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Multilingualism is a phenomenon that has become increasingly
visible in popular cinema and thus is currently a very novel object
of academic inquiry. The present volume is a cutting-edge
collection of cross- and transdisciplinary takes on this phenomenon
and its different aspects. Its topics range from translation theory
to political and aesthetic quandaries of audiovisual translation
and subtitling, to narratological function of multilingualism in
fiction, to language ideologies and language poetics onscreen. Its
authorship is a worldwide body of perspectives, whose contributions
span a distinctive collection of international, national and
regional film traditions.
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