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A remote tropical island. Countless dangerous secrets. No way to call help. Missing persons specialist Frankie Elkin is on an isolated island off the coast of Hawaii. Her mission: to find Lani, the missing sister of a Death Row serial killer known as the Beautiful Butcher who is awaiting execution in just three weeks’ time. According to the Beautiful Butcher’s sources, Lani is being held captive by her millionaire ex-boyfriend on the island. The only way to gain access is for Frankie to go undercover. But can Frankie really trust the word of a serial killer? Plus, this island is no paradise with deadly creatures and suspicious co-workers at every turn, and an incoming tropical storm about to cut her off from the outside world. Could this be Frankie Elkin’s most dangerous case yet?
Nothing is more inspiring than a big vision that becomes a triumphant, new reality. Think of how Apple’s iPod went from a project with a single employee to an enormously successful product launch in eleven months. But they are the exception. Consider how London’s Crossrail project delivered five years late and billions overbudget. More modest endeavours, whether launching a small business, organizing a conference, or just finishing a work project on time, also commonly fail. Why? Understanding what distinguishes the triumphs from the failures has been the life’s work of Oxford professor Bent Flyvbjerg. In How Big Things Get Done, he identifies the errors that lead projects to fail, and the research-based principles that will make yours a success:
Full of vivid examples ranging from the building of the Sydney Opera House to the making of the latest Pixar blockbusters, How Big Things Get Done reveals how to get any ambitious project done — on time and on budget.
Frankie Elkin usually prefers her cases cold. Until she finds herself
in the broiling streets of Tucson, Arizona, where an Afghan refugee has
been missing for three weeks.
This is Laurence Gardner's final book, written shortly before his death in 2010 and is the accompanying book to his Origin of God (published 2011 by dash house publishing). Together with Origin of God, this book outlines an irrefutable and searing indictment of conventional belief and exposes the evils and absurdities perpetuated over the millenia in the name of Christianity. In Revelation of the Devil, Laurence Gardner traces the history of the Devil, from its roots in Mesopotamia and the Old Testament all the way up to the modern world of today. Travelling through the New Testament, as well as the Koran, and then passing in turn through the Inquisitions, the Reformation and the Enlightenment, he unmasks what he has called "the myth of evil and the conspiracy of Satan." For nearly 2,000 years a supernatural entity known as the Devil has been held responsible by Church authorities for bringing sin and wickedness into the world. Throughout this period, the Devil has been portrayed as a constant protagonist of evil, although his origin remains a mystery and his personality has undergone many interpretive changes, prompting questions such as: If God is all good and all powerful, then why does evil exist? How can it exist? If God created everything, then where did the Devil come from? If the Devil exists, then why does he not feature in any pre-Christian document? Revelation of the Devil follows the Devil's sinister history, in the manner of a biography, from his scriptural introduction to the dark satanic cults of the present day. In a strict chronological progression, we experience the mood of each successive era as the Devil's image was constantly manipulated to suit the changing motives of his creators in their bid for threat-driven clerical control.
Election campaigns ought to be serious occasions in the life of a
democratic polity. For citizens of a democracy, an election is a
time to take stock-to reexamine our beliefs; to review our
understanding of our own interests; to ponder the place of those
interests in the larger social order; and to contemplate, and if
necessary to revise, our understanding of how our commitments are
best translated into governmental policy-or so we profess to
believe.
The Oregon State Insane Asylum was opened in Salem on October 23, 1883, and is one of the oldest continuously operated mental hospitals on the West Coast. In 1913, the name was changed to the Oregon State Hospital (OSH). The history of OSH parallels the development and growth in psychiatric knowledge throughout the United States. Oregon was active in the field of electroshock treatments, lobotomies, and eugenics. At one point, in 1959, there were more than 3,600 patients living on the campus. The Oscar-winning movie One Flew Over the Cuckoo's Nest was filmed inside the hospital in 1972. In 2008, the entire campus was added to the National Register of Historic Places, and the state began a $360-million restoration project to bring the hospital to modern standards. The story of OSH is one of intrigue, scandal, recovery, and hope.
While walking on a hillside, an unusual line occurred to Lewis Carroll: "For the Snark was a Boojum, you see." Carroll later incorporated the phrase into a complete work that became the best-known nonsense poem of all time: "The Hunting of the Snark." What could be more of a delight to young readers? Here in one book is Carroll's famed poem with its original illustrations by Henry Holliday, side by side with Martin Gardner's "Snarkteasers" - delightfully puzzling questions like these: - Can you rearrange the letters of OCEAN to spell something in which one can spend days in the ocean? But if the ocean is frisky, it's risky. - Seven is certainly an odd number of coats to be wearing. Can you make the number even by crossing out one letter? - See if you can change one letter of SNAIL to make a word that describes a sound made by certain wild animals. Next, try changing the first two letters of SHARK to one letter and make a four-letter word that describes a sound made by a certain tame animal. Young Snark-hunters have been sailing along with that extraordinary sea-going crew in search of a Snark since the poem was first published a century ago. And Martin Gardner's Snarkteasers are sure to make their fantastic voyage more enchanting than ever before. A delightful dividend for Snark fans is the text of another famous Carroll poem, "Jabberwocky," complete with Sir John Tenniel's famous drawings.
