The Satyrica is a thrilling piece of literature and rare example of the Roman novel, credited to Titus Petronius. It is as modern today as in the time when it was written under the Roman emperor Nero. This is the first comprehensive commentary on the whole of Petronius' Satyrica, and an attempt to unify and comprehend, as much as possible, the fragmentary text by looking carefully at the bits and pieces which have survived. The Satyrica's unique nature as a historical document from the ancient world has meant that it has been studied vigorously by social historians; it provides rare insights into the lives of ordinary Roman people, such as the narrative about Trimalchio the Roman businessman, as well as documenting the evolution of Latin into the various Romance languages as we know them today. Petronius puts into the mouth of each of his characters a distinctive and socially defining level of Latin, so that the world of the Satyrica is populated not by characters who speak a kind of Latin which made Latin a dead language, but by flesh and blood people who have made Latin live until today. Schmeling's commentary offers readers a comprehensive analysis of this historically important text through philological, linguistic, historical, and narratological discussions, while highlighting past doubts on Petronius' authorship of the Satyrica.

The Satyrica (Satyricon liber), a comic-picaresque fiction in prose and verse traditionally attributed to the Neronian Petronius (d. AD 66) but possibly of Flavian or Trajanic date, survives only as fragments of a much larger whole. It takes the form of a first-person narrative by the endearing ne’er-do-well Encolpius, a brilliant storyteller, parodist, and mimic who recalls episodes from his past life as a wandering bohemian, living by his wits on the margins of society in Greek southern Italy and encountering a vividly realized array of characters from the early imperial demimonde, including the wealthy freedman Trimalchio, one of the most unforgettable characters in all of Latin literature. Paired with the Satyrica, and likewise in prose and verse, is the Apocolocyntosis (Pumpkinification), a short satirical pamphlet lampooning the death, apotheosis, and attempt to enter heaven of the emperor Claudius (reigned 41–54). If the work of Lucius Annaeus Seneca (4 BC–AD 65), better known for his austere Stoic moralism, its sarcastic wit and rollicking humor were no doubt inspired by bitterness over his exile at Claudius’ hands in 41–49. For this Loeb edition the Latin texts have been freshly edited and translated, with ample introductions and explanatory notes.