Recent terrorist attacks have left the UK (and Europe) genuinely at sea as to how to respond to these distressing events. There are the predictable interpretations with politicians on the right talking about counter-terrorism, harsher punishments and tightening up on the internet, whilst on the political left there is talk about blaming foreign wars. All this analysis is relevant, but insufficient. Politicians are not talking enough about why so many young people are sufficiently angry and alienated that they are prepared to be seduced by the toxic and poisonous ideology of Islamic State. The Psychology of Political Extremism examines both the politics and the psychology, as well as what motivates people to behave in ways that are so disturbing. Freud is the hook as the founding father of the talking cure. A radical and subversive theorist in his time, he claimed that mankind was influenced more by the inner workings of the mind and internal conflicts than by rational thought.

The image, the client and the therapist are three essential aspects of the art therapy relationship; each has a separate 'voice'. In this book, originally published in 1993, the three voices come alive as the client, Kim, and the therapist, Gabrielle, tell the story of his path from suicidal despair to health and creativity through a series of extraordinary images. The images, chosen to represent the stages of Kim's therapeutic experience, speak for themselves and convey their importance as a powerful catalyst for change. An outer voice, that of Tessa Dalley, provides a theoretical commentary on the process as it occurs, adding to the understanding of what is happening in the therapeutic encounter. This fully rounded account of clinical practice in art therapy offers a rare insight into common issues and dilemmas which will make the book of interest to both professional and non-professional readers alike.

The image, the client and the therapist are three essential aspects of the art therapy relationship; each has a separate voice . In this book, originally published in 1993, the three voices come alive as the client, Kim, and the therapist, Gabrielle, tell the story of his path from suicidal despair to health and creativity through a series of extraordinary images. The images, chosen to represent the stages of Kim s therapeutic experience, speak for themselves and convey their importance as a powerful catalyst for change. An outer voice, that of Tessa Dalley, provides a theoretical commentary on the process as it occurs, adding to the understanding of what is happening in the therapeutic encounter. This fully rounded account of clinical practice in art therapy offers a rare insight into common issues and dilemmas which will make the book of interest to both professional and non-professional readers alike."

Institutions do not decide whom to destroy or to kill, whether to make peace or war; those decisions are the responsibility of individuals. This book argues that the most important aspect of conflict resolution is for antagonists to understand their opponents as individuals, their ambitions, their pains, the resentments that condition their thinking and the traumas they do not fully themselves grasp. Gabrielle Rifkind and Giandomenico Picco here present two very different experiences of international relations - Rifkind as a psychotherapist now immersed in the politics of the Middle East, and Picco as a career diplomat with a long and successful record as a negotiator at the UN.
Developing links between psychology and politics, the authors explore what lies behind the aggressive facade of negotiations and how, underneath the mask, there is a human being. Should we talk to the enemy? What happens if the protagonists are nasty and brutish, tempting policy-makers to retaliate? How do nations find the capacity not to hit back, trapping themselves in endless cycles of violence? Presenting a unique combination of psychological theories, geopolitical realities and first-hand peace-making experience, this book sheds new light on some of the worst conflicts in the modern world and demonstrates, above all, how empathy can often be far more persuasive than the most fearsome weapons. By exploring the question of intervention versus non-intervention, and examining how the changing nature of warfare and technology has both armed the warmonger, whilst empowering the individual through social media, this is a highly topical, comprehensive overview on international diplomacy and the complexities of peace-making.