for SATB, organ, and second organ or piano or harp Taken from Rutter's edition of Faure's Requiem, this angelic and widely beloved Sanctus features both the original French words and an optional English text, translated and adapted for singing by John Rutter himself. Although ideal for funerals and All Souls Day services due to it being composed as part of the Requiem, the more general message of praise in the Sanctus makes it equally suitable for a range of other worship services. Its second keyboard part may be performed on an additional organ, piano, or harp. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press.

for SATB and organ/chamber orchestra Taken from Rutter's edition of Faure's Requiem, this famous movement features both the original French words and an optional English text, translated and adapted for singing by John Rutter himself. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press, with scores and parts available on sale and on hire.

Cantique de Jean Racine was written in 1865 during Faure's final year at the Ecole Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Faure Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Faure's original keyboard accompaniment is available on sale.

for soprano and baritone soloists, SATB chorus, and the composer's original chamber instrumentation This edition presents Faure's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Faure's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

Paavo Järvi leads the Choir of the Orchestre De Paris and the Orchestre De Paris in this live recording, featuring performances by soprano Chen Reiss and baritone Matthias Goerne.

Faure was not drawn to compose a Requiem because of the death of a loved one, even though his mother had died during the early stages of composition and his father had passed away two years before. Faure's composition does not set his Requiem to the standard liturgical text, instead adding a lyrical Pie Jesu and transcendent Paradisum, and omitting the Dies Irae and Tuba Mirum - which, for most composers, are opportunities to demonstrate the dramatic possibilities available with the choral and orchestral forces. As a result the mood of the Requiem is relatively calm and peaceful and often referred to as a lullaby of death. Faure's unconventional composition has become a firm favourite in the repertoire and available here is the vocal score, for soloists and SATB choir with piano accompaniment, as edited by Desmond Ratcliffe.

for SATB and piano or orchestra Well known as an orchestral piece, Faure's 'Pavane' is here presented with the choir parts the composer himself provided. The vocal score was first published in 1891, the charmingly slight and musically apt text by Faure's acquiantance, the witty Comte Robert de Montesquio-Fezensac. This edition has eradicated discrepancies in the voice parts between the existing vocal and full scores. Instrumental parts are available on hire.

Cantique de Jean Racine was written in 1865 during Faure's final year at the Ecole Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Faure Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Faure's original keyboard accompaniment is available on sale.

Cantique de Jean Racine was written in 1865 during Faure's final year at the Ecole Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Faure Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. In addition, an arrangement for upper voices (SSAA) with Faure's original keyboard accompaniment is available on sale.

Cantique de Jean Racine was written in 1865 during Faure's final year at the Ecole Niedermeyer, winning him the first prize for composition, and this elegant work now holds a cherished place in the choral repertory for both sacred and secular occasions. Presented with an English singing translation in addition to the original French, John Rutter's edition includes an accompaniment for organ or piano, and the work may also be performed with the transcription for harp and strings (available separately), compatible with the instrumentation for the OUP edition of the Faure Requiem in its 1893 version. Complete orchestral and vocal material is available on hire/rental and on sale. This arrangement for upper voices remains as faithful to the original as possible.

This edition presents Faure's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Faure's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This edition presents Faure's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Faure's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This edition presents Faure's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Faure's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This edition presents Faure's masterpiece in a form which accords with his original intention that it should be a liturgical Requiem with accompaniment of organ and chamber ensemble. The 1893 version is an expansion of Faure's original, prepared by the composer for a performance at the Church of the Madeleine in Paris and containing two additional movements, the Offertoire and the Libera me. In contrast to the fully orchestrated version that was published in 1900, this edition preserves the original chamber instrumentation, and it also contains a full English translation by John Rutter. Complete orchestral and vocal material is available on hire/rental, and the vocal score, full score, and parts are also available on sale.

This is a new, digitally-enhanved reprint of the classic edition of Roger-Ducasse's vocal score of Faure's final version, first issued in 1900 by Huegel.

The A Z of String Players surveys the lives, careers and recordings of over 300 string players from the past and present. Many great string players who have made recordings are included, from Accardo to Zukerman. The text covers artists from the earliest recording processes to contemporary, cutting-edge technology. In this clear and straight-forward publication, the artists are listed alphabetically, with a summary of their career, notable recordings, biography and critical appraisal of their recorded legacy. In addition, four compact discs present a selection of recordings from 69 artists. This package will appeal to enthusiast and scholar alike as a readable, informed and fascinating work of reference.