Bored by religious instruction and painting lessons, a group of friends at a convent school spend their days dreaming of romance, fashion and the latest gramophone records. One by one, they give up their visions of adventure and submit to provincial life, marrying for money and status, like their mothers before them. Plain, jaundiced Lucretia, becomes the envy of her friends when Paul, a glamorous dandy proposes, but she hides a shocking secret that will destroy their marriage and expose them to scandal. Only Adriana Dunea, the most beautiful and talented girl in the school seems destined for happiness with her childhood sweetheart, Gelu. But everything changes when, on a trip to Bucharest, she meets Cello Viorin, a famous composer...

"Starting from the history of concepts, Victor Neumann shows how the variety of connotations associated with the ideas of 'nation' and 'people' have been circumscribed in south-eastern Europe, holding back the region over many decades. More important, with erudition and seriousness of purpose, he mounts a defence of a notion of identity that is neither fixed nor monocultural, and proposes a legal definition of 'nation' that can resist exclusivist or racist versions. In an age when counter-rational fantasies about identity seem to be prevailing, when many seem unaware of or have forgotten where such thinking leads, Neumann's is a much-needed voice of reason." - Dan Stone, Professor of Modern History, Royal Holloway, University of London With a focus on the origins and evolution of political identity, this book explores the way different linguistic communities have defined kin, ethnicity, citizenship and the nation. As Neumann traces the transition over the last two centuries of European history, from the medieval to the modern age, he pays particular attention to the idealistic philosophies that have influenced the intellectual landscape and political discourse of European regions today, and which have intensified the division between East and West in terms of cultural norms, legislation and administration.

The frustrated wife of a French-Tunisian plantation owner, a mysterious older woman, a world weary tomboy, an unhappy mistress, a Parisian factory worker destined for tragedy, an acrobat turned cabaret sensation - these are the women whose lives are linked by their relationship with one man - Stefan Valeriu. Divided into four separate stories connected by one man, Women takes us from Stefan's amorous entanglements at an Alpine lake resort, to his life in Bucharest and Paris, as each of the women in his life opens up new worlds for him. Women is a hymn to love in all its forms, romantic or platonic, sometimes reckless, often glorious and always, ultimately, ephemeral.

"No star deviates from its path..." Thrown off the train for not having a ticket, Mona finds herself, alone, in a rural town at night. Although she is fashionably dressed, she has no money and nowhere to stay. Fortunately, the local schoolteacher, Marin, invites her to stay at his home while he sleeps over at a friend's place. However, an attraction soon develops. Marin, a keen astronomer, reveals that he has discovered a star which is not marked on any star chart. They share a wonderfully happy night together. But their idyll is soon shattered by the arrival of Mona's boyfriend, Grig. Will Mona choose to return to her old life in the city or settle for a quieter life with Marin? This play was a hit play in Romania at the time it was written and has subsequently been adapted for film in both France and Russia. Available for the first time in a new English translation by Gabi Reigh. --Mihail Sebastian