Gareth Edwards directs this sci-fi adventure set in the 'Star Wars' universe, featuring a stand-alone story written by Chris Weitz and Tony Gilroy. After being recruited by Rebel Alliance leader Mon Mothma (Genevieve O'Reilly), former criminal Jyn Erso (Felicity Jones) is tasked with stealing the plans for the Death Star so that the weapon can be destroyed before it causes damage to the galaxy. Teaming up with Rebel Captain Cassian Andor (Diego Luna), master swordsman Chirrut Imwe (Donnie Yen) and a band of hardy freedom fighters, Jyn takes on the might of the Empire in a challenge tougher than anything she could have imagined. The cast also includes Ben Mendelsohn, Forest Whitaker, Mads Mikkelsen and Alan Tudyk.

Abstract landscape painting expresses emotion while still capturing the essence of a landscape. This compelling book explores this suggestive style first developed by Turner. Using the hauntingly-beautiful paintings of Gareth Edwards, it explores the technical, historical and psychological dimensions of abstract landscape painting to help you develop your own skilful and intensely personal approach. Through this new book you can learn about how to begin an abstract landscape painting, using chance application; understand how to 'manage accidents' to create innovative pieces of work; discover the importance of effective composition and how this navigates the viewer's journey; determine the importance of the 'invisible' elements of painting: the unspoken value of the viewer and the influence of 'looking'. It also reveals how to utilize a convergence of linear and atmospheric perspective to help your viewer traverse the picture plane and helps you understand the importance of light, space, colour, and tone in generating evocative paintings. Finally, it encourages you to be more demanding of your surface, using textural techniques and glazing to achieve professional production values. It is a unique and exciting book into this under-documented genre.

A hilarious picture book about a very hungry, and rather unlucky, badger in search of a sandwich - with a wickedly funny twist in the tale One day, a boy drops his sandwich in a sandpit, and the race is on! A very hungry badger wants it, but he's just not quick enough. The sandwich is dropped, squashed and slithered over by everyone from a squirrel, to a fox, to a band of slugs. Will the badger ever get his paws on that sandwich? And will he even want it if he does, or will it just be too disgusting? Children will love the 'yuck factor' of the ending, when the badger ditches the sandwich in favour of slurping up all the slimy slugs Beautifully written with satisfying repetition and a refrain children will love joining in with Gorgeous illustrations by Hannah Shaw bring this funny picture book to life in glorious, quirky detail

The confluence of global climate change, growing levels of energy consumption and rapid urbanization has led the international policy community to regard urban responses to climate change as an urgent agenda (World Bank 2010). The contribution of cities to rising levels of greenhouse gas emissions coupled with concerns about the vulnerability of urban places and communities to the impacts of climate change have led to a relatively recent and rapidly proliferating interest amongst both academic and policy communities in how cities might be able to respond to mitigation and adaptation. Attention has focused on the potential for municipal authorities to develop policy and plans that can address these twin issues, and the challenges of capacity, resource and politics that have been encountered. While this literature has captured some of the essential means through which the urban response to climate change is being forged, is that it has failed to take account of the multiple sites and spaces of climate change response that are emerging in cities off-plan . "

An Urban Politics of Climate Change" provides the first account of urban responses to climate change that moves beyond the boundary of municipal institutions to critically examine the governing of climate change in the city as a matter of both public and private authority, and to engage with the ways in which this is bound up with the politics and practices of urban infrastructure. The book draws on cases from multiple cities in both developed and emerging economies to providing new insight into the potential and limitations of urban responses to climate change, as well as new conceptual direction for our understanding of the politics of environmental governance. "

The confluence of global climate change, growing levels of energy consumption and rapid urbanization has led the international policy community to regard urban responses to climate change as an urgent agenda (World Bank 2010). The contribution of cities to rising levels of greenhouse gas emissions coupled with concerns about the vulnerability of urban places and communities to the impacts of climate change have led to a relatively recent and rapidly proliferating interest amongst both academic and policy communities in how cities might be able to respond to mitigation and adaptation. Attention has focused on the potential for municipal authorities to develop policy and plans that can address these twin issues, and the challenges of capacity, resource and politics that have been encountered. While this literature has captured some of the essential means through which the urban response to climate change is being forged, is that it has failed to take account of the multiple sites and spaces of climate change response that are emerging in cities off-plan . "

An Urban Politics of Climate Change" provides the first account of urban responses to climate change that moves beyond the boundary of municipal institutions to critically examine the governing of climate change in the city as a matter of both public and private authority, and to engage with the ways in which this is bound up with the politics and practices of urban infrastructure. The book draws on cases from multiple cities in both developed and emerging economies to providing new insight into the potential and limitations of urban responses to climate change, as well as new conceptual direction for our understanding of the politics of environmental governance. "

A wickedly funny and reassuring bedtime read. Ever thought about sharing your toothbrush with a shark? Or using a tiger as a towel? Well, think again . . . This brilliantly daft, witty cautionary tale will guide you safely through the perils of dinner, bathtime and bedtime - helping you to snuggle down for a lovely sleep, free from dinosaurs, tigers and sharks. The perfect bedtime adventure for fans of Oi Frog! With gorgeous, vibrant illustrations from the illustrator of Giraffes Can't Dance, Guy Parker-Rees Witty and wonderful rhyming text by Gareth Edwards, author of The Disgusting Sandwich

