novel -- that is, a tale told as a series of letters between the characters. And oh, what characters these are Makar Dievushkin Alexievitch is a copy writer, barely squeaking by; Barbara Dobroselova Alexievna works as a seamstress, and both face the sort of everyday humiliation society puts upon the poor. These are people respected by no one, not even by themselves. These are folks too poor, in their circumstances, to marry; the love between them is a chaste and proper thing, a love that brings some readers to tears. But it isn't maudlin, either; Fyodor Dostoevsky has something profound to say about these people and this circumstance. And he says it very well. When the book was first published a leading Russian literary critic of the day -- Belinsky -- prophesied that Dostoevsky would become a literary giant. It isn't hard to see how he came to that conclusion, and in hindsight, he was surely was correct.

The Possessed (In Russian:, tr. Besy), also translated as The Devils or Demons, is an 1872 novel by Fyodor Dostoevsky. The Possessed is an extremely political book, and is a testimonial of life in Imperial Russia in the late 19th century. As the revolutionary democrats begin to rise in Russia, different ideologies begin to collide. Dostoevsky casts a critical eye on both the left-wing idealists, exposing their ideas and ideological foundation as demonic, and the conservative establishment's ineptitude in dealing with those ideas and their social consequences. This form of intellectual conservativism tied to the Slavophil movement of Dostoevsky's day, is seen to have continued on into its modern manifestation in individuals like Aleksandr Solzhenitsyn. Dostoevsky's novels focusing on the idea that utopias and positivist ideas, in being utilitarian, were unrealistic and unobtainable. The book has five primary ideological characters: Verkhovensky, Shatov, Stavrogin, Stepan Trofimovich, and Kirilov. Through their philosophies, Dostoevsky describes the political chaos seen in 19th-Century Russia.

The Gambler is the tale of a man named Alexei with a passion for -- no, an addiction to -- roulette. In Dostoevsky's own words, ...all his vital sap, all his energies, his impetuosity and boldness will be absorbed by roulette. He is a gambler, but not just an ordinary gambler ...My hero is, in his way, a poet, but he feels ashamed...and he feels its ugliness the ugliness of his addiction] deeply. It's an oddly sympathetic tale, and Dostoevsky was well suited to telling it: The heroine of The Gambler is based on the fiery Apollinaria Suslov -- Dostoevsky's own mistress.

Dostoevsky's THE IDIOT is a powerhouse novel of passion and spiritual purity. Prince Myshkin, a Christ-like figure, is the meek yet steadfast holy fool who changes the lives of desperate men, fallen women, and yet stands a helpless witness to their passionate self-destruction. THE IDIOT is possibly the only novel by Dostoevsky which does not merely dwell on the darkness but wrenches the reader's heart in an emotional and uplifting catharsis. A passionate masterpiece by one of Russia's classical masters of the intense psychological novel.

The passionate confessions of a suffering soul; the brutal self-loathing of a tormented man; the scathing scorn of an alienated antihero who has become one of the greatest figures in all literature. Notes from Underground, published in 1864, introduces the moral, political, and social ideas Dostoevsky later explores in such masterpieces as Crime and Punishment, The Idiot, and The Brothers Karamazov

Dostoevsky's NOTES FROM THE UNDERGROUND is a psychological study of the deepest darkest skeletons in the closet of the human mind. The first novel from Dostoevsky's mature second period works, divided in two parts, presents an unnamed protagonist, a twisted angry student, and his worldview. It is one proud man's cry for help and perverse rejection of the world around him.

Dostoevsky's classic Russian novel showcases the damaging effects of gambling on the human soul.

