Why should today's parents read yet another pediatric advice book? What's changed about babies in the last 30 years? Nothing. What's changed about parents? Plenty. Today both work. Grandparents retire to the sunbelt and aren't around to help. And that terrific neighbor who pitched in when you grew up is hard to find today.

Dan Heller, a celebrated Boston pediatrician, saw parents becoming significantly more anxious and less confident about their child- rearing skills. He poo-pooed today's medical system that eschews common sense and favors dependence on pediatricians, pediatric specialists and consultants. He wanted parents to relax and enjoy bringing up children, to understand that most childhood issues are within the realm of normal.

He called himself "Crazy Dr. Heller" and this book is his legacy-- very sane advice that can make a difference in your parenting. Daniel G. Heller, MD practiced pediatrics for 28 years before his death in November, 2004. He graduated from Columbia College and New York University Medical Center and completed residency at Massachusetts General Hospital for Children. Board certified in pediatrics and pediatric nephrology, he was an assistant clinical professor at Harvard Medical School and loved teaching medical students, residents and parents. Nancy S. Heller, MSW, JD is a pediatric practice administrator in Brookline, Massachusetts where she served on the School Committee for several years. Her legal and social work concentrated on children's issues, like foster care, adoption, child abuse. Her three children are grown, and she has one grandson, named for his late grandfather.

Based on a timely reassessment of the classic arguments of Weber, Schumpeter, Hayek, Popper, and Parsons, this book reconceptualizes actually-existing capitalism. It proposes capitalism as an impersonal procedural solution to the problems of spontaneously coordinating public institutions that enable durable market-based wealth generation and social order. Few countries have achieved this. A novel contribution of the book is that it identifies a practical sequence of economic and institutional shortcuts to real capitalism.

The book challenges current orthodoxies about varieties of capitalism and relativist recipes for economic growth, and it criticizes culturalist and incrementalist viewpoints in institutional economics. It calls on the social sciences to help in constructing dynamic and prosperous open societies of the twenty-first century by reclaiming older ideas of ?social economics?. Better and faster solutions will emphasize crisis-induced change, rational leadership, ideological persuasion, institutional engineering, rules-based market freedom, and the universalistic formal-procedural impersonality of optimal regulatory systems.

For the first time, explore John Singer Sargent's fascination with Spain as seen in stunning landscapes, architectural views, figure studies, and scenes of everyday life American artist John Singer Sargent (1856-1925) experienced Spain, including the picturesque island of Majorca, as a source of rejuvenation and inspiration. Sargent and Spain features scores of the artist's dazzling watercolors, oil paintings, and drawings, from landscapes and seascapes to architectural studies, scenes of everyday life, and sympathetic portraits of the Roma and other local people he encountered. Immersing himself in the country's rich culture, he studied Spanish masters old and new, lavishing particular attention on works by Diego Velazquez in the Prado. He rendered the distinctive architecture of the Alhambra as well as other palaces and churches, and he captured lively scenes of ports and villages. Intrigued by Spanish dance and music, Sargent created dynamic views of flamenco and the famous dancer La Carmencita. A map and an illustrated chronology document the artist's seven trips to and travels through Spain. This handsome book showcases, for the first time, Sargent's captivation with Spain and the remarkable works of art now associated with it. Published in association with the National Gallery of Art, Washington Exhibition Schedule: National Gallery of Art, Washington (October 2, 2022-January 2, 2023) Fine Arts Museums of San Francisco, Legion of Honor (February 11-May 14, 2023)

Based on a timely reassessment of the classic arguments of Weber, Schumpeter, Hayek, Popper, and Parsons, this book reconceptualizes actually-existing capitalism. It proposes capitalism as an impersonal procedural solution to the problems of spontaneously coordinating public institutions that enable durable market-based wealth generation and social order. Few countries have achieved this. A novel contribution of the book is that it identifies a practical sequence of economic and institutional shortcuts to real capitalism. The book challenges current orthodoxies about varieties of capitalism and relativist recipes for economic growth, and it criticizes culturalist and incrementalist viewpoints in institutional economics. It calls on the social sciences to help in constructing dynamic and prosperous open societies of the twenty-first century by reclaiming older ideas of 'social economics'. Better and faster solutions will emphasize crisis-induced change, rational leadership, ideological persuasion, institutional engineering, rules-based market freedom, and the universalistic formal-procedural impersonality of optimal regulatory systems.

It is entirely appropriate to ask, 'Why another work on women artists?' More specifically, 'Why this North American Free Trade Agreement, this NAFTA-like approach which embraces women artists from Canada, Mexico, and the United States. As researchers, we have been frustrated many times by being unable to locate basic information about many of the artists included in this volume, especially those working outside the United States. Another reason for producing this particular kind of reference book, to try and create a better understanding between and among the artists and art audiences in these three countries.