New Frontiers of State Constitutional Law: Dual Enforcement of
Norms, edited by James A. Gardner and Jim Rossi, projects a new
vision for state constitutional law through a collection of essays
that reflect a shift in legal thinking about the relationship
between national and subnational systems of constitutional law.
This work charts a new course that gives voice to a recent, rising
chorus of dissent among scholars and judges, namely that national
and subnational systems of constitutional law cannot be adequately
understood in isolation from one another. To the contrary, they are
linked in a web of jurisprudential, social, and pragmatic
connections structured by the American system of federalism. Here,
multiple layers of constitutional law function together in a
complex, interdependent process in which constitutional norms are
developed, articulated, and enforced.
In the newly revised seventh edition of Managing Quality: Integrating the Supply Chain, a decorated team of operations experts delivers a thorough introduction to quality management with an enduring emphasis on the importance of the supply chain for quality improvement. You'll obtain an integrated understanding of the customers, suppliers, technology, and people essential to maintaining and enhancing product quality in business. This latest edition combines the unifying theme of the supply chain with the latest developments in critical subject areas, like Lean, Six Sigma, and service quality. Updated vignettes and references maintain the currency of the work, while new content expands its scope and increases readability and accessibility for students of operations, quality management, and business.
American horror written, produced and directed by Jeremy Gardner. When a zombie apocalypse takes over a large area of New England, former baseball players Ben (Gardner) and Mickey (Adam Cronheim) decide to pack up their things and escape. As Ben adapts to living in the wild, Mickey refuses to change his way of life and continues to burn through batteries listening to his music. As the zombies edge closer to their new location can the pair work together to stay alive?
Management, Operation, and Program Development in Human Services Organizations: EnvisionSMARTâ„¢: A Melmark Model of Administration and Operation concentrates on leadership within HSOs. The book details how to establish a structure for a board of directors, including committee standing, composition of members, orientation and training, board engagement and board reporting. Guidelines for how to design a senior leadership structure are also discussed, including examples of organizational charts, position descriptions, performance management approaches, and strategic and succession planning. Human Service Organizations (HSO) are groups, both public and private, with one main goal, to enhance human well-being. These organizations provide a variety of services for children and adults, including mental health care and educational programs. The Organizational Behavior Management (OBM) model is an effective approach to designing, implementing and maintaining services within HSOs. Each volume in this series highlights key concepts and applications pertinent to each division of HSOs. It is written in a user-friendly format that allows readers to easily integrate the model into their own practice or organization.
Elgar Advanced Introductions are stimulating and thoughtful introductions to major fields in the social sciences, business and law, expertly written by the world's leading scholars. Designed to be accessible yet rigorous, they offer concise and lucid surveys of the substantive and policy issues associated with discrete subject areas. Providing a comprehensive overview of the current and future uses of Artificial Intelligence (AI) in healthcare, this Advanced Introduction discusses the issues surrounding the implementation, governance, impacts and risks of utilising AI in health organizations Key Features: Advises healthcare executives on how to effectively leverage AI to advance their strategies and plans and support digital transformation Discusses AI governance, change management, workforce management and the organization of AI experimentation and implementation Analyzes AI technologies in healthcare and their impacts on patient care, medical devices, pharmaceuticals, population health, and healthcare operations Provides risk mitigation approaches to address potential AI algorithm problems, liability and regulation Essential reading for policymakers, clinical executives and consultants in healthcare, this Advanced Introduction explores how to successfully integrate AI into healthcare organizations and will also prove invaluable to students and scholars interested in technological innovations in healthcare.
Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the official African Methodist Episcopal Church newspaper (a periodical of national reach and scope among free African Americans), Black Print Unbound is thus at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals. The book pairs a longitudinal sense of the Recorder's ideological, political, and aesthetic development with the fullest account available of how the physical paper moved from composition to real, traceable subscribers. It builds from this cultural and material history to recover and analyze diverse and often unknown texts published in the Recorder including letters, poems, and a serialized novel-texts that were crucial to the development of African American literature and culture and that challenge our senses of genre, authorship, and community. In this, Black Print Unbound offers a case study for understanding how African Americans inserted themselves in an often-hostile American print culture in the midst of the most complex conflict the young nation had yet seen, and it thus calls for a significant rewriting of our senses of African American-and so American-literary history.
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