Could an ordinary person, with no hint of malice and no motive but discovering what it feels like to do it, plot to kill and then actually murder a total stranger? What if the stranger were a thoroughly unlikable person hated by everyone who came into contact with her? One of the great novels of world literature, Crime and Punishment is a thriller of the conscience, one that wrangles with morality and its uses-or lack thereof-in the depths of poverty. Russian novelist FYODOR MIKHAILOVICH DOSTOEVSKY (1821-1881) conceived the character of his putative hero, the impoverished student Raskolnikov, while he himself was struggling under the burden of massive debt, and turned his ethical dilemmas into a literary detective story of the highest order, one in which the criminal seeks to discover his own motives for his terrible deed. Renowned for its invention of a more intimate kind of third-person narration, and featuring narrative manipulations of time and memory that anticipate the works of authors such as Henry James, Virginia Woolf, and James Joyce, this classic novel remains essential reading for all lovers of great literature. This edition presents the acclaimed 1914 translation by English writer CONSTANCE CLARA GARNETT (1861-1946), who introduced many of the great Russian novelists to the British and American public.

Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished St. Petersburg ex-student who formulates and executes a plan to kill a hated, unscrupulous pawnbroker seemingly for her money, thereby solving his financial problems and at the same time, he argues, ridding the world of an evil worthless parasite. Raskolnikov also strives to be an extraordinary being, similar to Napoleon, believing that murder is permissible in pursuit of a higher purpose.

Dostoevsky's classic novel, translated by Constance Garnett. Edited with notes and introduction by William Allen Neilson, Ph.D. [Facsimile reprint edition.]

Fyodor Dostoevsky's 1866 novel Crime and Punishment, arguably the first modern exploration of psychological realism, is not only a gem of Russian literature but an internationally renowned classic. Now this masterpiece has been vividly transformed by the powerful illustrations of renowned graphic artist Dave McKean, whose multimedia paintings are shrouded with the specters and shadows of Raskolnikov's fever dreams. Featuring over one hundred full-page paintings, spot illustrations and illuminated letters, and housed in an elaborately die-cut and embossed slipcase, this is an heirloom edition designed as a work of art in its own right. Featuring an introduction by Lonny Harrison. 9x12", 346 pages.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Could an ordinary person, with no hint of malice and no motive but discovering what it feels like to do it, plot to kill and then actually murder a total stranger? What if the stranger were a thoroughly unlikable person hated by everyone who came into contact with her? One of the great novels of world literature, Crime and Punishment is a thriller of the conscience, one that wrangles with morality and its uses-or lack thereof-in the depths of poverty. Russian novelist FYODOR MIKHAILOVICH DOSTOEVSKY (1821-1881) conceived the character of his putative hero, the impoverished student Raskolnikov, while he himself was struggling under the burden of massive debt, and turned his ethical dilemmas into a literary detective story of the highest order, one in which the criminal seeks to discover his own motives for his terrible deed. Renowned for its invention of a more intimate kind of third-person narration, and featuring narrative manipulations of time and memory that anticipate the works of authors such as Henry James, Virginia Woolf, and James Joyce, this classic novel remains essential reading for all lovers of great literature. This edition presents the acclaimed 1914 translation by English writer CONSTANCE CLARA GARNETT (1861-1946), who introduced many of the great Russian novelists to the British and American public.

The passionate confessions of a suffering soul; the brutal self-loathing of a tormented man; the scathing scorn of an alienated antihero who has become one of the greatest figures in all literature. Notes from Underground, published in 1864, introduces the moral, political, and social ideas Dostoevsky later explores in such masterpieces as Crime and Punishment, The Idiot, and The Brothers Karamazov

This novella, first published in 1846, deals with the internal struggle of its main character, "our hero" Yakov Petrovich Golyadkin (which means "naked" or "insignificant.") The narrator depicts a man whose life and reputation are threatened by the appearance of a double of himself, who tries to claim his position in the Russian bureaucracy and social circle.

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Dostoevsky's NOTES FROM THE UNDERGROUND is a psychological study of the deepest darkest skeletons in the closet of the human mind. The first novel from Dostoevsky's mature "second period" works, divided in two parts, presents an unnamed protagonist, a twisted angry student, and his worldview. It is one proud man's cry for help and perverse rejection of the world around him.