Born in Japan, acclaimed Seattle artist Kenjiro Nomura (1896-1956) came to the United States as a child of ten, received artistic recognition by age twenty, and in the 1930s became the best-known artist of Japanese descent in the Northwest, his artwork widely exhibited regionally and nationally. Along with more than one hundred thousand Japanese Americans from the West Coast, Nomura was incarcerated during the war but continued to paint, leaving a visual record grounded in place and circumstance. In postwar years he developed a new abstract style that brought him recognition once again. In Kenjiro Nomura, American Modernist, Barbara Johns presents Nomura's life and artistic achievement within their historical context. Her account depicts Seattle as a stronghold of prewar Issei artistic activity, and Nomura's work as providing a meaningful contribution to the history of American art. The book is generously illustrated with artwork tracing Nomura's entire career. David F. Martin, curator of the Cascadia Art Museum, expands the context of Nomura's accomplishment with an account of the artists with whom Nomura associated. This publication is distributed for the Cascadia Art Museum.

An innovative anthology showcasing Asian American and Pacific Islander women’s histories Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond. This volume is unique in exploring Asian American and Pacific Islander women’s lives along local, transnational, and global dimensions. The contributions present new research on diverse aspects of Asian American and Pacific Islander women’s history, from the politics of language, to the role of food, to experiences as adoptees, mixed race, and second generation, while acknowledging shared experiences as women of color in the United States. Our Voices, Our Histories showcases how new approaches in US history, Asian American and Pacific Islander studies, and Women’s and Gender studies inform research on Asian American and Pacific Islander women. Attending to the collective voices of the women themselves, the volume seeks to transform current understandings of Asian American and Pacific Islander women’s histories.

View the Table of Contents
Read the Introduction.

"A valuable collection of essays focusing on a broad array of issues concerning Asian/Pacific Islander women. This collection is recommended to all who share these concerns across various fields and disciplines."--"Western Historical Quarterly"

"This rich collection heralds the growing significance of Asian/Pacific Islander American women in American history and women's history. The essays cover an impressive breadth of historical periods, specific groups of women, and topics. The volume showcases the diverse research of emerging scholars. These diverse subjects call forth new and creative approaches in research and writing, and this collection both demonstrates and promises exciting advances in the content and methods of historical studies."--"The Journal of American History"

"Hune and Nomura have produced a much-needed anthology that will contribute in a substantial way to introductory courses in their field. The book also does much to elevate Asian-American women beyond the secondary roles to which they too often have been relegated in male-dominated texts. For this service alone, all of us who teach and seek to understand further the Asian-American experience owe them our gratitude."--"American Historical Review"

Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects activelynegotiating complex hierarchies of power.

The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources.

This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students.

Contributors include: Xiaolan Bao, Sucheng Chan, Catherine Ceniza Choy, Vivian Loyola Dames, Jennifer Gee, Madhulika S. Khandelwal, Lili M. Kim, Nancy In Kyung Kim, Erika Lee, Shirley Jennifer Lim, Valerie Matsumoto, Sucheta Mazumdar, Davianna Pomaika'i McGregor, Trinity A. Ordona, Rhacel Salazar ParreAas, Amy Ku'uleialoha Stillman, Charlene Tung, Kathleen Uno, Linda Trinh VA, Judy Tzu-Chun Wu, Ji-Yeon Yuh, and Judy Yung.

Challenging the notion that Nikkei individuals before and during World War II were helpless pawns manipulated by forces beyond their control, the diverse essays in this rich collection focus on the theme of resistance within Japanese American and Japanese Canadian communities to twentieth-century political, cultural, and legal discrimination. They illustrate how Nikkei groups were mobilized to fight discrimination through assertive legal challenges, community participation, skillful print publicity, and political and economic organization. Comprised of all-new and original research, this is the first anthology to highlight the contributions and histories of Nikkei within the entire Pacific Northwest, including British Columbia.

An innovative anthology showcasing Asian American and Pacific Islander women's histories Our Voices, Our Histories brings together thirty-five Asian American and Pacific Islander authors in a single volume to explore the historical experiences, perspectives, and actions of Asian American and Pacific Islander women in the United States and beyond. This volume is unique in exploring Asian American and Pacific Islander women's lives along local, transnational, and global dimensions. The contributions present new research on diverse aspects of Asian American and Pacific Islander women's history, from the politics of language, to the role of food, to experiences as adoptees, mixed race, and second generation, while acknowledging shared experiences as women of color in the United States. Our Voices, Our Histories showcases how new approaches in US history, Asian American and Pacific Islander studies, and Women's and Gender studies inform research on Asian American and Pacific Islander women. Attending to the collective voices of the women themselves, the volume seeks to transform current understandings of Asian American and Pacific Islander women's histories.

View the Table of Contents
Read the Introduction.

"A valuable collection of essays focusing on a broad array of issues concerning Asian/Pacific Islander women. This collection is recommended to all who share these concerns across various fields and disciplines."--"Western Historical Quarterly"

"This rich collection heralds the growing significance of Asian/Pacific Islander American women in American history and women's history. The essays cover an impressive breadth of historical periods, specific groups of women, and topics. The volume showcases the diverse research of emerging scholars. These diverse subjects call forth new and creative approaches in research and writing, and this collection both demonstrates and promises exciting advances in the content and methods of historical studies."--"The Journal of American History"

"Hune and Nomura have produced a much-needed anthology that will contribute in a substantial way to introductory courses in their field. The book also does much to elevate Asian-American women beyond the secondary roles to which they too often have been relegated in male-dominated texts. For this service alone, all of us who teach and seek to understand further the Asian-American experience owe them our gratitude."--"American Historical Review"

Asian/Pacific Islander American Women is the first collection devoted to the historical study of A/PI women's diverse experiences in America. Covering a broad terrain from pre-large scale Asian emigration and Hawaii in its pre-Western contact period to the continental United States, the Philippines, and Guam at the end of the twentieth century, the text views women as historical subjects activelynegotiating complex hierarchies of power.

The volume presents new findings about a range of groups, including recent immigrants to the U.S. and understudied communities. Comprised of original new work, it includes chapters on women who are Cambodian, Chamorro, Chinese, Filipino, Hmong, Japanese, Korean, Native Hawaiian, South Asian, and Vietnamese Americans. It addresses a wide range of women's experiences-as immigrants, military brides, refugees, American born, lesbians, workers, mothers, beauty contestants, and community activists. There are also pieces on historiography and methodology, and bibliographic and video documentary resources.

This groundbreaking anthology is an important addition to the scholarship in Asian/Pacific American studies, ethnic studies, American studies, women's studies, and U.S. history, and is a valuable resource for scholars and students.

Contributors include: Xiaolan Bao, Sucheng Chan, Catherine Ceniza Choy, Vivian Loyola Dames, Jennifer Gee, Madhulika S. Khandelwal, Lili M. Kim, Nancy In Kyung Kim, Erika Lee, Shirley Jennifer Lim, Valerie Matsumoto, Sucheta Mazumdar, Davianna Pomaika'i McGregor, Trinity A. Ordona, Rhacel Salazar ParreAas, Amy Ku'uleialoha Stillman, Charlene Tung, Kathleen Uno, Linda Trinh VA, Judy Tzu-Chun Wu, Ji-Yeon Yuh, and Judy Yung.