This book is your comprehensive guide to key leadership theories, topics and trends. It goes beyond the basics to explore contemporary issues such as power and politics, authenticity, followership, toxicity, language, identity, ethics and sustainability, enabling you to gain a deep, holistic understanding of the field. Updated throughout with new examples, Critical Thinking boxes and further reading suggestions, the third edition of Studying Leadership: Traditional and Critical Approaches is the ideal accompaniment to leadership courses across a range of subject areas, including Business & Management, Health and Education. Lecturers can access a range of useful resources, including an instructor's manual, selected SAGE Business Cases and videos, PowerPoint slides and a testbank, via the companion website. Doris Schedlitzki is Professor in Organisational Leadership at Guildhall School of Business and Law, London Metropolitan University. Gareth Edwards is Professor of Leadership and Community Studies at Bristol Business School, University of the West of England.

This report addresses carbon labeling schemes, a high-profile issue and one that has important economic implications for developing countries. Carbon accounting and labeling instruments are designed to present information on greenhouse gas emissions (GHG) from supply chains. These instruments have become an important awareness-raising channel for governments, producers, retailers and consumers to bring about the reduction of GHGs. At the same time, they have emerged as a crucial element of supply chain management, trade logistics and, potentially, trade regulations between countries. But the underlying science of GHG emissions is only partially developed. Many of these schemes are based on rudimentary knowledge of GHG emissions and have mainly been designed by industrialized countries. There is a concern that these systems do not accurately reflect production processes in developing countries, and that they may even shift consumer preferences away from developing country exports. The report includes an analysis of current and emerging carbon labeling schemes and an assessment of available data, emissions factors and knowledge gaps of carbon footprinting methodologies. The report also analyzes carbon accounting methodologies for sugar and pineapple products from Zambia and Mauritius according to PAS 2050 guidelines, to illustrate whether these schemes accurately represent the production systems in developing countries. The report concludes with a series of recommendations on how carbon footprint labeling can be made more development-friendly

Bryan Cranston, Ken Watanabe, Aaron Taylor-Johnson and Sally Hawkins star in this reimagining of the 1954 Japanese film about the destruction caused by a giant monster.

When a devastating event is covered up as a natural disaster, nuclear physicist Joe Brody realises something much more sinister is to blame. Scientists Dr. Ichiro Serizawa and Dr. Vivienne Graham reveal that in 1954 a powerful monster was awakened and though 'nuclear tests' were carried out in the Pacific Ocean to destroy it, the creature has now returned.

With the US Armed Forces, including Joe's son Navy Lieutenant Ford Brody, called into action, humanity fights for its survival.

Gareth Edwards directs this ultra-low-budget indie sci-fi film. Six years ago, a NASA probe holding samples of alien life crashed over Central America on its return journey to Earth. Soon after, evidence of a new life form appeared and half of Mexico has been quarantined ever since, having being designated an 'infected zone'. Now, cynical American press photographer Andrew Kaulder (Scoot McNairy), who has entered the territory in the hope of capturing the 'monsters' on camera, finds himself escorting his boss's daughter Samantha Wynden (Whitney Able) to safety across the US border after she is injured in a monster attack.

This book is your comprehensive guide to key leadership theories, topics and trends. It goes beyond the basics to explore contemporary issues such as power and politics, authenticity, followership, toxicity, language, identity, ethics and sustainability, enabling you to gain a deep, holistic understanding of the field. Updated throughout with new examples, Critical Thinking boxes and further reading suggestions, the third edition of Studying Leadership: Traditional and Critical Approaches is the ideal accompaniment to leadership courses across a range of subject areas, including Business & Management, Health and Education. Lecturers can access a range of useful resources, including an instructor's manual, selected SAGE Business Cases and videos, PowerPoint slides and a testbank, via the companion website. Doris Schedlitzki is Professor in Organisational Leadership at Guildhall School of Business and Law, London Metropolitan University. Gareth Edwards is Professor of Leadership and Community Studies at Bristol Business School, University of the West of England.

Bryan Cranston, Ken Watanabe, Aaron Taylor-Johnson and Sally Hawkins star in this science fiction reimagining of the 1954 Japanese film about the destruction caused by a giant monster. When a devastating event is covered up as a natural disaster, nuclear physicist Joe Brody (Cranston) realises something much more sinister is to blame. Scientists Dr. Ichiro Serizawa (Watanabe) and Dr. Vivienne Graham (Hawkins) reveal that in 1954 a powerful monster was awakened and though 'nuclear tests' were carried out in the Pacific Ocean to destroy it, the creature has now returned. With the US Armed Forces, including Joe's son Navy Lieutenant Ford Brody (Taylor-Johnson), called into action, humanity fights for its survival. The cast also includes Elizabeth Olsen, Juliette Binoche and David Strathairn.