A cherished heirloom reveals the destinies of three generations of women in a powerful saga of lost love by the bestselling Greek author of The House by the River. After years spent in Germany struggling to come to terms with a dispirited and abusive past, Fenia Karapanos has returned to her roots in Greece. Her estranged grandfather has bequeathed her his villa in Athens, a gesture she assumes is reparation for having disowned her late mother. After taking in a grateful Syrian refugee to help her restore the property-and her life-Fenia discovers a collection of love letters hidden under the floorboards, reaching back nearly a century. In each one, Fenia unfolds another piece of her broken family history. But it's Fenia's solicitous cousin, Melpo, who offers more to the story than Fenia can imagine. Melpo shares everything she knows-about Fenia's grandmother and mother, their elusive and heartbreaking searches for happiness, and two families linked across decades by betrayal, secrets, abandonment, and forbidden love. It upends everything Fenia believed was true about her family. But it could also draw her closer to finding self-fulfillment-and a place to call home.

Having set aside age-old ways of mourning, how do people in the modern world cope with tragic loss? Using traditional mourning rituals as an instructive touchstone, Gail Holst-Warhaft explores the ways sorrow is managed in our own times and how mourning can be manipulated for social and political ends.

Since ancient times political and religious authorities have been alert to the dangerously powerful effects of communal expressions of grief--while valuing mourning rites as a controlled outlet for emotion. But today grief is often seen as a psychological problem: the bereaved are encouraged to seek counseling or take antidepressants. At the same time, we have witnessed some striking examples of manipulation of shared grief for political effect. One instance is the unprecedented concentration on recovery of the remains of Americans killed in the Vietnam War. In Buenos Aires the Mothers of the Disappeared forged the passion of their grief into a political weapon. Similarly the gay community in the United States, transformed by grief and rage, not only lobbied effectively for AIDS victims but channeled their emotions into fresh artistic expression.

It might be argued that, in contrast to earlier cultures, modern society has largely abdicated its role in managing sorrow. But in "The Cue for Passion" we see that some communities, moved by the intensity of their grief, have utilized it to gain ground for their own agendas.

The rembetika, songs that were sung in the poor quarters of Smyrna, Istanbul and the ports of Greece in the late nineteenth century, and became the popular bouzouki music of the 1930s to 1950s, have many parallels with American blues. Like the blues, the rembetika were the music of outsiders, who developed their own slang and their own forms of expression. Road to Rembetika was the first book in English to attempt a general survey of the world of the 'rembetes' who smoked hashish and danced the passionate introspective zebekiko to release their emotions. The author Gail Holst, an Australian musician and writer who first came to Greece in 1965 and who has continued to perform and write about Greek music ever since, describes her own initiation into the rembetika, outlines its historical and sociological background, its musical characteristics and instrumentation. The second part of the book is a collection of rembetika songs in Greek with the English translation en face. The text is illustrated with photographs of the period, musical examples and original manuscripts of the songs. Although Road to Rembetika was first published many years ago, this revised edition of this now classic book still remains the most vibrant portrayal of this musical genre.

From acclaimed Greek writer Lena Manta comes an emotionally powerful saga following five young women as they realize that no matter where life leads them, the only constant is home. Theodora knows she can't keep her five beautiful daughters at home forever-they're too curious, too free spirited, too like their late father. And so, before each girl leaves the small house on the riverside at the foot of Mount Olympus, Theodora makes sure they know they are always welcome to return. Having survived World War II, the Nazi occupation of Greece, and her husband's death, Theodora now endures the twenty-year-long silence of her daughters' absence. Her children have their own lives-they've married, traveled the world, and courted romance, fame, and even tragedy. But as they become modern, independent women in pursuit of their dreams, Theodora knows they need her-and each other-more than ever. Have they grown so far apart that they've forgotten their childhood home, or will their broken hearts finally lead them back again?

The Classical Moment is a reexamination of the concept of a supreme moment in the literatures of Greece, Mesopotamia, India, China, Japan, Korea, and Vietnam. Taking the case of Greece as its starting point, it examines what such "moments" have in common, how they are created, and what effect they have on subsequent literary creation.

The Penn Greek Drama Series presents original literary translations of the entire corpus of classical Greek drama: tragedies, comedies, and satyr plays. It is the only contemporary series of all the surviving work of Aeschylus, Sophocles, Euripides, Aristophanes, and Menander. This final volume of the tragedies of Aeschylus relates the historic defeat and dissolution of the Persian Empire on the heels of Xerxes disastrous campaign to subdue Greece, the struggle between the two sons of Oedipus for the throne of Thebes, the story of fifty daughters who seek asylum from their uncle, the king of Egypt, because of his demand that they marry his sons, and the well-known tale of the proud and unrepentant Prometheus, who is chained to a massive rock for revealing fire and hope to humankind. Translations are by David Slavitt (Persians), Stephen Sandy (Seven Against Thebes), Gail Holst-Warhaft (The Suppliants), and William Matthews (Prometheus Bound).