Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Through the unique format of this text, David has given the answers to nearly six hundred questions that have plagued many regarding the book of Revelation. The product of his work is a book that addresses these concerns and amplifies the need for one to have a personal relationship with God. The following is just a sample.

If Babylon was destroyed by the Persians, how can it be destroyed again?

How important are truth and justice today?

But what is justice when it comes to God and us?

Just what does it mean to fear God?

Exactly who are the beast and false prophet?

When one thinks of heaven, what is the picture that comes to mind?

How many people can heaven hold?

If over 2,000 years have passed without Christ's return, what assurance is there that He will return?

REVISED TRANSLATION OF THE CHAHAR MAQALA OF OF SAMARQAND by EDWARD G. BROWNE.OLD SERIES. ( 25 works, 37 published volumes.) and NEW SERIES. Originally published in 1921. Many of the earliest books including those dating back to the 1900s are now extremely scarce and increasingly expensive. These works are being republished in affordable, high quality, modern editons using the original artwork and text.

The Western World is becoming atheist. In the space of three generations churchgoing and religious belief have become alien to millions. We are in the midst of one of humankind's great cultural changes. How has this happened? Becoming Atheist explores how people of the sixties' generation have come to live their lives as if there is no God. It tells the life narratives of those from Britain, Western Europe, the United States and Canada who came from Christian, Jewish and other backgrounds to be without faith. Based on interviews with 85 people born in 18 countries, Callum Brown shows how gender, ethnicity and childhood shape how individuals lose religion. This book moves from statistical and broad cultural analysis to use frank, humorous and sometimes harrowing personal testimony. Becoming Atheist exposes people's role in renegotiating their own identities, and fashioning a secular and humanist culture for the Western world.

Totch Brown's memoirs of vanished days in the Ten Thousand Islands and the Everglades-the last real frontier in Florida, and even today the greatest roadless wilderness in the United States--are invaluable as well as vivid and entertaining, for Totch is a natural-born story-teller, and his accounts of fishing and gator hunting as well as his life beyond the law as gator poacher and drug runner are evocative and colorful, fresh and exciting."" - from the foreword by Peter Matthiessen In the mysterious wilderness of swamps, marshes, and rivers that conceals life in the Florida Everglades, Totch Brown hung up his career as alligator hunter and commercial fisherman to become a self-confessed pot smuggler. Before the marijuana money rolled in, he survived excruciating poverty in one of the most primitive and beautiful spots on earth, Chokoloskee Island, in the mangrove keys known as the Ten Thousand Islands located at the western gateway to the Everglades National Park. Until he wrote this memoir--recollections from his childhood in the twenties that merge with reflections on a way of life dying at the hands of progress in the nineties-Totch had never read a book in his life. Still, his writing conveys the tension he experienced from trying to live off the land and within the laws of the land. Told with energy and authenticity, his story begins with the handful of souls who came to the area a hundred years ago to homestead on the high ground formed from oyster mounds built and left by the Calusa Indians. They lived close to nature in shacks built of tin or palmetto fans; they ate wild meat, Chokoloskee chicken (white ibis), swamp cabbage, even--when they were desperate--manatee; and they weathered all manner of natural disaster from hurricanes to swarms of "swamp angels" (mosquitoes). In his grandpa's day, Totch writes, outlaws and cutthroats would "shoot a man down just as quick as they'd knock down an egret, especially if he came between them and the plume birds." His grandparents were both contemporaries of Ed J. Watson, the subject of Peter Matthiessen's best-selling Killing Mr. Watson, and Totch is featured in the recent award-winning PBS film Lost Man's River: An Everglades Adventure with Peter Matthiessen. He also appeared in Wind Across the Everglades, the 1957 Budd Schulberg movie in which Totch and Burl Ives sing some of Totch's Florida cracker songs.

Global theory represents an influential and popular means of understanding contemporary social and political phenomena. Human identity and social responsibilities are considered in a global context and in the light of a global human condition. A global perspective is assumed to be new and to supersede preceding social theory. However, if contemporary global theory is influential, its identity, assumptions and novelty are controversial. Global Theory from Kant to Hardt and Negri scrutinises global theory by examining how contemporary global theorists simultaneously draw upon and critique preceding modern theories. It re-thinks contemporary global ideas by relating them to the social thought of Kant, Hegel and Marx, and in so doing highlights divergent ambiguous aspects of contemporary global theories, as well as the continuing impact of the ideas of Kant, Hegel and Marx.

Iain McLean reexamines the radical legacy of AdamSmith, arguing that Smith was a radical egalitarian and that his work supported all three of the slogans of the French Revolution: liberty, equality, and fraternity. McLean suggests that Smith's The Theory of Moral Sentiments , published in 1759, crystallized the radically egalitarian philosophy of the Scottish Enlightenment. This book brings Smith into full view, showing how much of modern economics and political science is in Smith. The author locates Smith's heritage firmly within the context of the Enlightenment, while addressing the international links between American, French, and Scottish histories of political thought.