"Nearly a century after the Armory Show, avant-garde art remains misunderstood by mainstream America. In a practical, industrious country where the fine arts have never been deeply rooted, abstract and conceptual artists are still too often dismissed as silly, untalented, or immoral, with art galleries portrayed as snobbish and greedy. This worsening cultural crisis affects private and public funding, discourages promising new voices, and threatens America's creative future. Nancy G. Heller's wonderful book arrives in the nick of time. Destined to be a classic of public education, it is lucid, engaging, and ingenious, leading the reader through the difficulties and strategies of avant-garde art. Intended for the general audience, the book is also must reading for teachers throughout the humanities, which have become distracted by jargon and ideology. Heller is an inspiring role model for university scholars, who must recover and renew their central mission of teaching."--Camille Paglia, University Professor and Professor of Humanities, University of the Art

"This delightful, down-to-earth guide demystifies the act of looking at modern and contemporary art with clarity and humor, drawing upon a diverse and wide-ranging array of artworks, which are abundantly reproduced. It will definitely appeal to novice viewers perplexed by the enigmas of earthworks and the splatters, scrapes, and splashes of non-traditional art, and it just may convince a few skeptics to look for beauty in unexpected places. "Why a Painting is Like a Pizza" is an ideal book for beginners because Nancy Heller leads us through the basics of analyzing the elements of any work of art while sharing tales of her own, often humorous, peregrinations to museums and galleries. She is an ideal companion---full of fun, facts, genuine enthusiasm, and a healthy respect for viewers abilities and their personal responses."--Bay Hallowell, Coordinator of Special Projects, Youth, and Family Programs, Philadelphia Museum of Art

"Nancy Heller has wrought a minor miracle. She has written a book about art that is of interest to both the layperson and the professional. "Why a Painting Is Like a Pizza" is informative and highly entertaining. By exploring the context within which art is made and exhibited, and by probing the criteria for evaluating it, Heller has constructed a useful framework for looking at art meaningfully. Without belittling artists and their work, she has demystified the artistic process. Through her pragmatic, everyday analogies she helps us see that all art is an act of communication and that the visitor's response--whatever it might be--is valid."--Susan S. Badder, Curator of Education, Corcoran Gallery of Art, Washington, D.C.

"Reading "Why a Painting is Like a Pizza" is like having a personal guide at your side as you make your way through unfamiliar territory. We feel that we are in a gallery, engaged in an engrossing conversation with somebody who knows a great deal about modern art, but does not pretend to know all the answers, or even believe that answers are always available. While we hear Nancy Heller's highly intelligent and often very witty voice throughout the entire book, we also hear our own, for the author seems to know what we are thinking, wondering, and even resisting before we have been able to put our questions and doubts into words. "--Linda Andre, Program Specialist forTeacher Services, The Sylvia Friedberg Nachlas Endowed Chair in Museum Education, Department of Education & Interpretation, The Baltimore Museum of Art

"So much writing on modern art is dessicated intellectualism, jargon laden, and marinated in theory. Here, instead, we have a simple and clear presentation, truly accessible to students, general readers, and museum beginners."--A. Richard Turner, author of "Inventing Leonardo"

Firmly established as one of the premier histories of women in the fine arts, Nancy G. Heller's "Women Artists returns in an expanded fourth edition. With coverage of the 1990s and the beginning of the new millennium, nearly half the volume is now devoted to the remarkable period from 1960 to the present, when women artists emerged as the most dynamic force in contemporary art. New to this edition are innovative contemporary American artists such as Janine Antoni and Judith Schaechter, as well as major international figures, including Iran's Shirin Neshat, Shahzia Sikander from Pakistan, and the Icelandic sculptor and performance artist Katrin Sigurdardottir. As in past editions, all the artists' works are represented in large-format color reproductions, and the artists' careers are examined in concise critical biographies.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Why should today's parents read yet another pediatric advice book? What's changed about babies in the last 30 years? Nothing. What's changed about parents? Plenty. Today both work. Grandparents retire to the sunbelt and aren't around to help. And that terrific neighbor who pitched in when you grew up is hard to find today.

Dan Heller, a celebrated Boston pediatrician, saw parents becoming significantly more anxious and less confident about their child- rearing skills. He poo-pooed today's medical system that eschews common sense and favors dependence on pediatricians, pediatric specialists and consultants. He wanted parents to relax and enjoy bringing up children, to understand that most childhood issues are within the realm of normal.

He called himself "Crazy Dr. Heller" and this book is his legacy-- very sane advice that can make a difference in your parenting. Daniel G. Heller, MD practiced pediatrics for 28 years before his death in November, 2004. He graduated from Columbia College and New York University Medical Center and completed residency at Massachusetts General Hospital for Children. Board certified in pediatrics and pediatric nephrology, he was an assistant clinical professor at Harvard Medical School and loved teaching medical students, residents and parents. Nancy S. Heller, MSW, JD is a pediatric practice administrator in Brookline, Massachusetts where she served on the School Committee for several years. Her legal and social work concentrated on children's issues, like foster care, adoption, child abuse. Her three children are grown, and she has one grandson, named for his late grandfather.