The new wave of documentaries that prominently feature their filmmakers, such as the works of Michael Moore and Morgan Spurlock, have attracted fresh, new audiences to the form--but they have also drawn criticism that documentaries now promote entertainment at the expense of truth. "Truth or Dare" examines the clash between the authenticity claimed by documentaries and their association with imagination and experimental contemporary art. An experienced group of practitioners, artists, and theorists here question this binary, and the idea of documentary itself, in a cross-disciplinary volume that will force us to reconsider how competing interests shape filmmaking.

Truth, Dare or Promise: Art and Documentary Revisited reflects on the ways that artists and filmmakers address the innovations and limitations of producing and exhibiting their work. Ranging from community collaboration to individual interpretation, and from gallery installation to cinematic screening, this book explores the differences and overlaps between definitions and methodologies. With an international reach, including contributors who are both practitioners and theorists, this book maps out developments in art and documentary, covering themes that include explorations of personal experience and representations of the past, while examining interactive galleries and the cinematic space.