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The analyses of German and Brazilian cultures found in this book
offer a much-needed rethinking of the intercultural paradigm for
the humanities and literary and cultural studies. This collection
examines cultural interactions between Germany and Brazil from the
Early Modern period to the present day, especially how authors,
artists and other intellectuals address the development of society,
intervene in the construction and transformation of cultural
identities, and observe the introduction of differing cultural
elements in and beyond the limits of the nation. The contributors
represent various academic disciplines, including German Studies,
Luso-Afro-Brazilian Studies, Cultural Studies, Linguistics, Art
History and the social sciences. Their essays cover a wide range of
works and media, and the issues they address are relevant not only
for each of the scholarly disciplines involved, but also in
discussions of current cultural practices in connection to all
forms of media. The collection thus serves as a model for further
intercultural research, since it calls into question the very terms
through which we understand the relationships between cultures, as
well as their products, practices, and perspectives.
The analyses of German and Brazilian cultures found in this book
offer a much-needed rethinking of the intercultural paradigm for
the humanities and literary and cultural studies. This collection
examines cultural interactions between Germany and Brazil from the
Early Modern period to the present day, especially how authors,
artists and other intellectuals address the development of society,
intervene in the construction and transformation of cultural
identities, and observe the introduction of differing cultural
elements in and beyond the limits of the nation. The contributors
represent various academic disciplines, including German Studies,
Luso-Afro-Brazilian Studies, Cultural Studies, Linguistics, Art
History and the social sciences. Their essays cover a wide range of
works and media, and the issues they address are relevant not only
for each of the scholarly disciplines involved, but also in
discussions of current cultural practices in connection to all
forms of media. The collection thus serves as a model for further
intercultural research, since it calls into question the very terms
through which we understand the relationships between cultures, as
well as their products, practices, and perspectives.
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