A foundational environmentalist text centuries ahead of its time, The Compleat Angler is one of the most reprinted books in the English language. From the ruins of the English Civil War to the challenges we all face today, Gareth Brookes’s highly original multimedia adaptation of Izaak Walton’s classic focuses on its instructional aspects, highlights its eccentricities and contemplative themes of nature and friendship, and draws parallels between today’s politically divided and ecologically endangered England and that of the 17th century.

Following Brookes’s similarly ambitious The Dancing Plague, this adaptation is lovingly rendered in both linocut engraving and hand-drawn pen-and-ink to contrast the meditative and the instructional in Walton’s writing. As a guidebook on how to fish, this 350-year-old manual makes the perfect gift for any angling enthusiast, and its reflective writing connects with post-pandemic desires for calm, mindful pursuits and a return to nature.

The Dancing Plague tells a true story, from 1518, when hundreds of inhabitants of Strasbourg were suddenly seized by the strange and unstoppable compulsion to dance, from the imagined perspective of Mary, one of its witnesses. Prone to mystic visions as a child, betrayed in the convent to which she flees, then abused by her loutish husband, Mary endures her life as an oppressed and ultimately scapegoated woman with courage, strength, and inspiring beauty. As difficult to interpret now (as a psychological reaction to social injustice?) as it was then (as a collective demonic possession?), the story of the "Dancing Plague" finds suitably extraordinary expression in the utterly unique mixed-media style Gareth Brookes has devised to tell it. The pioneering blend of his trademark "pyrographic" technique with sumptuously colourful (and literal) embroidery perfectly reflects, in a beautiful work of art, the enduring fragility of our human condition - from "choreomania" to coronavirus.

Getting yourself a girlfriend is easy, according to Richard. All you need is papier mache, string, soft material, a balloon, some old fashioned bellows, and a good pair of scissors. The difficult bit is keeping her secret. Set in an English suburb in the early 1990s, The Black Project by Gareth Brookes is the story of Richard's all-consuming passion for creating 'girls' from household objects. But as his hobby begins to flourish, his real life friendships and family relationships deteriorate. Richard is an unreliable narrator, and the reader responds to his loneliness and his dogged attempt to find a companion, while being horrified by his warped creations. The novel's focus is on the divide between childhood and adulthood; where sex, perversion, and the grotesque feature in their many forms.

Myriam is a woman who sees things a little differently from other people. Strange figures in garish costumes accompany her to the post office, wild exotic plants sprout from supermarket shelves and phantom walls rise up to block her path. Her husband Fred doesn't know what she's talking about. Whenever he looks there's nothing there, and besides it's no excuse for his breakfast not being ready on time. But when Myriam sees a young boy shut up in the house next door, who is apparently being held captive, she is determined to investigate, much to her husband's fury. Soon he brings in reinforcements - their daughter, Clare - who is concerned about her mother's state of mind, and the state of her inheritance. Myriam's only ally is her four-year-old grandson, Jack, who is more than happy to see things her way. A Thousand Coloured Castles is a graphic novel where the sleepy suburbs of southern England melt into a world of hallucination, taking the reader through the doors of perception into a life where the surreal co-exists with the banal. With his customary wit and unique artistic approach, Brookes conjures both sympathy and despair for his characters trapped by the routine of daily life. If only they could just see...