"London Eyes provides paths through the city, chancing upon those stories that ultimately have the potential to change London, to see it with new eyes, casting new shadows and seeing new stories open up at many turns. This collection has at its heart a joyous fascination with the city and the texts, images and films that have contributed to our ideas about London. It was a wonderful opportunity to stumble upon some new panoramas." Film Philosophy

London incessantly generates and incites cultural responses, pre-eminently in the interconnected domains of literature and film. This book demonstrates that those responses have been sustained as vital experiments and engagements in configuring the city and its inhabitants. Including essays by prominent cultural, literary and film historians this volume forms an original and incisive contribution to ongoing debates about the city's intricate cultural history and its construction through both language and image, as a crucial site of identity, desire, exile and displacement.

Gail Cunningham is Professor of English and Dean of the Faculty of Arts and Social Sciences at Kingston University. Her recent publications include Houses in Between (CUP, 2004) Anna Lombard (Birmingham University Press, 2002) and He-Notes: Reconstructing Masculinity (Palgrave, 2000).

Stephen Barber is a Professor of Media Arts at Kingston University. His most recent publications include The Vanishing Map (Berg, 2006), Hijikata (Creation, 2006) and The Art of Destruction (Creation 2004). He has been awarded international prizes and awards for his work by the Rockefeller Foundation, the Getty Program, the Ford Foundation, the DAAD Berlin Artists and Writers Programme, the Annenberg Foundation, the Leverhulme Trust, the Japan Foundation, the British Academy, the Daiwa Foundation, the Saison Foundation, and the London Arts Board.

"Image and Power" is an important work of literary and cultural criticism. This collection of essays focuses on some of the major issues addressed by women's writing in the twentieth century, concerning genre, subjectivity and social and cultural expectations, issues which in the past have been regarded from an essentially male perspective. The text introduces women writers whose novels have been widely read and provides an important contribution to the debate about women in literature.

Image and Power is an important work of literary and cultural criticism. This collection of essays focuses on some of the major issues addressed by women's writing in the twentieth century, concerning genre, subjectivity and social and cultural expectations, issues which in the past have been regarded from an essentially male perspective. The text introduces women writers whose novels have been widely read and provides an important contribution to the debate about women in literature.

Appearing in the final year of Victoria's reign, Anna Lombard captured many preoccupations of the fin-de-siecle period and pushed them beyond the bounds of Victorian acceptability towards the greater freedoms of the twentieth century. This hugely popular novel (thirty editions, six million copies sold) examines male and female sexuality, extending the notion of New Woman feminism and proposing a new masculinity to match it. Its transgressive interracial sexual and social relations are set in a highly eroticized Indian landscape and against the rigidities of Victorian imperialism. Anna Lombard challenges and subverts a wide range of the most fiercely defended ideologies of its time. For modern readers familiar with late Victorian conventions, it retains its power to surprise and shock, and extends our knowledge and understanding of the ways in which Victorian writers reflected and constructed social attitudes. For all readers, then as now, it is mesmerisingly readable. This new edition will extend understanding of women's writing of the period, and introduces a new generation of readers to the work of a once popular and continually engrossing novelist, Victoria Cross (a pen name of Annie Sophie Cory).